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{{Английская Википедия/Панель перехода}}
{{Short description|2015 film by Charlie Kaufman and Duke Johnson}}
{{Use American English|date=June 2023}}
{{Use dmy dates|date=June 2016}}
{{Infobox film
| name           = Anomalisa
| image          = Anomalisa poster.jpg
| caption        = Theatrical release poster
| director       = {{plainlist|
* [[Charlie Kaufman]]
* [[Duke Johnson (director)|Duke Johnson]]
}}
| producer       = {{plainlist|
* [[Rosa Tran]]
* Duke Johnson
* Charlie Kaufman
* [[Dino Stamatopoulos]]
}}
| writer  = Charlie Kaufman
| based_on       = {{based on|''Anomalisa''|Charlie Kaufman}}{{ref|NoteBS|FF}}
| starring       = {{plainlist|
* [[David Thewlis]]
* [[Jennifer Jason Leigh]]
* [[Tom Noonan]]
}}
| music          = [[Carter Burwell]]
| cinematography = Joe Passarelli
| editing        = Garret Elkins
| studio         = {{plainlist|
* [[Paramount Animation]]<ref name=afi>{{cite web|title=Anomalisa (2016)|work=[[AFI Catalog of Feature Films]]|access-date=15 February 2021|url=http://catalog.afi.com/Film/70452-ANOMALISA?sid=ae397ab7-25c1-48d4-8011-21200cab5323&sr=6.7716637&cp=1&pos=0}}</ref>
* [[Starburns Industries]]<ref name=afi/>
}}
| distributor    = [[Paramount Pictures]]<ref name=afi/>
| released       = {{Film date|2015|09|04|[[Telluride Film Festival]]|2015|12|30|United States}}
| runtime        = 90 minutes<!--Theatrical runtime: 89:57--><ref>{{cite web | url=http://www.bbfc.co.uk/releases/anomalisa-film | title=''ANOMALISA'' (15) | publisher=[[British Board of Film Classification]] | date=January 25, 2016 | access-date=January 25, 2016}}</ref>
| country        = United States
| language       = English
| budget         = $8 million<ref name="BOM">{{cite web |url=http://www.boxofficemojo.com/movies/?id=anomalisa.htm |title=Anomalisa|work = [[Box Office Mojo]] |publisher=[[IMDb]] |access-date=February 21, 2016}}</ref>
| gross          = $5.7 million<ref name="BOM" />
}}
'''''Anomalisa''''' is a 2015 American [[adult animation|adult]] [[stop motion|stop motion animated]] [[Psychological fiction|psychological]] [[comedy-drama]] film written and directed by [[Charlie Kaufman]], who co-directed with [[Duke Johnson (director)|Duke Johnson]]. It was based on Kaufman's 2005 [[audio play]] of the same name under his alias Francis Fregoli, which is considered an exploration of the [[Fregoli delusion]].<ref>{{Cite web |title=Anomalisa |url=https://www.rcpsych.ac.uk/news-and-features/blogs/detail/cultural-blog/2016/11/14/anomalisa |access-date=2020-08-08 |website=www.rcpsych.ac.uk |language=en}}</ref><ref name="USBACK" /> ''Anomalisa'' follows British middle-aged [[customer service]] expert Michael Stone ([[David Thewlis]]), who perceives everyone ([[Tom Noonan]]) as identical except for Lisa Hesselman ([[Jennifer Jason Leigh]]), whom he meets in a [[Cincinnati]] hotel.

Kaufman's audio play premiered in Los Angeles, and featured the voices of Thewlis, Noonan, and Leigh. He opposed adapting the play into a film, fearing loss of artistic merit, but began exploring the idea in 2012 after incorporating edits to the script. Filming faced delays as [[Starburns Industries]] initially secured production funding on [[Kickstarter]] only to adapt the play as a [[short film]], with animation beginning in late 2013. The filmmakers faced struggles with stop-motion technology, a notoriously laborious medium. This was alleviated after [[Paramount Animation]] joined production, enabling the film to be expanded to a feature.

