Английская Википедия:Charles and Diana: Unhappily Ever After

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Шаблон:Short description Шаблон:Infobox film Charles and Diana: Unhappily Ever After is a dramatic television movie of 1992 telling the real-life story of the failed marriage of Charles, Prince of Wales, and his first wife, Diana, Princess of Wales.

Directed by John Power and released in December 1992, the film stars Catherine Oxenberg as Diana, Roger Rees as Charles, and Jane How as Camilla Parker Bowles.

The film was released on DVD in November 2004.[1] One issue of it was retitled Charles & Diana: A Palace Divided.

Background and production

The film followed on the heels of revelations published in May 1992 in Andrew Morton's book Diana: Her True Story.[2] The executive producers were Frank Konigsberg and Larry Sanitsky, who had previously worked together on Surviving: A Family in Crisis (1985) and Act of Vengeance (1986). They went on to produce Oldest Living Confederate Widow Tells All (1994) and Titanic (1996) together.[3]

Oxenberg, who played Diana, is a daughter of Princess Elizabeth of Yugoslavia and a third cousin of Charles.[4] She had played the part of Diana once before, in The Royal Romance of Charles and Diana (1982).[5]

Oxenberg commented on playing Diana again: Шаблон:Blockquote

Gladys Crosbie was also repeating her part, having played Queen Elizabeth The Queen Mother in Britannia Hospital (1982), and was considered to be a "dead ringer" for Her Majesty.[6]

ABC's first airing of the film on US television was on 13 December 1992,[7] and was well-timed, coming four days after British prime minister John Major had announced in the House of Commons the "amicable separation" of Charles and Diana.[2][8]

Synopsis

The film begins in the early days of the marriage of Charles and Diana, when they appear to be fond of each other and even in love. However, early scenes show them to have very different characters and interests. Charles is shown as intellectual and fastidious, a lover of opera, whereas Diana wants romance and is bored by opera. Also, the spectre of Charles's former mistress Camilla Parker Bowles intrudes into the marriage from the beginning. Within two months of their wedding, Diana accuses Charles to his face of being in love with Camilla. A series of tribulations and infidelities is eventually shared with the world through newspaper reports. The couple ends up estranged and indifferent to each other, but still connected through two young sons, William, now aged ten, and Harry, eight.

Cast

Reception

Variety found the film "good-looking but unsatisfying" and commented that the fractured relationship of Charles and Diana was "punctuated by moments so melodramatic they would make Barbara Cartland groan". It considered that Rees had failed to convey Charles's eccentricity and that Oxenberg's Diana was too constantly about to snap, lacking Diana's earlier girlishness and her later elegance.[7]

Notes

Шаблон:Reflist

External links

Шаблон:Charles, Prince of Wales Шаблон:Diana, Princess of Wales

  1. Charles and Diana: Unhappily Ever After at amazon.com, accessed 13 October 2020
  2. 2,0 2,1 1992: ABC PRESENTS 'CHARLES AND DIANA: UNHAPPILY EVER AFTER' Шаблон:Webarchive at tvworthwatching.com, December 13, 2019 accessed 14 October 2020
  3. Konigsberg/Sanitsky Company at bfi.org.uk, accessed 14 October 2020
  4. David Lewis, William Addams Reitwiesner, Persons eligible to succeed to the British Throne as of 1 Jan 2011 at wargs.com, accessed 8 October 2020
  5. Lucy Fischer, Marcia Landy (eds.), Stars: The Film Reader (Psychology Press, 2004), p. 272
  6. Newsweek, Vol. 101 (Newsweek Inc., 1983), p. 70
  7. 7,0 7,1 Ошибка цитирования Неверный тег <ref>; для сносок Variety не указан текст
  8. Jonathan Dimbleby, The Prince of Wales: A Biography (New York: William Morrow and Company, 1994, Шаблон:ISBN), p. 489
  9. 9,00 9,01 9,02 9,03 9,04 9,05 9,06 9,07 9,08 9,09 9,10 9,11 9,12 9,13 9,14 9,15 9,16 9,17 9,18 9,19 9,20 9,21 9,22 9,23 9,24 Alvin H. Marill, Movies Made for Television, 1964–2004, Vol. 3, 1990–1999 (Scarecrow Press, 2005), p. 74