Английская Википедия:Daisy Buchanan
Шаблон:Short description Шаблон:Infobox character Daisy Fay Buchanan is a fictional character in F. Scott Fitzgerald's 1925 novel The Great Gatsby. The character is a wealthy socialite from Louisville, Kentucky who resides in the fashionable town of East Egg on Long Island during the Jazz Age. She is narrator Nick Carraway's second cousin, once removed, and the wife of polo player Tom Buchanan, with whom she has a daughter. Before marrying Tom, Daisy had a romantic relationship with Jay Gatsby. Her choice between Gatsby and Tom is one of the novel's central conflicts. She was described by Fitzgerald as a "golden girl".Шаблон:Sfn
Fitzgerald based the character on socialite Ginevra King.Шаблон:Sfnm Fitzgerald and King shared a passionate romance from 1915 to 1917, but their relationship stagnated after King's father warned the writer that "poor boys shouldn't think of marrying rich girls".Шаблон:Sfnm After their relationship ended, a distraught Fitzgerald enlisted in the United States Army amid World War I.Шаблон:Sfnm While Fitzgerald served in the army, King's father arranged her marriage to Bill Mitchell, a polo player who partly served as the model for Tom Buchanan.Шаблон:Sfnm Following King's separation from Mitchell in 1937,Шаблон:Sfnm Fitzgerald attempted to reunite with King in 1938.Шаблон:Sfnm The reunion proved a disaster due to Fitzgerald's alcoholism.Шаблон:Sfnm Scholar Maureen Corrigan notes that "because she's the one who got away, Ginevra—even more than [his wife] Zelda—is the love who lodged like an irritant in Fitzgerald's imagination, producing the literary pearl that is Daisy Buchanan".Шаблон:Sfn
The character of Daisy Buchanan has been identified as personifying the cultural archetype of the flapper.[1] Flappers were young, modern women who bobbed their hair, wore short skirts, drank alcohol and had premarital sex.[2][3][4] Despite the newfound societal freedoms attained by flappers in the 1920s,Шаблон:Sfn Fitzgerald's novel examines the continued limitations upon women's agency during this period.Шаблон:Sfn In this context, although early critics viewed Daisy to be a "monster of bitchery",Шаблон:Sfn later scholars posit that the character exemplifies the marginalization of women in the elite milieu that Fitzgerald depicts.Шаблон:Sfnm The ensuing contest of wills between Tom and Gatsby reduces Daisy to a trophy wife whose sole existence is to augment her possessor's socioeconomic success.Шаблон:Sfn As such, she is the target of both Tom's callous domination and Gatsby's dehumanizing adoration.Шаблон:Sfn
The character has appeared in various media related to the novel, including stage plays, radio shows, television episodes, and feature films. New York actress Florence Eldridge originated the role of Daisy on the stage when she starred in the 1926 Broadway adaptation of Fitzgerald's novel at the Ambassador Theatre in New York City.Шаблон:Sfn That same year, screen actress Lois Wilson played the role in the now lost 1926 silent film adaptation.Шаблон:Sfn During the subsequent decades, the role has been played by many actresses, including Betty Field, Phyllis Kirk, Jeanne Crain, Mia Farrow, Mira Sorvino, Pippa Bennett-Warner, and Carey Mulligan, among others.
