Английская Википедия:Catherine Martin (designer)

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Шаблон:Short description Шаблон:Use Australian English Шаблон:Use dmy dates Шаблон:Infobox person Catherine Martin (born 26 January 1965) is an Australian costume designer, production designer and set designer. She has received numerous accolades throughout her career spanning over three decades, including four Academy Awards, six BAFTA Awards, and a Tony Award. Martin is best known for frequent collaborations with her husband, filmmaker Baz Luhrmann, including Strictly Ballroom (1992), Romeo + Juliet (1996), Moulin Rouge! (2001), Australia (2008), The Great Gatsby (2013), and Elvis (2022).

Martin gained international recognition with her first major film credit alongside Luhrmann on his feature directorial debut, Strictly Ballroom, which later became the first part of the "Red Curtain Trilogy". For her exceptional work on the film's aesthetic, she earned two BAFTAs for Best Costume Design and Best Production Design, among other accolades. Martin received her first Oscar nomination for art direction in the second part of the trilogy, Romeo + Juliet. She then collected both the Academy Award for Best Costume Design and the Academy Award for Best Production Design for creating the visuals in Curtain's final installment, Moulin Rouge! Martin is the second woman to win multiple Oscars in a single year and the first to accomplish this feat more than once after winning the same categories for The Great Gatsby. Having won four awards out of nine nominations, she holds the record for the most Oscar wins of any Australian.

Early life and education

Файл:Nida dusk.jpg
The National Institute of Dramatic Art in Kensington, New South Wales, where Martin studied

Martin was born on January 26, 1965,[1] in Lindfield, New South Wales, to a French mother and an Australian father, both academics who met at the Sorbonne; her father was pursuing his expertise in 18th-century French literature, and her mother was studying mathematics at university.[2] She and her brother grew up in Sydney but spent a lot of time with their grandparents in France's Loire Valley, visiting "every art gallery, every museum" along the way.[2] Martin was fascinated from an early age by the vintage clothing parades occasionally thrown by her Australian grandmother and her church friends.[3] She would beg her parents to take her to London's Victoria and Albert Museum so she could dig through the costume section,[4] and recalled "being blown away by the costume gallery, being able to see a pleated lace ruff in reality" when she finally got there.[3] Her mother taught her to use a sewing machine at age 6, and by age 15 she was creating her own patterns to make herself dresses.[2] Martin cited The Wizard of Oz as her childhood inspiration and an extraordinary journey to take when she was 10, and then Gone with the Wind as the movie that, at age 13, changed her life from a fashion perspective.[5]

Martin attended North Sydney Girls High School and, while a student, got a part-time job as an usherette at the Roseville theatre.[6] She was first enrolled at Sydney College of the Arts and spent a year studying the visual arts before deciding to drop out for a career change. Then she studied pattern cutting at East Sydney Technical College.[6] She was accepted into the National Institute of Dramatic Art (NIDA) and graduated in 1988 with a diploma in design. In her last year at university, she met and started collaborating with a fellow student, Baz Luhrmann, whom she later married. At that time, Luhrmann returned to NIDA looking for young designers with whom he planned to stage his one-act play, Strictly Ballroom, and Martin did some work on that production.[7]

Career

Martin's first professional engagement came after graduation when she began working on Luhrmann's environmental opera experiment, Lake Lost, staged at a television studio in Melbourne to celebrate the Australian Bicentenary in 1988.[3] Their collaboration continued at Opera Australia when she provided set designs for Luhrmann's 1990 production of Giacomo Puccini's La bohème as well as the 1993 production of Benjamin Britten's A Midsummer Night's Dream.[8]

Martin gained international acclaim when she entered the film industry, recreating her designs in Luhrmann's feature directorial debut, Strictly Ballroom (1992), the first part of the "Red Curtain Trilogy". It was a major financial success and received widespread acclaim from critics and audiences, who lauded the acting, direction, and production values.[7] Among other accolades, the film cleaned up at the AFI Awards, picking up leading eight wins from 13 nominations and also winning three of its eight nominations at the BAFTAs, including both the Best Costume Design and the Best Production Design for Martin's visuals.[7] She then received her first Oscar nomination for art direction in the trilogy's second installment, Romeo + Juliet (1996).

Their third feature film collaboration which concluded Curtain's Trilogy was Moulin Rouge! (2001). She earned both the Academy Award for Best Costume Design and the Academy Award for Best Production Design for her richly designed sets and dazzling costumes, which received widespread recognition from critics and audiences alike. She shared the former prize with Angus Strathie, the latter with Brigitte Broch (for the film's set decoration).[9] Martin's double wins makes her just the second woman to win multiple Oscars in a single year, after fellow costume designer Edith Head.