''Anomalisa'' premiered at the [[Telluride Film Festival]] on September 4, 2015, and was theatrically released in the U.S. on December 30 by [[Paramount Pictures]]. The film received critical acclaim, with praise for its screenplay, direction, and thematic content. It was nominated for an [[Academy Award for Best Animated Feature]], the first R-rated animated film to be nominated in this category,<ref>{{Cite news|last=King|first=Melissa|title=Movie addict: Discover the extraordinary in 'Anomalisa'|url=https://www.sctimes.com/story/entertainment/movies/2016/04/06/movie-addict-discover-extraordinary-anomalisa/82518694/|access-date=2021-06-17|website=St. Cloud Times|language=en-US}}</ref> and was nominated for the [[Golden Globe Award for Best Animated Feature Film]]. It won the [[Grand Jury Prize (Venice Film Festival)|Grand Jury Prize]] at the [[72nd Venice International Film Festival]], the first animated film to do so.<ref>{{cite web|url=http://www.labiennale.org/en/cinema/archive/72nd-festival/awards/|title=Official Awards of the 72nd Venice International Film Festival|access-date=February 10, 2017|publisher=[[Venice International Film Festival]]|url-status=dead|archive-url=https://web.archive.org/web/20170219095924/http://www.labiennale.org/en/cinema/archive/72nd-festival/awards/|archive-date=February 19, 2017}}</ref>

== Plot ==
In 2005, middle-aged [[England|English]]-born lonely [[customer service]] expert and motivational speaker Michael Stone travels to [[Cincinnati]], [[Ohio]] to promote his latest book at a convention in a hotel. He feels distant from everyone around him, whom he perceives as having an identical face and voice, including his wife and son. Michael practices his talk in his room in the fictional Fregoli Hotel, but is haunted by the memory of an angry letter from an old flame, Bella, whom he abruptly left years ago without an explanation. He arranges to meet her in the hotel bar; still upset, she is outraged by his invitation to his room and storms out. Going for a walk, Michael mistakes an [[Sex toy|adult toy]] store for a children's toy store. Wanting to buy his son a present, he goes in and discovers his mistake, but is fascinated by a [[Japan]]ese [[Animatronics|animatronic]] doll behind the counter.

After taking a shower, Michael hears a unique female voice. He rushes from his room to find its owner: Lisa, an insecure young woman attending the convention with her friend Emily. Enraptured by her unique appearance and voice, he invites both women for drinks at the bar. Afterward, to Lisa's surprise, Michael invites her to his room. Captivated, he encourages her to sing (she chooses [[Cyndi Lauper]]'s "[[Girls Just Want to Have Fun]]") and tell him about her life. After she calls herself an "anomaly", he nicknames her Anomalisa. They become intimate and have sex.

Michael has a nightmare in which the lower half of his face falls off and the identical people of the world pursue him, claiming that they love him and insisting that he and Lisa cannot be together. The dream inspires Michael to propose that he and Lisa start a new life together. She agrees, but her eating habits during breakfast annoy him, and her voice and face begin to transform into those of everyone else. During his convention talk, Michael suffers a breakdown, saying that he has no one to talk to and ranting about the American government, alienating the audience.

Michael returns to his home in [[Los Angeles]], [[California]]. He gives the Japanese animatronic woman to his son who is nonplussed and notices a mysterious substance leaking from it. Michael's wife notes the substance resembles semen but dismisses it nonchalantly. She has arranged a surprise party for Michael but he does not recognize any of the attendees, angering her. Michael sits alone on the stairs as the animatronic woman, bearing facial damage in the same locations as Lisa's facial scarring, sings "[[Momotarō#Momotarō's Song|Momotarō's Song]]", a Japanese children's song.

Lisa writes Michael a letter, saying she hopes they will meet again. Lisa's friend Emily, sitting beside her in the car, has her own unique face.

== Cast ==
* [[David Thewlis]] as Michael Stone, a middle-aged British English-born motivational speaker and customer service expert with a mostly negative attitude. To him, every person looks and sounds the same except Lisa, whom he perceives as different.
* [[Jennifer Jason Leigh]] as Lisa Hesselman, a sweet but insecure woman who has come to the hotel to attend Michael's talk about customer service.
* [[Tom Noonan]] as everyone else.

