Английская Википедия:Birmingham Set

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Версия от 16:58, 9 февраля 2024; EducationBot (обсуждение | вклад) (Новая страница: «{{Английская Википедия/Панель перехода}} {{Short description|Group of students that played a significant role in the birth of the Arts and Crafts Movement}} {{Distinguish|Birmingham Group (artists)}} {{Use dmy dates|date=April 2022}} The '''Birmingham Set''', sometimes called the '''Birmingham Colony''',<ref>{{Harvnb|Naylor|1971|p=96}}</ref> the '''Pembroke Set''' or later '''The Brotherhood''', was a group of students at the...»)
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Шаблон:Short description Шаблон:Distinguish Шаблон:Use dmy dates The Birmingham Set, sometimes called the Birmingham Colony,[1] the Pembroke Set or later The Brotherhood, was a group of students at the University of Oxford in England in the 1850s, most of whom were from Birmingham or had studied at King Edward's School, Birmingham.[2] Their importance as a group was largely within the visual arts, where they played a significant role in the birth of the Arts and Crafts Movement: The Set were intimately involved in the murals painted on the Oxford Union Society in 1857, and members William Morris, Edward Burne-Jones and Charles Faulkner were founding partners of Morris, Marshall, Faulkner & Co. in 1861.

Activities and development

The group initially met every evening in the rooms of Charles Faulkner in Pembroke College,[3] though by 1856 its dominant figure was Edwin Hatch.[4]

The primary interests of the Birmingham Set were initially literary – they were admirers of Tennyson in particular[2] – and they also read the poetry of Shelley and Keats and the novels of Thackeray, Kingsley and Dickens.[5] The turning point in the group's interests took place when Morris and Burne-Jones, and through them the rest of the group, discovered the writings of Thomas Carlyle[6] and John Ruskin and took to visiting English country churches and making pilgrimages to the medieval cities of France and Belgium.[7]

In 1856 members of the Set published twelve monthly issues of the Oxford and Cambridge Magazine, which was created to propagate the group's views on aesthetics and social reform.[8]

Members

References

Шаблон:Reflist

Bibliography