Английская Википедия:Buttrick White & Burtis

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Версия от 01:37, 13 февраля 2024; EducationBot (обсуждение | вклад) (Новая страница: «{{Английская Википедия/Панель перехода}} {{short description|American architecture firm}} '''Buttrick White & Burtis''' (also known as '''BWB Architects''') was an architecture firm established in New York City in 1981 by the architects Harold Buttrick, Samuel G. White, and Theodore A. Burtis III. The firm remained active until 2002. Harold Buttrick left in 1998 to form '''Murphy Burnham & Buttrick''' ('''MBB Architects'...»)
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Шаблон:Short description

Buttrick White & Burtis (also known as BWB Architects) was an architecture firm established in New York City in 1981 by the architects Harold Buttrick, Samuel G. White, and Theodore A. Burtis III. The firm remained active until 2002. Harold Buttrick left in 1998 to form Murphy Burnham & Buttrick (MBB Architects). The architect Jean P. Phifer was a partner of the firm from 1989 until 1996, after which she served as president of the New York City Public Design Commission from 1998 to 2003. The architect Michael Dwyer was associated with the firm from 1981 to 1996. The architect and educator William W. Braham was associated with the firm from 1983 to 1989. In 2002, Buttrick White & Burtis merged with Platt Byard Dovell to become Platt Byard Dovell White (PBDW Architects).[1]

Architectural practice

Buttrick White & Burtis's work was eclectic. Writing in 1985 in New York Magazine, the architectural historian Carter Wiseman contrasted the firm's conservative renovation work at the traditional, oak-paneled Harvard Club of New York with their more avant-garde designs for the stores of the then-hip Tower Records chain, adding that the chain's downtown venue was "the most successful such enterprise in America."[2]

BWB was also known for artful renovations and additions to architectural landmarks, such as the Grand Army Plaza, in Manhattan, restored in 1990; Casa Italiana, Columbia University, completed in 1996; and the Brooklyn College library, completed in 2002.

The firm's largest project, a fifteen-story, postmodern building in Manhattan, built for the Saint Thomas Choir School, was begun in 1985, completed in 1987,[3][4] and dedicated on January 14, 1988 by the Most Rev. and Rt. Hon. Robert Runcie, Archbishop of Canterbury.[5] In 1990, Paul Goldberger, architecture critic for The New York Times, described the school "as among the city's best examples of contextual architecture."[6]

BWB occasionally designed new work in a traditional idiom; in a 1995 survey by The New York Times of the then-emerging New Classical school of architecture, the reporter Patricia Leigh Brown noted that, "Michael Dwyer...an architect at Buttrick White & Burtis...has recently completed a classical-style yacht and an $8.95 million town house on the Upper East Side and is renovating Rudolph Nureyev's former apartment in the Dakota."[7]

The architects associated with Buttrick White & Burtis were prolific authors, most notably Samuel G. White, a great-grandson of the architect Stanford White, who between 1998 and 2008 co-authored a trilogy of the work of Stanford White's firm, McKim, Mead & White.[8] In 2015, the trilogy's authors were given an Arthur Ross Award by the Institute of Classical Architecture and Art.

Principal architectural works

Gallery

Written works

Among the written works of architects who at one time or another were associates or partners at Buttrick White & Burtis are the following:

  • William W. Braham. Modern Color/Modern Architecture: Amédée Ozenfant and the Genealogy of Color in Modern Architecture (London: Ashgate, 2002).
  • William W. Braham. Rethinking Technology: A Reader in Architectural Theory (Routledge, 2007).
  • William W. Braham. Architecture and Energy: Performance and Style (Routledge, 2013).
  • William W. Braham. Energy Accounts: Architectural Representations of Energy, Climate, and the Future (Routledge, 2016).
  • Michael Dwyer, ed., with preface by Mark Rockefeller. Great Houses of the Hudson River (Boston, MA: Little, Brown and Company, 2001).
  • Michael Dwyer, with a foreword by Mario Buatta. Carolands (Redwood City, CA: San Mateo County Historical Association, 2006).
  • Jean Parker Phifer. Public Art New York (New York: W.W. Norton & Co., 2009).
  • Samuel G. White. The Houses of McKim, Mead & White (New York: Rizzoli, 1998).
  • Samuel G. White and Elizabeth White. McKim, Mead & White: The Masterworks (New York: Rizzoli, 2003).
  • Samuel G. White and Elizabeth White. Stanford White Architect (New York: Rizzoli, 2008).
  • Samuel G. White. Nice House (New York: The Monacelli Press, 2010).
  • Samuel G. White. Stanford White in Detail (New York: The Monacelli Press, 2020).