For their next project together, the pair teamed up adaptating Luhrmann's earlier Australian production of La bohème for Broadway theatre, which opened to critical acclaim in December 2002.[10] She won the Tony Award for Best Scenic Design and, alongside Strathie, was nominated for the Tony Award for Best Costume Design the following year.[11]

Martin went to co-produce Luhrmann's epic Australia (2008) and was also the film's production and costume designer. It earned her another Oscar nomination.[12] She has stated that the tailoring on the clothing produced for the film is one of her proudest achievements.[13]

The Great Gatsby

Luhrmann and Martin started working on the cinematic reinvention of F. Scott Fitzgerald's classic, The Great Gatsby, a novel that she had not read since adolescence and had not much appreciated as a teenager. Nevertheless, Martin ended up being the book's biggest fan after her husband's insistence that she revisit it.[14] Luhrmann thought about doing a new film version for about a decade, although he began writing a script only three years before actual filming started.[15] For their ambitious purpose of trying to achieve an authentic feeling for the film but also something connective for a modern audience, the pair consulted academic texts about the novel as well as historical analyses pertaining to both Fitzgerald and his work. In particular, they went to libraries at the Metropolitan Museum of Art and the Fashion Institute of Technology to further their research on the project. Martin described herself during this time as being "like a detective".[15]

Overall, Martin was charged with creating about 500 outfits for various cast members.[16] She collaborated with Brooks Brothers and Miuccia Prada to design the costumes, as well as Tiffany & Co., which agreed to supply the film's jewelry.[17] In particular, Prada created some twenty dresses for the film's first party scene as well as an additional twenty for the second one.[17] Before filming started, Luhrmann said that since the book took place in 1922 and was published in 1925 but foreshadowed the economic crash of 1929, anything within that decade was appropriate to borrow for design purposes.[14] This approach gives Martin more room to play with trends and flattering pieces, such as her choice to dress lead actor Leonardo DiCaprio in slimmer-cut suits, a decision that otherwise would not be typical for the time period in which the depicted events are taking place. Furthermore, she erred towards the decade's end for women's clothes, wanting to focus on slimmer silhouettes.[17] She also took artistic liberties when it came to the actresses' footwear, telling Vogue that she found heels from the era to be "stumpy". Martin rationalized her anachronistic use of thinner-heeled shoes by telling herself she was copying what was found in fashion illustrations from the time.[13]

Martin created a total of 42 lavish sets for the film, which all were constructed under her vision in a span of 14 weeks.[16] Her inspiration came from the works of 1920s British designer Syrie Maugham as well as the iconic turn-of-the-century houses on Long Island, such as Beacon Towers for Gatsby's mansion and Old Westbury Gardens for the Buchanans' estate. She also gave credit to the 1920s silent film designs, particularly those of Sunrise (1927) and Speedy (1928), for inspiring Gatsby's high-gloss Art Deco visual style.[16]

Martin once again received universal acclaim for creating film's visuals, winning her two more Oscars for both Best Costume Design and Best Production Design, the latter of which she shares with Beverley Dunn.[18] Having won her fourth career Academy Award, she claimed the record for the most Oscar wins of any Australian, overtaking fellow costume designer Orry-Kelly, who won three in the 1950s.[18]

Shortly after the release of Gatsby, Martin collaborated with Brooks Brothers to release a limited edition menswear collection.[16] She has also launched a range of home wares, featuring paints, wallpaper and rugs.[19][20]

Other work

Martin was named a Glamour Magazine Woman of the Year in 2013.[21] Discussing her and Luhrmann's progression as artists, Marin told the magazine, "We've gone from me staying up all night to paint the floor to where I am now, with 300 carpenters working for me. I feel like the Шаблон:Sic".[21] For her spread in their December issue, her husband photographed her alongside their children.[22]

Martin's work was featured in fellow costume designer Deborah Nadoolman Landis' 2013 book Hollywood Costume.[23]

Martin has stated that she prides herself on ensuring the costumes she produces are beautifully made, comfortable, and easy to take on and off. She also said that she is no longer tempted to keep any wardrobe mementos from the films she works on, telling Fashionista, "... I realised through long and hard experience the best record of your work, is the work itself."[17]

In 2016, Martin and Luhrmann developed the Netflix television series The Get Down, which takes place in 1970s South Bronx.[13] She served as an executive producer of the series.[24]

Personal life

Martin met her husband, Baz Luhrmann, at university, and the pair married on Australia Day 1997, her 32nd birthday.[1] The couple has two children together.[25] In July 2015, the couple placed their Darlinghurst mansion on the market for $16 million AUD, in favour of establishing a more settled family life in New York City, where their family has been spending more and more time.[26]