== Production ==
=== Development ===
{{multiple image
 | direction         = <!-- horizontal (default), vertical -->
 | total_width       = 300
 | image1            = Charlie Kaufman Fantastic Fest 2015-0257 (27441349145) (cropped).jpg
 | width1            = 719
 | height1           = 865
 | image2            = Duke Johnson director.jpg
 | width2            = 660
 | height2           = 906
 | footer            = Directors Charlie Kaufman and Duke Johnson at the 2015 [[Fantastic Fest]]
}}
The first version of ''Anomalisa'' was written and performed in 2005 for the Los Angeles run of "Theater of the New Ear", described as "a concert for music and text, or a set of 'sound plays'" by [[Carter Burwell]], who commissioned and scored them.<ref name="carterburwellTONE">{{cite web|url=http://www.carterburwell.com/projects/TONE.shtml|title=Theater of the New Ear|work=Carter Burwell official website|access-date=April 4, 2016}}</ref> It was a double bill with Kaufman's ''Hope Leaves the Theater'', and replaced ''Sawbones'', by the [[Coen Brothers]], from the earlier New York run, after that play's actors were unavailable.<ref>{{cite news|url=http://articles.latimes.com/2005/sep/16/entertainment/et-ear16|title=Lend an ear to Charlie Kaufman|last=Swed|first=Mark|date=September 16, 2005|work=[[Los Angeles Times]]|access-date=April 4, 2016}}</ref> This ''Anomalisa'' was credited to the [[pen name]] Francis Fregoli, a reference to the [[Fregoli delusion]], a disorder centered around the belief that different people are in fact a single person who changes appearance or is in disguise.<ref name=USBACK>{{cite web|last1=Lawless|first1=Jill|title=Charlie Kaufman wows Venice critics with inventive adult animation 'Anomalisa'|url=https://www.usnews.com/news/entertainment/articles/2015/09/09/charlie-kaufman-is-back-with-adult-animation-anomalisa|website=[[U.S. News & World Report]]|date=September 9, 2015|access-date=September 17, 2015}}</ref> The 2005 performance had Thewlis and Leigh sitting on opposite sides of the stage, with Noonan in the middle; Burwell conducted the Parabola Ensemble, and there was a [[foley artist]].<ref name="carterburwellTONE" /><ref>{{cite news|url=https://variety.com/2005/legit/markets-festivals/theater-of-the-new-ear-1200523153/|title=Review: Theater of the New Ear|last=Gallo|first=Phil|date=September 15, 2005|work=[[Variety (magazine)|Variety]]|publisher=[[Penske Business Media]]|access-date=April 4, 2016}}</ref>

Kaufman was initially opposed to turning the play into an animated film, saying that the play had "a disconnect between what's being said on stage and what the audience is seeing – there's Tom playing all these characters, there's Jennifer and David having sex while they're really just standing across the stage from each other and moaning. You'd lose that". The film was reinvented, although its script was described by ''The Guardian'' as "virtually the same" as that of the original play.<ref name=Soundplay>{{cite web|last1=Rommey|first1=Jonathan|title=Charlie Kaufman on weirdness, failure and his new puppet noir|url=https://www.theguardian.com/film/2015/sep/15/charlie-kaufman-anomalisa-film-interview|website=[[The Guardian]]|publisher=[[Guardian News and Media]]|date=September 15, 2015|access-date=September 17, 2015}}</ref>

The film's production company, Starburns Industries, sought funding on [[Kickstarter]] to "produce this unique and beautiful film outside of the typical Hollywood studio system," where the company believed the film would be inevitably changed from its initial conception. Initially pitched as a short film "approximately 40 minutes in length", the team set a funding goal of $200,000. By the end of the campaign, 5,770 backers had pledged $406,237 to the project.<ref name="kickstarter">{{cite web|url=http://www.kickstarter.com/projects/anomalisa/charlie-kaufmans-anomalisa/description|title=Charlie Kaufman's Anomalisa|publisher=[[Kickstarter]]|author=Starburns Industries|access-date=June 11, 2018}}</ref> After the success of the Kickstarter initiative, additional funding was secured by the film's production company, Starburns Industries, and the film was expanded to [[feature length]].<ref>{{cite web|url=https://www.kickstarter.com/projects/anomalisa/charlie-kaufmans-anomalisa/posts/852303|title=Kickstart Update #39: Anomalisa Timeline|publisher=[[Kickstarter]]|author=Starburns Industries|access-date=June 11, 2018|date=May 22, 2014}}</ref>

=== Animation ===
The puppets were created with [[3D printing|3D printers]],<ref name="LATimes">{{cite web|last1=Zeitchik|first1=Steven|title=Charlie Kaufman breaks hiatus on own terms in 'Anomalisa' at Telluride|url=http://www.latimes.com/entertainment/movies/la-et-mn-charlie-kaufman-anomalisa-telluride-20150904-story.html|website=[[Los Angeles Times]]|date=September 4, 2015|access-date=September 17, 2015}}</ref> with multiple copies of each character. Eighteen Michaels and six Lisas were created.<ref name="Gray">{{Cite web| url= https://variety.com/2015/artisans/news/anomalisa-small-scale-challenges-1201664471/| title= 'Anomalisa': The Big Challenges of Re-Creating Life on a Small Scale| last= Gray| first= Tim| website= [[Variety (magazine)|Variety]]| publisher=[[Penske Business Media]]| access-date = February 29, 2016|date=December 30, 2015}}</ref> Johnson recounted that the team was told that such realistic puppets would be "disturbing and off-putting", but disagreed, saying that the nature of stop-motion film, with human hands moving puppets for each frame, brought "organic life" to the medium.<ref name="Soundplay" /> One goal of the film was for viewers to "forget they were looking at something animated and just get wrapped up in the scene", he said; "the challenge we felt with so much animated stuff is that you're always conscious of the animation, and we kept asking, 'What if we could escape that? What would it be like?'".<ref name="LATimes" />