Character biography
Шаблон:Further Шаблон:Quote box Daisy Fay was raised in luxury in Louisville, Kentucky during the Jim Crow period.[5] In 1917, although she had several suitors belonging to her same privileged social class, she entered into a month-long relationship with impoverished doughboy Jay Gatsby which ended with them promising to marry each other in the future. While Gatsby served in World War I, Daisy married the wealthy polo player Thomas "Tom" Buchanan. The couple moved to East Egg, an "old money" enclave on Long Island, where they resided in a cheerful red-and-white Georgian Colonial mansion overlooking Manhasset Bay.Шаблон:Sfn
After her cousin Nick Carraway arrived at the neighboring nouveau riche town of West Egg, he met Gatsby who had become a millionaire and moved to Long Island to reunite with Daisy. Gatsby threw extravagant soirées at his mansion, hoping she might attend. Nick arranged a private conversation between Daisy and Jay at his cottage in West Egg. The two met for the first time in five years and began a sexual affair.Шаблон:Sfn
Later at the Buchanan residence, Daisy, Tom, and Gatsby—as well as her friends Nick and Jordan Baker—decided to visit the 20-story Plaza Hotel, a château-like edifice in New York City with an architectural style inspired by the French Renaissance.Шаблон:Sfn Tom embarked in Gatsby's yellow Rolls-Royce with Jordan and Nick, while Daisy and Gatsby drove alone in Tom's blue coupé. After the ensemble reached the hotel, a confrontation ensued between Tom and Gatsby regarding Daisy's infidelity. Though Gatsby insisted that Daisy never loved Tom, Daisy admitted that she loved both Tom and Gatsby. The confrontation ended with Daisy leaving with Gatsby in his yellow car, while Tom departed with Nick and Jordan.Шаблон:Sfn
Tom's mistress Myrtle Wilson previously had seen Tom driving Gatsby's yellow car in the "valley of ashes", a sprawling refuse dump.[6] When she saw it approach that evening on its way back to East Egg, she presumed it was being driven by Tom and ran in front of it in hopes of reconciling with him. Daisy ran her over. Gatsby stopped the car by applying the emergency brake and then took over driving from Daisy, fleeing the scene of the accident.Шаблон:Sfn
At her home in East Egg, Gatsby assured Daisy that he would take the blame for Myrtle's death. Tom informed Myrtle's husband George Wilson that it was Gatsby who killed Myrtle. A distraught George traveled to Gatsby's mansion in West Egg and shot Gatsby dead before turning the weapon on himself. Soon after Gatsby's murder, Daisy, Tom, and their daughter departed East Egg, leaving no forwarding address.Шаблон:Sfn
Creation and conception
Fitzgerald based the character of Daisy Buchanan on Chicago socialite and heiress Ginevra King,Шаблон:Sfnm[7] whom he met on a visit back home in St. Paul, Minnesota while enrolled as a student at Princeton.Шаблон:Sfn The 18-year-old aspiring writer fell deeply in love with the 16-year-old King.Шаблон:SfnШаблон:Sfn According to scholar Nancy Milford, Ginevra was "a rich and wildly popular visitor from Chicago, who at sixteen had the social ease of a young duchess. A beauty with dark curling hair and large brown romantic eyes, she had an air of daring and innocent allure. To Fitzgerald, Ginevra King was the embodiment of a dream, and he was immediately and completely captivated."Шаблон:Sfn
In Fitzgerald's mind, Ginevra became the "archetype for the alluring, independent and upper-class woman, ultimately unattainable by someone of a modest social background like himself".Шаблон:Sfn Despite his later marriage to Zelda Sayre, Fitzgerald continued to view King as an unobtainable ideal who embodied the elusive American dream.Шаблон:Sfn For the remainder of his lifetime until his death from a heart attack in 1940, "Fitzgerald was so smitten by King that for years he could not think of her without tears coming to his eyes".Шаблон:Sfn