External links

Шаблон:Commons

References

  1. "Postings," The New York Times, October 20, 2002.
  2. Carter Wiseman, "Light-Up Time," New York Magazine, February 25, 1985.
  3. Joseph Giovannini, "Young Voices Soar at the New St. Thomas Choir School," The New York Times, September 17, 1987.
  4. Paul Sachner, "Perfect Pitch," Architectural Record, November 1987, page 116.
  5. Kenneth A. Lohf, "Appendix Two, The Saint Thomas Choir School" in J. Robert Wright (principal author), Saint Thomas Church Fifth Avenue (2001).
  6. Шаблон:Cite web
  7. Patricia Leigh Brown, "Architecture's Young Old Fogies," The New York Times, February 9, 1995.
  8. Christopher Gray, "On the Trail of Stanford White," The New York Times, October 24, 2008.
  9. NYC Landmarks Preservation Commission, Guide to New York City Landmarks, 2009, page 18.
  10. Carter Wiseman, "Light-Up Time," New York Magazine, February 25, 1985.
  11. Carter Wiseman, "Light-Up Time," New York Magazine, February 25, 1985.
  12. Carter Wiseman, "Light-Up Time," New York Magazine, February 25, 1985.
  13. Chris Morris, "Tower Flexes Muscle in LA," Billboard, December 6, 1986.
  14. Elizabeth Stagg, "This Year's Look in New Store Design," Billboard, March 15, 1986.
  15. "St. Thomas Choir School," Progressive Architecture, March 1992 (Supplemental Issue).
  16. Joseph Giovannini, "Young Voices Soar at the New St. Thomas Choir School," The New York Times, September 17, 1987.
  17. Шаблон:Cite web
  18. Paul Goldberger, "A Restored Grand Army Plaza," The New York Times, June 28, 1990.
  19. Suzanne Stephens, "Currents; Snack Stand for Central Park Ball Field" The New York Times, July 12, 1990.
  20. Шаблон:Cite news
  21. Shawn G. Kennedy, "Private Schools Turn To Reconstruction," The New York Times, October 13, 1991.
  22. Michael M. Dwyer, "Building With Stone," Traditional Building, March 1996, page 25.
  23. Lee Goff, Stone Built: Contemporary American Houses (New York: Monacelli Press, 1997).
  24. Шаблон:Cite news
  25. Шаблон:Cite news
  26. Michael M. Dwyer, "Building With Stone," Traditional Building, March 1996, page 25.
  27. Marjorie Kaufman, "Artist's Homestead Restored With Care," The New York Times, May 2, 1993.
  28. Paul Goldberger, "Bonnie Dune Revisited," Architectural Digest, August 1995.
  29. Jay Johnson, Jed Johnson: Opulent Restraint (New York: Rizzoli, 2005).
  30. Christopher Gray, "A Matter of Reconciling Preservation with Patina," The New York Times, February 27, 1994.
  31. Kim Van Duzer, "Casa Italiana to Open Doors," Columbia Daily Spectator, January 31, 1996.
  32. "A Student Center for Sarah Lawrence," The New York Times, March 22, 1998.
  33. "Trinity School: Gyms Upstairs and Down," The New York Times, May 18, 1997.
  34. Шаблон:Cite book
  35. "A Building for Marymount School," The New York Times, July 9, 2000.
  36. Nadine Brozan, "On CUNY's Campuses, The Subject Is Change," The New York Times, September 7, 2000.