Kaufman and Johnson have described the process of stop-motion animation as "laborious" and found challenges in making the puppets look lifelike and relatable.<ref name="theguardian.com">{{cite web|url=https://www.theguardian.com/film/2016/jan/07/subversive-allure-stop-motion-anomalisa-tim-burton|title=Masters of puppets: Charlie Kaufman and the subversive allure of stop-motion|first=Steve|last=Rose|date=January 7, 2016|publisher=[[Guardian News and Media]]|work=[[The Guardian]]|access-date=July 11, 2018}}</ref> Animator Dan Driscoll said they found people on whom to model the puppets, studied human movement and facial expressions to produce a precise result, created the puppets and built the sets, and finally placed the puppets on the sets and moved them frame by frame to create the illusion of movement.<ref name="theguardian.com" /> Kaufman said the medium of stop-motion underpins the narrative of ''Anomalisa'' by drawing attention to small details viewers would not notice in a live-action film.<ref>{{cite web|url=https://www.npr.org/2015/12/22/460632027/frame-by-frame-filmmakers-make-the-mundane-miraculous-in-anomalisa|title=Frame-By-Frame, Filmmakers Make The Mundane Miraculous In 'Anomalisa'|publisher=[[NPR]]|work=Fresh Air|first=Terry|last=Gross|date=December 22, 2015|access-date=July 11, 2018}}</ref>

The film was in production for more than two years.<ref name="Gray" />

=== Music ===
{{Main|Anomalisa (soundtrack)}}

== Release ==
''Anomalisa'' had its world premiere at the [[Telluride Film Festival]] on September 4, 2015.<ref>{{cite web|url=http://www.indiewire.com/article/telluride-film-festival-charlie-kaufmans-marvelously-strange-anomalisa-is-an-animated-identity-crisis-20150905|title=Telluride Review: Charlie Kaufman's Marvelously Strange 'Anomalisa' is An Animated Identity Crisis|publisher=[[Penske Business Media]]|work=[[IndieWire]]|first=Eric|last=Kohn|date=September 5, 2015|access-date=December 1, 2015}}</ref> The film went on to screen at the [[Venice Film Festival]] on September 8<ref name="HR review">{{cite web|url=http://www.hollywoodreporter.com/review/charlie-kaufmans-anomalisa-venice-review-820741|title='Anomalisa': Venice Review|publisher=[[Prometheus Global Media]]|work=[[The Hollywood Reporter]]|first=David|last=Rooney|date=September 5, 2015|access-date=December 1, 2015}}</ref> and the [[Toronto International Film Festival]] on September 15.<ref>{{cite web|url=http://tiff.net/festivals/festival15/specialpresentations/anomalisa|title=Anomalisa|publisher=[[Toronto International Film Festival]]|url-status=dead|archive-date=December 8, 2015|archive-url=https://web.archive.org/web/20151208102038/https://www.tiff.net/festivals/festival15/specialpresentations/anomalisa|access-date=December 1, 2015|work=Special Presentations}}</ref> Shortly after, [[Paramount Pictures]] acquired its worldwide distribution rights.<ref name="Variety">{{cite web|url=https://variety.com/2015/film/markets-festivals/toronto-paramount-buys-charlie-kaufmans-anomalisa-1201594936/|title=Toronto: Paramount Buys Charlie Kaufman's 'Anomalisa'|last=Lang|first=Brent|work=[[Variety (magazine)|Variety]]|publisher=[[Penske Business Media]]|access-date=September 17, 2015|date=September 16, 2015}}</ref> The film had a [[limited release]] on December 30, 2015<ref name="HR review" /> and a [[wide release|wider release]] in January.<ref>{{cite web|url=http://www.anomalisa.com/ |title=Anomalisa |work=Anomalisa Official Website |publisher=[[Paramount Pictures]] |url-status=dead |archive-url=https://web.archive.org/web/20151223143535/http://www.anomalisa.com/ |archive-date=December 23, 2015}}</ref>

