Английская Википедия:Attendre et Espérer
Шаблон:Use American English Шаблон:Use mdy dates Шаблон:Infobox album
Attendre et Espérer is the second studio album by the American folk musician the Duke of Norfolk.
Content
Шаблон:Multiple image The twelve-track album was on released on digital download with Mint 400 Records, on November 2, 2018, and was mastered by Adam Gonsalves at Telegraph Mastering. The compact disc issue is a handmade card sleeve made from recycled cardboard, with artwork that is derived from Thomas Moran's Entrance to the Grand Canal and Jean-Baptiste-Camille Corot's The Gypsies. Attendre et Espérer is a blend of folk and electronic music that features clarinet, cello, viola and violin, and it draws comparison to the music of the chamber pop band Belle & Sebastian, and the indie folk singer-songwriter Justin Vernon.Шаблон:Sfn Attendre et Espérer is conceptually about personal and widespread loss and death. Howard explains the album as "a collage of ideas and influences converging on the theme of grief but it's a bit of a hot take on the subject. I don't think I really intended it to be so, but it ended as a linear story of the first three months of grief with, sort of, dreamlike transitions–flitting from thought to thought."Шаблон:Sfn The music video for "Dylan Thomas" displays footage of the ocean washing over rocks, the sky, traffic and birds, and was filmed at Shetland Islands, Edinburgh, the coast of Oregon and roads across the United States.Шаблон:Sfn
Attendre et Espérer contains adapted lyrics and readings from literary works, including "Do not go gentle into that good night" by Dylan Thomas, The Count of Monte Cristo by Alexandre Dumas, The Bell Jar by Sylvia Plath, Manalive by G.K. Chesterton, "And did those feet in ancient time" by William Blake and "If I Should Die" by Emily Dickinson. The melody for "Jerusalem (Interlude #3)" is adapted from Hubert Parry's "Jerusalem."Шаблон:Sfn
Reception
In a review of Attendre et Espérer for PopMatters, Jonathan Frahm says "between the sonic wonder, though, are the real meat and potatoes of the Duke of Norfolk's inner workings–a beating heart and a conscious mind." He notes "Shema," "a jangly indie folk number, belays an infectious, rootsy arrangement about its listeners as it pulls them further into a story that hinges itself on Howard's own reflections on grief."Шаблон:Sfn Jerad Walker of Oregon Public Broadcasting describes the sections of "Dylan Thomas / Bitter Bitter" as "over a minute of strings, the steady hum of a cello periodically broken by a flurry of viola and violin" for the instrumental "Dylan Thomas," continuing the song "soon gives way to the second part of the medley, "Bitter Bitter," a beautiful folk rock movement that rides the almost meditative vocals of singer Adam Howard.Шаблон:Sfn Brightest Young Things says "Dylan Thomas" is "soothing" and "almost too chill for its own good."Шаблон:Sfn
Tracklisting
Personnel
- Adam Howard – vocals and guitar
Additional musicians
- Hanna Haas – additional vocals
- Cameron Reed – cello
- Jodi Reed – violin
- Bethany Shorey Fennell – clarinet
Readers
- Madeleine Brossier – reading "Le Comte De Monte Cristo" on "Shema Reprise / Attendre et Espérer"
- Maggie Gyllenhaal – reading "The Bell Jar" on "Plath (Interlude #1)"
- Éric Herson-Macarel – reading "Quant à vous, Morrel..." on "Shema"
- Alastair Smith – reading "I caught a glimpse of the meaning of death..." on "Jerusalem (#3)"
References
- Citations
- Bibliography
External links