Filmography

Film

List of Catherine Martin film credits
Year Title Director Credited as Notes
Costume Designer Production Designer Producer
1988 Interim Jean-Pierre Améris Шаблон:No Шаблон:Yes Шаблон:No Short film
1989 Out of the Body Brian Trenchard-Smith Шаблон:Yes Шаблон:No Шаблон:No
1992 Strictly Ballroom Baz Luhrmann Шаблон:Yes Шаблон:Yes Шаблон:No Шаблон:Br list
1996 Romeo + Juliet Шаблон:No Шаблон:Yes Шаблон:Yes Associate producer
2001 Moulin Rouge! Шаблон:Yes Шаблон:Yes Шаблон:Yes Шаблон:Br list
2004 No. 5 the Film Шаблон:No Шаблон:Yes Шаблон:No Short film
2008 Australia Шаблон:Yes Шаблон:Yes Шаблон:Yes Co-producer
2012 Waist Up/Waist Down Шаблон:Yes Шаблон:Yes Шаблон:No Short film
Ugly Chic Шаблон:Yes Шаблон:No Шаблон:No
The Surreal Body Шаблон:Yes Шаблон:No Шаблон:No
The Exotic Body Шаблон:Yes Шаблон:Yes Шаблон:No
The Classical Body Шаблон:Yes Шаблон:Yes Шаблон:No
Schiaparelli & Prada: Impossible Conversations Шаблон:Yes Шаблон:Yes Шаблон:No
Naif Chic Шаблон:Yes Шаблон:Yes Шаблон:No
Hard Chic Шаблон:Yes Шаблон:Yes Шаблон:No
2013 The Great Gatsby Шаблон:Yes Шаблон:Yes Шаблон:Yes Co-designed sets with Karen Murphy as associate production designer
2014 Channel No. 5: The One That I Want Шаблон:No Шаблон:Yes Шаблон:No Short film
2017 ERDEM x H&M: The Secret Life of Flowers Шаблон:No Шаблон:Yes Шаблон:Yes
2022 Elvis Шаблон:Yes Шаблон:Yes Шаблон:Yes Co-designed sets with Karen Murphy

Television

List of Catherine Martin television credits
Year Title Contribution Notes
Costume Designer Production Designer Producer
1994 Great Performances Шаблон:Yes Шаблон:Yes Шаблон:No Шаблон:Br list
2016–2017 The Get Down Шаблон:Yes Шаблон:Yes Шаблон:Yes Шаблон:Br list

Awards and nominations

Major associations

Шаблон:Sronly
Year Category Nominated work Result Шаблон:Refh
Academy Awards
1997 Best Production Design Romeo + Juliet Шаблон:Nom [27]
2002 Best Costume Design Moulin Rouge! Шаблон:Won [28]
Best Production Design Шаблон:Won
2009 Best Costume Design Australia Шаблон:Nom [29]
2014 The Great Gatsby Шаблон:Won [30]
Best Production Design Шаблон:Won
2023 Best Picture Elvis Шаблон:Nom [31]
Best Costume Design Шаблон:Nom
Best Production Design Шаблон:Nom
BAFTA Film Awards
1993 Best Costume Design Strictly Ballroom Шаблон:Won [32]
Best Production Design Шаблон:Won
1998 Romeo + Juliet Шаблон:Won [33]
2002 Best Costume Design Moulin Rouge! Шаблон:Nom [34]
Best Production Design Шаблон:Nom
2014 Best Costume Design The Great Gatsby Шаблон:Won [35]
Best Production Design Шаблон:Won
2023 Best Film Elvis Шаблон:Nom [36]
Best Costume Design Шаблон:Won
Best Production Design Шаблон:Nom
Tony Awards
2003 Best Costume Design La bohème Шаблон:Nom [37]
Best Scenic Design Шаблон:Won

