Английская Википедия:Capirola Lutebook
The so-called Capirola Lutebook is one of the most important sources of early 16th century Italian lute music. It is an illuminated manuscript which comprises the entire surviving output of Vincenzo Capirola.
The Capirola Lutebook was compiled in 1520 by Vitale, a pupil of Capirola. The compositions included probably date from around 1517. There are 42 folios; the manuscript begins with a short note by its creator, one Vitale (Vidal), pupil of Capirola's. Vitale informs the reader that he adorned the lutebook with paintings to ensure its survival: even owners not interested in musical matters would, by Vitale's reasoning, keep the lutebook in their collections because of the paintings. This explanation is followed by a substantial text on lute playing technique, ornaments and notation—one of the most important sources on performance practice of the time.[1] The actual music starts at folio 5. The lutebook contains the following works (for intabulations, composers of vocal originals are given):
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- Шаблон:Lang (Alexander Agricola)
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- Шаблон:Lang (Marchetto Cara)
- Шаблон:Lang (Michele Vincentino)
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- Шаблон:Lang (Johannes Prioris)
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- Шаблон:Lang (Bartolomeo Tromboncino)
- Шаблон:Lang (Bartolomeo Tromboncino)
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- Шаблон:Lang (Hayne van Ghizeghem)
- Шаблон:Lang (Antoine de Févin)
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- Шаблон:Lang (Jacob Obrecht)
- Шаблон:Lang (Hayne van Ghizeghem)
- Шаблон:Lang (Antoine Brumel, from Шаблон:Lang)
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- Шаблон:Lang (Juan de Urrede)
- Шаблон:Lang (Josquin des Prez, from Шаблон:Lang)
- Шаблон:Lang (Johannes Ghiselin)
- Шаблон:Lang (Alexander Agricola)
- Шаблон:Lang (Antoine Brumel, from Шаблон:Lang)
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- Шаблон:Lang (Josquin des Prez, from Шаблон:Lang)
- Шаблон:Lang (Josquin des Prez, from Шаблон:Lang)
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- Шаблон:Lang (Nicholas Craen)
The music varies in difficulty from very easy pieces (intended, as Vitale observes, for teaching purposes) to virtuosic toccata-like works. The thirteen ricercars of the book stylistically stand between the earliest, improvisatory examples and Francesco da Milano's ricercars, which exhibit a more advanced imitative technique. The manuscript is notable not only for the place Capirola occupies in lute repertoire, but also for the earliest known dynamic indications:[2] for instance, the indication tocca pian piano appears in "Non ti spiaqua l'ascoltar". However, Capirola's seems to be an isolated example.[3]
Notes
References
- Chew, Geoffrey, and Rastall, Richard. "Notation" (III.), Grove Music Online ed. L. Macy (Accessed December 12, 2006), (subscription access) Шаблон:Webarchive
- Ness, Arthur J. "Vincenzo Capirola", Grove Music Online ed. L. Macy (Accessed October 27, 2005), (subscription access) Шаблон:Webarchive
- Reese, Gustave. 1954. Music in the Renaissance. New York, W.W. Norton & Co. Шаблон:ISBN
- https://web.archive.org/web/20150511192038/http://www.newberry.org/capirola-lute-manuscript
External links
- LuteBot Quarterly issue #1 by Federico Marinola, dedicated to the Capirola Lutebook - includes a complete English translation of the preface.
- Capirola Lutebook in Italian and French tablature, includes Fronimo 2 and PDF versions.