Fitzgerald and King shared a passionate romance from 1915 to 1917.Шаблон:Sfnm During their romance, Ginevra wrote a short story that she sent to Fitzgerald.Шаблон:Sfn In her story, she is trapped in a loveless marriage yet still pines for Fitzgerald, a former lover.Шаблон:Sfn They are reunited after Fitzgerald attains enough money to take her away from her adulterous husband.Шаблон:Sfn Fitzgerald kept Ginevra's story with him until his death, and scholars have noted the plot similarities between her story and Fitzgerald's novel The Great Gatsby.Шаблон:Sfn King would greatly influence Fitzgerald's writing, far more so than his wife Zelda Sayre.Шаблон:Sfn Scholar Maureen Corrigan notes that "because she's the one who got away, Ginevra—even more than Zelda—is the love who lodged like an irritant in Fitzgerald's imagination, producing the literary pearl that is Daisy Buchanan".Шаблон:Sfn
In August 1916, Fitzgerald visited Ginevra at her family's villa in the upper-class enclave of Lake Forest, Illinois.Шаблон:Sfnm[8] At the time, Lake Forest "was off-limits to Black and Jewish people," and the recurrent appearance of a middle-class Irish Catholic parvenu such as Fitzgerald in the exclusively White Anglo-Saxon Protestant area likely caused a stir and perhaps upset Ginevra's parents.[9] A conspicuously out-of-place Fitzgerald was purportedly told by Ginevra's imperious father, stockbroker Charles Garfield King, that "poor boys shouldn't think of marrying rich girls".Шаблон:Sfnm
After their relationship stagnated in January 1917, a suicidal Fitzgerald dropped out of Princeton and enlisted in the United States Army amid World War I.Шаблон:Sfnm While Fitzgerald served in the army, King's father arranged her marriage to Шаблон:Iwl, the son of his wealthy business associate John J. Mitchell.[10]Шаблон:Sfnm An avid polo player, Bill Mitchell became the director of Texaco, one of the most successful oil companies of the era,Шаблон:Sfnm and he partly served as the model for Thomas "Tom" Buchanan in The Great Gatsby.Шаблон:Sfnm Ginevra informed Fitzgerald of her impending marriage to Mitchell via a letter which he received while stationed in Alabama.[11]Шаблон:SfnmШаблон:Sfnm
According to scholar James L. W. West, "Ginevra's marriage to Bill Mitchell was a dynastic affair very much approved by both sets of parents. In fact Bill's younger brother, Clarence, would marry Ginevra's younger sister Marjorie a few years later."Шаблон:Sfn By consenting to marry the son of her father's affluent business associate and thus cement a business alliance between the two powerful families, Ginevra "made the same choice Daisy Buchanan did, accepting the safe haven of money rather than waiting for a truer love to come along."Шаблон:Sfn
King separated from Mitchell in 1937 after an unhappy marriage.Шаблон:Sfnm One year later, Fitzgerald attempted to reunite with King when she visited Hollywood in 1938.Шаблон:Sfnm The reunion proved a disaster due to Fitzgerald's alcoholism, and a disappointed King returned to Chicago.Шаблон:Sfnm Her second husband, John T. Pirie Jr., was a business tycoon and owner of the Chicago department retailer Carson Pirie Scott & Company.Шаблон:Sfnm Reflecting in her later years upon her romance with Fitzgerald, King remarked: "Goodness, what a self-centered little ass I was!"Шаблон:Sfn She died in 1980 at the age of 82 at her family's estate in Charleston, South Carolina.Шаблон:Sfnm
To a far lesser extent,Шаблон:Sfn Fitzgerald partly based Daisy on his wife Zelda Sayre.[12] Writer Therese Anne Fowler notes that Daisy, like Zelda, hails from a rich Southern family.Шаблон:SfnШаблон:Sfn Born into a wealthy Southern family, Zelda was the daughter of Anthony D. Sayre, an Alabama politician who authored the landmark 1893 Sayre Act which disenfranchised black Alabamians for seventy years and ushered in the racially segregated Jim Crow period in the state.Шаблон:SfnmШаблон:Sfnm Her father's uncle was John Tyler Morgan, a Confederate general in the American Civil War and the second Grand Dragon of the Ku Klux Klan in Alabama.Шаблон:Sfnm In addition to their leadership of the Alabama Ku Klux Klan, Zelda's family owned the White House of the Confederacy.Шаблон:Sfn During her idle youth as a Southern belle, Zelda's affluent family employed half-a-dozen domestic servants, many of whom were African-American.Шаблон:Sfn Consequently, much like Daisy, Zelda was unaccustomed to domestic labor or responsibilities of any kind.Шаблон:Sfnm[13] Шаблон:Quote box The character of Daisy Buchanan also speaks one sentence in the novel partly drawn from Fitzgerald's wife Zelda Sayre.