The film's [[DVD]] and [[Blu-ray]] packs were released on June 7, 2016.<ref>{{Cite web|url=https://www.dvdsreleasedates.com/movies/7876/anomalisa|title=Anomalisa (2015)|website=DVDs Release Dates|access-date=February 17, 2017}}</ref> The Blu-ray Combo Pack with Digital HD includes an in-depth look at the filmmaking process with Kaufman and Johnson and three behind-the-scenes features, including an extended look at the production process and deeper themes of the story. Looks at the [[sound design]] and the ground-breaking techniques used to create one of the film's most intricate and intimate scenes are also shown.<ref>{{Cite web|url=http://www.businesswire.com/news/home/20160307005437/en/Academy-Award%C2%AE-Winner*-Charlie-Kaufman-Critically-Acclaimed-Films|title=From Academy Award®-Winner* Charlie Kaufman Comes One of the Most Critically Acclaimed Films of the Year, Anomalisa, Debuting on Digital HD March 15, 2016|publisher=[[BusinessWire]]|first=Brenda|last=Ciccone|access-date=February 17, 2017|date=March 7, 2016}}</ref> In the Blu-ray pack, thanks to the [[DTS-HD Master Audio]] 5.1 used in the film's production, ambient sound effects such as the hotel bar background can be perfectly heard and combined with the dialogue.<ref>{{Citation|title=Anomalisa Blu-ray|url=http://www.blu-ray.com/movies/Anomalisa-Blu-ray/143366/|access-date=February 17, 2017 |work=Blu-Ray.com}}</ref>

=== Critical response ===
On [[Rotten Tomatoes]], the film holds an approval rating of 91% based on 278 reviews, with an average rating of {{RT data|average}}. The website's critical consensus reads: "''Anomalisa'' marks another brilliant and utterly distinctive highlight in Charlie Kaufman's filmography, and a thought-provoking treat for fans of introspective cinema."<ref>{{cite web|url=https://www.rottentomatoes.com/m/anomalisa|title=Anomalisa (2015)|website=[[Rotten Tomatoes]]|publisher=[[Fandango Media|Fandango]]|access-date={{RT data|access date}}}}{{RT data|edit}}</ref> The film also has a [[weighted average]] score of 88 out of 100 on [[Metacritic]] based on 46 reviews, indicating "universal acclaim".<ref>{{cite web|url=http://www.metacritic.com/movie/anomalisa|title=Anomalisa Reviews|work=[[Metacritic]]|publisher=[[CBS Interactive]]|access-date=January 22, 2016}}</ref>

In ''[[Time Out (magazine)|Time Out]]'' David Calhoun awarded the film five out of five stars and wrote, "It's what you imagine might have happened if Charlie Kaufman had got his hands on ''[[Up in the Air (2009 film)|Up in the Air]]'' or ''[[Lost in Translation (film)|Lost in Translation]]''."<ref>{{cite web|url=http://www.timeout.com/london/film/anomalisa|title=Anomalisa|last=Calhoun|first=Dave|work=[[Time Out (magazine)|Time Out London]]|publisher=Time Out Group|date=September 8, 2015|access-date=September 27, 2015}}</ref> Drew McWeeny of [[Hitfix]] called it "the most shattering experiment yet from Charlie Kaufman" and graded it an A+.<ref>{{cite web|url=https://uproxx.com/hitfix/review-anomalisa-is-the-most-shattering-experiment-yet-from-charlie-kaufman/|title=Review: 'Anomalisa' is the most shattering experiment yet from Charlie Kaufman|last=McWeeny|first=Drew|work=[[HitFix]]|publisher=[[Uproxx]]|date=September 18, 2015|access-date=September 27, 2015}}</ref> ''[[LA Weekly]]''{{'}}s Amy Nicholson gave the film an A and wrote, "Kaufman is taking our brains apart and showing us the gears."<ref>{{cite web|url=http://www.laweekly.com/film/charlie-kaufman-has-directed-his-second-masterpiece-6045163|title=Charlie Kaufman Has Directed His Second Masterpiece|last=Nicholson|first=Amy|work=[[LA Weekly]]|date=September 15, 2015|access-date=September 27, 2015}}</ref> ''[[The Guardian]]''{{'}}s [[Peter Bradshaw]] gave the film five out of five, naming it his film of the week, and wrote: "It is really funny, and incidentally boasts one of the most extraordinarily real sex scenes in film history. It also scared me the way a top-notch horror or a sci-fi dystopia might ... Is there anyone else in the movies doing such unique and extraordinary work?"<ref>{{Cite news|url=https://www.theguardian.com/film/2016/mar/10/anomalisa-review-charlie-kaufman-puppet-masterpiece-about-the-human-condition|title=Anomalisa review: a masterpiece about the human condition – with puppets|last=Bradshaw|first=Peter|date=March 10, 2016|newspaper=[[The Guardian]]|publisher=[[Guardian News and Media]]|access-date=March 20, 2016}}</ref>