Other awards and nominations

Шаблон:Sronly
Award Year Category Title Result
Шаблон:Br list 1992 Best Production Design Strictly Ballroom Шаблон:Won
2001 Best Costume Design Moulin Rouge! Шаблон:Won
Best Production Design Шаблон:Won
2009 Best Costume Design Australia Шаблон:Won
Best Production Design Шаблон:Won
2014 Best Film The Great Gatsby Шаблон:Won
Best Costume Design Шаблон:Won
Best Production Design Шаблон:Won
2022 Best Film Elvis Шаблон:Won
Best Costume Design Шаблон:Won
Best Production Design Шаблон:Won
ADG Excellence in Production Design Awards 2002 Excellence in Period or Fantasy Film Moulin Rouge! Шаблон:Won
2014 Excellence in Period Film The Great Gatsby Шаблон:Won
2023 Elvis Шаблон:Nom
Capri Hollywood International Film Festival 2022 Best Producer Award Elvis Шаблон:Won
Best Costume Design Шаблон:Won
Best Production Design Шаблон:Won
Chicago Film Critics Association Awards 2013 Best Art Direction/Production Design The Great Gatsby Шаблон:Nom
Costume Designers Guild Awards 2014 Excellence in Period Film The Great Gatsby Шаблон:Nom
2023 Elvis Шаблон:Won
Critics' Choice Movie Awards 2014 Best Costume Design The Great Gatsby Шаблон:Won
Best Production Design Шаблон:Won
2023 Best Costume Design Elvis Шаблон:Nom
Best Production Design Шаблон:Nom
Drama Desk Awards 2003 Outstanding Costume Design La bohème Шаблон:Nom
Outstanding Scenic Design of a Musical Шаблон:Won
Film Critics Circle of Australia Awards 2009 Best Film Australia Шаблон:Nom
2014 The Great Gatsby Шаблон:Nom
Best Production Design Шаблон:Won
2023 Best Film Elvis Шаблон:Nom
Florida Film Critics Circle Awards 2013 Best Art Direction/Production Design The Great Gatsby Шаблон:Won
2022 Elvis Шаблон:Nom
Georgia Film Critics Association Awards 2023 Best Production Design Elvis Шаблон:Nom
Helpmann Awards 2014 Best Costume Design Strictly Ballroom The Musical Шаблон:Nom
Шаблон:Br list 2023 Best Costume Design Elvis Шаблон:Nom
Best Production Design Шаблон:Nom
Hollywood Music in Media Awards 2022 Best Music Themed Film, Biopic, or Musical Elvis Шаблон:Nom
IF Awards 2009 Best Production Design Australia Шаблон:Nom
International Cinephile Society Awards 2009 Best Production Design Australia Шаблон:Nom
2014 The Great Gatsby Шаблон:Nom
London Film Critics' Circle Awards 2023 Technical Achievement of the Year Elvis Шаблон:Br list
Los Angeles Film Critics Association Awards 2001 Best Production Design Moulin Rouge! Шаблон:Won
Online Film Critics Society Awards 2023 Best Costume Design Elvis Шаблон:Nom
Best Production Design Шаблон:Nom
Outer Critics Circle Awards 2003 Outstanding Costume Design La bohème Шаблон:Nom
Outstanding Set Design Шаблон:Won
Producers Guild of America Awards 2023 Best Theatrical Motion Picture Elvis Шаблон:Nom
San Diego Film Critics Society Awards 2001 Best Production Design Moulin Rouge! Шаблон:Won
2013 The Great Gatsby Шаблон:Won
2023 Best Costume Design Elvis Шаблон:Won
Santa Barbara International Film Festival 2023 Variety Artisans Award Elvis Шаблон:Br list
Satellite Awards 1997 Best Art Direction & Production Design Romeo + Juliet Шаблон:Won
2002 Moulin Rouge! Шаблон:Won
Best Costume Design Шаблон:Won
2008 Best Art Direction & Production Design Australia Шаблон:Won
Best Costume Design Шаблон:Nom
2014 Best Art Direction & Production Design The Great Gatsby Шаблон:Won
Best Costume Design Шаблон:Nom
2023 Best Art Direction & Production Design Elvis Шаблон:Nom
Best Costume Design Шаблон:Nom
Saturn Awards 2002 Best Costume Design Moulin Rouge! Шаблон:Nom
2009 Australia Шаблон:Nom
Seattle Film Critics Society Awards 2023 Best Costume Design Elvis Шаблон:Won
Best Production Design Шаблон:Nom
Set Decorators Society of America Awards 2023 Best Achievement in Decor/Design of a Period Feature Film Elvis Шаблон:Won
St. Louis Film Critics Association Awards 2013 Best Production Design The Great Gatsby Шаблон:Won
2022 Best Costume Design Elvis Шаблон:Won
Best Production Design Шаблон:Won
Washington D.C. Area Film Critics Association Awards 2013 Best Art Direction The Great Gatsby Шаблон:Won
2022 Elvis Шаблон:Nom

Honorary accolades

Organization Year Category Result
Art Directors Guild 2023 Cinematic Imagery Award Шаблон:Won
Australian Academy of Cinema and Television Arts 2022 Longford Lyell Award Шаблон:Won
Australian Film Institute 1999 Byron Kennedy Award Шаблон:Won
Gold Coast Film Festival 2023 Chauvel Award Шаблон:Won

References

Шаблон:Reflist

External links

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