Английская Википедия:Conte cruel

Материал из Онлайн справочника
Версия от 09:16, 21 февраля 2024; EducationBot (обсуждение | вклад) (Новая страница: «{{Английская Википедия/Панель перехода}} {{Use dmy dates|date=December 2018}} The '''conte cruel''' is, as ''The A to Z of Fantasy Literature'' by Brian Stableford states, a "short-story genre that takes its name from an 1883 collection by Villiers de l'Isle-Adam", although previous examples had been provided by such writers as Edgar Allan Poe. Some critics use the label to refer on...»)
(разн.) ← Предыдущая версия | Текущая версия (разн.) | Следующая версия → (разн.)
Перейти к навигацииПерейти к поиску

Шаблон:Use dmy dates The conte cruel is, as The A to Z of Fantasy Literature by Brian Stableford states, a "short-story genre that takes its name from an 1883 collection by Villiers de l'Isle-Adam", although previous examples had been provided by such writers as Edgar Allan Poe. Some critics use the label to refer only to non-supernatural horror stories, especially those that have nasty climactic twists, but it is applicable to any story whose conclusion exploits the cruel aspects of the 'irony of fate.'[1] The collection from which the short-story genre of the conte cruel takes its name is Contes cruels (1883, tr. Sardonic Tales, 1927) by Villiers de l'Isle-Adam. Also taking its name from this collection is Contes cruels ("Cruel Tales"), a two-volume set of about 150 tales and short stories by the 19th-century French writer Octave Mirbeau, collected and edited by Pierre Michel and Jean-François Nivet and published in two volumes in 1990 by Librairie Séguier.

Some noted writers in the conte cruel genre are Charles Birkin, Maurice Level, Patricia Highsmith[2] and Roald Dahl, the latter of whom originated Tales of the Unexpected. H. P. Lovecraft observed of Level's fiction in his essay Supernatural Horror in Literature (1927): "This type, however, is less a part of the weird tradition than a class peculiar to itself—the so-called conte cruel, in which the wrenching of the emotions is accomplished through dramatic tantalizations, frustrations, and gruesome physical horrors".[3]

Brian M. Stableford has observed that, by the 1980s, the conte cruel was the standard narrative form of soft science fiction,[4] in particular the works of Thomas M. Disch and John Sladek.[4]

See also

References

Шаблон:Reflist