''[[The Observer|Observer]]'' critic [[Mark Kermode]] gave ''Anomalisa'' three out of five, writing: "Sometimes it falls apart ... But there's something magical about the malaise which raises this above mere misanthropy—a heightened sense of fragile life that perhaps only puppets could hope to achieve."<ref>{{Cite news|url=https://www.theguardian.com/film/2016/mar/13/anomalisa-review-charlie-kaufman-duke-johnson-david-thewlis-jennifer-jason-leigh|title=Anomalisa review – uncanny stop-motion|last=Kermode|first=Mark|date=March 13, 2016|newspaper=[[The Observer]]|publisher=[[Guardian News and Media]]|access-date=March 20, 2016}}</ref> Stephanie Zacharek of ''[[Time (magazine)|Time]]'' wrote: "Once you start reckoning with ''Anomalisa''{{'}}s obsession with self-absorption, the novelty of this one-man pity party begins to wear off."<ref>{{cite magazine|url=http://time.com/4157259/anomalisa-movie-review/ |title=Review: In Anomalisa, Puppets Have Problems Too |last=Zacharek |first=Stephanie |magazine=[[Time (magazine)|Time]] |date=December 21, 2015 |access-date=February 8, 2015}}</ref>

===Top ten lists===
''Anomalisa'' was listed on numerous critics' top ten lists for 2015.<ref>{{cite web|url=http://www.metacritic.com/feature/film-critics-list-the-top-10-movies-of-2015|title=Best of 2015: Film Critic Top Ten Lists|first=Jason|last=Dietz|date=December 6, 2015|work=[[Metacritic]]|publisher=[[CBS Interactive]]|access-date=July 11, 2018}}</ref>
{{div col|colwidth=30em}}
* 1st&nbsp;– Drew McWeeny, ''[[HitFix]]''
* 1st&nbsp;– Aaron Hills, ''[[The Village Voice]]''
* 1st&nbsp;– Tim Grierson, ''[[Screen International]]''
* 2nd&nbsp;– [[Michael Phillips (critic)|Michael Phillips]], ''[[Chicago Tribune]]''
* 2nd&nbsp;– Amy Nicholson, ''[[L.A. Weekly]]''
* 2nd&nbsp;– Alison Willmore, ''[[BuzzFeed]]''
* 2nd&nbsp;– [[Ella Taylor]] & Kristopher Tapley, ''[[Variety (magazine)|Variety]]''
* 2nd&nbsp;– [[Glenn Kenny]], ''[[RogerEbert.com]]''
* 2nd&nbsp;– Matt Singer, ''[[ScreenCrush]]''
* 2nd&nbsp;– [[Lou Lumenick]], ''[[New York Post]]'' (tied with ''[[Inside Out (2015 film)|Inside Out]]'')
* 3rd&nbsp;– [[Alonso Duralde]], ''[[TheWrap]]''
* 3rd&nbsp;– Matt Goldberg, ''[[Collider (website)|Collider]]''
* 3rd&nbsp;– Ben Travers, ''[[Indiewire]]''
* 3rd&nbsp;– Matt Fagerholm, ''[[RogerEbert.com]]''
* 3rd&nbsp;– Dennis Dermody, ''[[Paper (magazine)|Paper]]''
* 3rd&nbsp;– [[Will Leitch]], ''[[The New Republic]]''
* 4th&nbsp;– Peter Sobczynski & Nick Allen, ''[[RogerEbert.com]]''
* 4th&nbsp;– ''[[The Guardian]]''
* 4th&nbsp;– John Powers, ''[[Vogue (magazine)|Vogue]]''
* 4th&nbsp;– Geoff Berkshire, ''[[Variety (magazine)|Variety]]''
* 5th&nbsp;– [[Michael Atkinson (critic)|Michael Atkinson]], ''[[The Village Voice]]''
* 5th&nbsp;– Steve Persall, ''[[Tampa Bay Times]]''
* 5th&nbsp;– [[A.O. Scott]], ''[[The New York Times]]'' (tied with ''[[Carol (film)|Carol]]'')
* 6th&nbsp;– Kate Erbland, ''[[Indiewire]]''
* 6th&nbsp;– William Bibbiani, ''[[CraveOnline]]''
* 6th&nbsp;– Erin Whitney, ''[[ScreenCrush]]''
* 6th&nbsp;– [[Todd McCarthy]], ''[[The Hollywood Reporter]]''
* 7th&nbsp;– [[Kyle Smith (critic)|Kyle Smith]], ''[[New York Post]]''
* 7th&nbsp;– Jake Coyle, ''[[Associated Press]]''
* 7th&nbsp;– [[Mike D'Angelo]], ''[[The A.V. Club]]''
* 7th&nbsp;– Eric Kohn & Jessica Kiang, ''[[Indiewire]]''
* 7th&nbsp;– Rafer Guzman, ''[[Newsday]]''
* 9th&nbsp;– Noel Murray, ''[[The A.V. Club]]''
* 10th&nbsp;– Rodrigo Perez, ''[[Indiewire]]''
* 10th&nbsp;– Peter Rainer, ''[[The Christian Science Monitor]]''
* 10th&nbsp;– [[Peter Travers]], ''[[Rolling Stone]]'' (tied with ''[[Inside Out (2015 film)|Inside Out]]'')
* Top 10 (listed alphabetically)&nbsp;– [[Steven Rea]], ''[[The Philadelphia Inquirer]]''
* Top 10 (listed alphabetically, not ranked)&nbsp;–  Stephen Whitty, ''[[The Star-Ledger]]''
{{div col end}}