Шаблон:Sfnm When their daughter Frances "Scottie" Fitzgerald was born in Saint Paul, Minnesota, on October 26, 1921, Fitzgerald recorded verbatim his wife's rambling as she emerged from the anesthesia: Шаблон:Quote Fitzgerald partly used this anesthetized rambling for a remark by Daisy about the birth of her daughter Pammy.Шаблон:Sfnm However, the remark which appears in The Great Gatsby includes an additional observation written by Fitzgerald himself four years later: "That's the best thing a girl can be in this world, a beautiful little fool."Шаблон:Sfnm This additional sentence identifying with the plight of women in 1920s America illustrates a statement made by Fitzgerald in a 1935 letter to an acquaintance that his mind was "half feminine".Шаблон:SfnmШаблон:Sfnm Although born "masculine,"[14] Fitzgerald stated that he was "half feminine—at least my mind is... Even my feminine characters are feminine Scott Fitzgeralds."Шаблон:Sfnm
Critical analysis
The character of Daisy Buchanan has been identified as personifying the Jazz Age archetype of the flapper.[1] Flappers were young, modern women who bobbed their hair, wore short skirts, drank alcohol and had premarital sex.[2][3][4] Despite the newfound societal freedoms attained by flappers in the 1920s,Шаблон:Sfn Fitzgerald's work examines the continued limitations upon women's agency during this period.Шаблон:Sfn In this context, although early critics viewed the character of Daisy to be a "monster of bitchery",Шаблон:Sfn later scholars posit the character exemplifies the marginalization of women in the elite milieu that Fitzgerald depicts.Шаблон:Sfnm
In the 1940s and 1950s, many scholars and critics condemned Daisy as an irredeemable villain.Шаблон:Sfn Critic Marius Bewley remarked upon the character's "vicious emptiness," Robert Ornstein dubbed her "criminally immoral," Alfred Kazin judged her to be "vulgar and inhuman," and Leslie Fiedler regarded her as a "dark destroyer" who purveys "corruption and death".Шаблон:Sfn In these earlier critiques, Gatsby was likened unto an innocent and Daisy equated with "foul dust [that] floated in the wake of his dreams".Шаблон:Sfn
Revisionist opinions about the character began to emerge over time in the 1960s and 1970s. Writing in 1978, scholar Leland Person noted that Daisy is more of a hapless victim than a manipulative victimizer.Шаблон:Sfn Described by Fitzgerald as a "golden girl",Шаблон:Sfn she is the target first of Tom's callous domination and next of Gatsby's dehumanizing adoration.Шаблон:Sfn She involuntarily becomes the holy grail at the center of Gatsby's unrealistic quest to be steadfast to a youthful concept of himself.Шаблон:Sfn The ensuing contest of wills between Tom and Gatsby reduces Daisy to a trophy wife whose sole existence is to augment her possessor's socioeconomic success.Шаблон:Sfn
As an upper-class White Anglo-Saxon Protestant woman living during the Jazz Age, Daisy adheres to societal expectations and gender norms such as fulfilling the roles of dutiful wife, nurturing mother, and charming socialite.Шаблон:Sfn Many of Daisy's choices—culminating in the fatal car crash and misery for all those involved—can be partly attributed to her prescribed role as a "beautiful little fool" who is reliant on her husband for socioeconomic security.Шаблон:Sfn Her decision to remain with Tom, despite her feelings for Gatsby, is ascribable to the wealth and security that her marriage provides.Шаблон:Sfn
Notwithstanding this scholarly reevaluation in academia, many readers continue to regard Daisy as an antagonist or an antiheroine.Шаблон:Sfnm Often listed as among "the most discussed and polarizing female characters in American literature,"Шаблон:Sfn readers frequently vilify Daisy for the consequences of her actions, such as directly and indirectly causing the deaths of several characters.Шаблон:Sfnm Writer Ester Bloom has opined that Daisy is not technically the story's villain, but "she still sucks, and if it weren't for her, a couple of key players in the book would be alive at the end of it."Шаблон:Sfn
Despite such widespread antipathy, many readers sympathize with the character.Шаблон:Sfnm Writer Katie Baker observed that, although Daisy lives and Gatsby dies, "in the end, both Gatsby and Daisy have lost their youthful dreams, that sense of eternal possibility that made the summertimes sweet. And love her or hate her, there's something to pity in that irrevocable fact."Шаблон:Sfn Dave McGinn listed the character as one who needed their side of the story told, and he wondered what her thoughts were on the love triangle between her, Gatsby and Tom.Шаблон:Sfn
