Английская Википедия:A Bao A Qu (album)

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Версия от 09:18, 27 декабря 2023; EducationBot (обсуждение | вклад) (Новая страница: «{{Английская Википедия/Панель перехода}} {{Use dmy dates|date=April 2022}} {{Unreferenced|date=July 2009}} {{Infobox album | name = A Bao A Qu | type = ep | artist = Virginia Astley | cover = ABaoAQu.jpg | released = January 1982 | recorded = | venue = | studio = | genre = | length = | label = Why Fi Records | producer = Jon Astley }} '''''...»)
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Шаблон:Use dmy dates Шаблон:Unreferenced Шаблон:Infobox album A Bao A Qu is a 4 track 10" EP by singer-songwriter Virginia Astley. The selection of 4 songs indicated her preferences for poetic and classical sounds as 3 of the 4 songs had a direct connection. The sleeve art and script are credited to the artiste.

"We will meet them again" was a translation of a verse from the Kindertotenlieder, a series of poems by Friedrich Rückert used by Austrian composer Gustav Mahler for his song cycle of the same name, its meaning being "Songs On The Death Of Children". "Arctic Death" was inspired by the W. B. Yeats poem "An Irish Airman Foresees His Death" and also inspired the Catherine DeNeuve sleeve used for "Promise Nothing". "Sanctus" is a straight reading in Latin from the Requiem as used by Benjamin Britten in his War Requiem. It's also her only a cappella song, the other voices being Nicky Holland and her brother Jon Astley who co-produced the recordings. In 1999 a privately made CD was issued on the Astra label and added computerised sounds as "Sanctus 2000".

"Angel Crying" is in the style of a Revivalist Hymn and features 2 members of the soon to be Big Country, then part of her cousin in law Simon Townshend's band On the Air. In fact this debut was something of a family affair as her nieces Emma and Aminta Townshend were backup singers. Other musicians involved were Josephine Wells of Kissing the Pink and Peter Hope Evans, ex-Medicine Head.

After what could be called Virginia's Song Cycle Of Death she got it out of her system and moved on to other things, though her overall sound was to remain in the same turf for 2 decades. The album shares its name with a Malayan legend; at the time of composition, Virginia had recently read a book by Jorge Luis Borges which described the legend, and a great deal of her lyrics depended on what she'd been reading at the time.