=== Accolades ===
{| class="wikitable"
|-
! Award
! Category
! Recipient
! Result
|-
| [[88th Academy Awards|Academy Awards]]
| [[Academy Award for Best Animated Feature|Best Animated Feature Film]]
| [[Charlie Kaufman]], [[Duke Johnson (director)|Duke Johnson]], and [[Rosa Tran]]
| rowspan="9" {{nom}}
|-
| [[73rd Golden Globe Awards|Golden Globe Awards]]
| [[Golden Globe Award for Best Animated Feature Film|Best Animated Feature Film]]
| Charlie Kaufman and Duke Johnson
|-
| [[Golden Reel Award (Motion Picture Sound Editors)|Golden Reel Awards]]<ref>{{cite web|title=2016: Film Nominees|url= http://www.mpse.org/2016-film-nominees|website=Motion Picture Sound Editors|access-date=February 10, 2017|url-status=dead|archive-date=January 7, 2017|archive-url=https://web.archive.org/web/20170107020602/https://www.mpse.org/2016-film-nominees}}</ref>
| Best Sound Editing: Sound Effects, Foley, Dialogue & ADR in an Animation Feature Film
| Aaron Glacock, Christopher S. Aud, MPSE
|-
| [[21st Critics' Choice Awards|Critics Choice Awards]]
| [[Critics' Choice Movie Award for Best Animated Feature|Best Animated Feature]]
| Charlie Kaufman and Duke Johnson
|-
| rowspan="5"| [[43rd Annie Awards|Annie Awards]]
| [[Annie Award for Best Animated Feature|Best Animated Feature]]
|[[Rosa Tran]], Duke Johnson, Charlie Kaufman and [[Dino Stamatopoulos]]
|-
| [[Annie Award for Directing in a Feature Production|Best Directing in a Feature Production]]
| Charlie Kaufman and Duke Johnson
|-
| [[Annie Award for Music in a Feature Production|Best Music in a Feature Production]]
| [[Carter Burwell]]
|-
| [[Annie Award for Voice Acting in a Feature Production|Best Voice Acting in a Feature Production]]
| [[Jennifer Jason Leigh]]
|-
| Best Editing in a Feature Production
| Garret Elkins
|-
| rowspan="2"| [[Fantastic Fest|Austin Fantastic Fest]]
| Best Director
| rowspan="2"| Duke Johnson and Charlie Kaufman
| rowspan="2" {{won}}
|-
| Fantastic Features
|-
|[[Rotten Tomatoes|Golden Tomato Awards]]<ref>{{cite web|title=Golden Tomato Awards - Best of 2015|url=http://editorial.rottentomatoes.com/rt-hub/golden-tomato-awards-2015/|publisher=[[Rotten Tomatoes]]|date=12 January 2016}}</ref>
|Best Animated Movie 2015
|''Anomalisa''
|{{draw|3rd Place}}
|-
| rowspan="4"| [[Independent Spirit Award]]
| [[Independent Spirit Award for Best Film|Best Feature]]
!
| rowspan="5" {{nom}}
|-
| [[Independent Spirit Award for Best Director|Best Director]]
| Charlie Kaufman and Duke Johnson
|-
| [[Independent Spirit Award for Best Screenplay|Best Screenplay]]
| Charlie Kaufman
|-
| [[Independent Spirit Award for Best Supporting Female|Best Supporting Female]]
| Jennifer Jason Leigh
|-
|[[American Cinema Editors#Eddie Awards|American Cinema Editors]]
|Best Edited Animated Feature Film
|Garret Elkins
|-
| [[Mill Valley Film Festival]]
| [[Audience Award]]
| rowspan="6"|Charlie Kaufman and Duke Johnson
| {{won}}
|-
| [[Toronto Film Critics]]
| Best Animated Film
| {{draw|Runner-up}}
|-
| rowspan="4"| [[2015 Venice Film Festival|Venice Film Festival]]
| Grand Special Jury Prize
| rowspan="2" {{won}}
|-
| Future Film Festival Digital Award
|-
| [[Golden Lion]]
| rowspan="4" {{nom}}
|-
| Green Drop Award
|-
| rowspan="3"| [[Austin Film Critics Association]] Awards
| Best Film
!
|-
| Best Animated Film
!
|-
| Top 10 Best films
!
| {{draw|4th Place}}
|-
| rowspan="2"| [[Alliance of Women Film Journalists]] Awards
| Best Depiction of Nudity, Sexuality, or Seduction
| [[David Thewlis]] and Jennifer Jason Leigh (<small>tied with ''[[Carol (film)|Carol]]''</small>)
| {{won}}
|-
| Best Animated Film
!
|{{nom}}
|-
|rowspan="3"|[[Village Voice Film Poll]]
|Best Animated Film
|rowspan="3"|Anomalisa
|{{draw|2nd Place}}
|-
|Best Film
|{{Nominated}}
|-
|Best Screenplay
|{{draw|4th Place}}
|-
| [[20th Satellite Awards|Satellite Awards]]
| [[Satellite Award for Best Animated or Mixed Media Feature|Best Animated or Mixed Media Film]]
!
| rowspan="2" {{nom}}
|-
| [[42nd Saturn Awards|Saturn Awards]]<ref name="Saturn 42">{{cite web|url=http://www.saturnawards.org/The-Saturn-Awards-Annual-Nominations.php|title=The 2015 Nominees|publisher=[[Saturn Award]]s|access-date=March 4, 2016|archive-url=https://web.archive.org/web/20160311002531/http://www.saturnawards.org/The-Saturn-Awards-Annual-Nominations.php|archive-date=11 March 2016|url-status=live}}</ref>
| [[Saturn Award for Best Animated Film|Best Animated Film]]
!
|}

== References ==
{{reflist|2}}
{{refbegin|}}
:{{small|FF.}}{{Note|NoteBS||Under the pen name Francis Fregoli.}}
{{refend}}

== External links ==
{{sisterlinks|d=Q20942819|c=category:Anomalisa|n=no|b=no|v=no|voy=no|m=no|mw=no|s=no|wikt=no|species=no|display=''Anomalisa''}}
* {{Official website|https://web.archive.org/web/20151223143535/http://www.anomalisa.com/}}
* {{IMDb title|2401878}}
* {{Mojo title|anomalisa}}
* {{Rotten Tomatoes|anomalisa}}
* {{Metacritic film}}
* {{AFI film | 70452 | Anomalisa}}

{{Navboxes
|title = Awards for ''Anomalisa''
|list =
{{Boston Society of Film Critics Award for Best Animated Film}}
{{Los Angeles Film Critics Association Award for Best Animated Film}}
{{San Diego Film Critics Society Award for Best Animated Film}}
{{San Francisco Bay Area Film Critics Circle Award for Best Animated Feature}}
{{Venice Film Festival Grand Jury Prize}}
}}
{{Charlie Kaufman}}
{{Paramount Animation}}
{{Paramount theatrical animated features}}

[[Category:2010s English-language films]]
[[Category:2015 animated films]]
[[Category:2015 films]]
[[Category:2015 comedy-drama films]]
[[Category:2010s American animated films]]
[[Category:Films about adultery]]
[[Category:American comedy-drama films]]
[[Category:American independent films]]
[[Category:Existentialist films]]
[[Category:American films based on plays]]
[[Category:Films directed by Charlie Kaufman]]
[[Category:Kickstarter-funded films]]
[[Category:Films with screenplays by Charlie Kaufman]]
[[Category:2010s stop-motion animated films]]
[[Category:HanWay Films films]]
[[Category:Paramount Animation films]]
[[Category:Paramount Pictures animated films]]
[[Category:Paramount Pictures films]]
[[Category:Animated films set in hotels]]
[[Category:Films set in Cincinnati]]
[[Category:Animated films set in Los Angeles]]
[[Category:Films set in 2005]]
[[Category:Venice Grand Jury Prize winners]]
[[Category:Anifilm award winners]]
[[Category:Films about depression]]
[[Category:Films about writers]]
[[Category:2015 independent films]]
[[Category:Independent animated films]]
[[Category:American adult animated films]]
[[Category:Films directed by Duke Johnson]]
[[Category:American psychological drama films]]
[[Category:2010s psychological drama films]]
[[Category:Psychological comedy films]]
[[Category:Psychological drama films]]
[[Category:Animated films set in the 2000s]]
[[Category:Animated films set in Ohio]]
[[Category:Animated films based on plays]]
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