Daisy as a reference point
Шаблон:See also Шаблон:Quote box Both Daisy Buchanan and her husband Tom often are invoked in popular discourse in the context of careless indifference by affluent persons.Шаблон:Sfnm In July 2016, on the eve of the 2016 United States presidential election, New York Times columnist Maureen Dowd likened Hillary Clinton and Bill Clinton to Daisy and Tom Buchanan due to their perceived carelessness in the political arena.Шаблон:Sfn Dowd wrote: "And that's the corkscrew way things go with the Clintons, who are staying true to their reputation as the Tom and Daisy Buchanan of American politics. Their vast carelessness drags down everyone around them, but they persevere, and even thrive."Шаблон:Sfn
Four years later, in October 2020, the response of Donald Trump's administration to the COVID-19 pandemic was compared by New York Times writer Ian Prasad Philbrick to the careless indifference of Daisy and Tom Buchanan.Шаблон:Sfn The "blasé Buchanans in the novel's final pages," Philbrick remarked, "seemed to fit an administration that has attempted to downplay the pandemic, even after Trump and other top Republicans tested positive for Covid-19."Шаблон:Sfn
Daisy has been cited as a role model for young women who aspire to attain wealth and to live life for the moment.Шаблон:Sfn "You should take Daisy's advice: be a 'fool'," urged writer Carlie Lindower of Mic.com, "Be a fool and covet only what is on the surface—the pearls, the furs, the immaculate lawn—because any deeper than that is murky territory filled with misguided ideals and broken pillars of feminism."Шаблон:Sfn Similarly, Inga Ting of The Sydney Morning Herald posited that Daisy's materialistic ambitions are both understandable and rationale as indicated by peer-reviewed academic studies.Шаблон:Sfn "Men want beauty," Ting opined, "women want money".Шаблон:Sfn
The character of Daisy Buchanan is also often referenced in popular culture in terms of Jazz Age and flapper aesthetics.Шаблон:Sfnm In the wake of Baz Luhrmann's 2013 film which featured Daisy with a bob cut, certain versions of the hairstyle were retroactively associated with the character.Шаблон:Sfnm Consequently, the character's physical description has become synonymous with 1920s glamour.[15]
Portrayals
Stage
Шаблон:Multiple image The first actress to portray Daisy Buchanan in any medium was 24-year-old Florence Eldridge who starred in the 1926 Broadway adaptation of Fitzgerald's novel at the Ambassador Theatre in New York City.Шаблон:Sfn The play was directed by George Cukor.Шаблон:Sfn The production delighted audiences and garnered rave reviews from theater critics.Шаблон:Sfn The play ran for 112 performances and then paused when its lead actor James Rennie traveled to the United Kingdom to visit an ailing family member.Шаблон:Sfn As F. Scott Fitzgerald was vacationing in Europe at the time, he never saw the 1926 Broadway play,Шаблон:Sfn but his agent Harold Ober sent him telegrams which quoted the many positive reviews of the production.Шаблон:Sfn A year later, Elderidge married film actor Fredric March in 1927.
In the footsteps of Florence Eldridge, later actresses have portrayed Daisy Buchanan on the stage. Heidi Armbruster portrayed Daisy in Simon Levy's 2006 stage adaptation of Fitzgerald's novel. Armbruster's performance, according to critic Quinton Skinner, was "full of loony momentary enthusiasms and a dangerous sensuality, though by the second act, Armbruster's perf Шаблон:Sic veers toward hollow mannerisms."Шаблон:Sfn Daisy was portrayed by Monte McGrath in a 2012 version of the same play, and her performance was met with acclaim.Шаблон:Sfn Madeleine Herd played Daisy in a 2015 adaptation by Independent Theater productions.Шаблон:Sfn
Film
A number of actresses have portrayed Daisy Buchanan in cinematic adaptations of Fitzgerald's novel. The first cinematic adaptation of The Great Gatsby was a silent film produced in 1926 and featured Lois Wilson as Daisy.Шаблон:Sfn In contrast to later adaptations, the film treatment and screenplay were both written by women.Шаблон:Sfn The treatment was by Elizabeth Meehan, and the screenplay was by Becky Gardiner.Шаблон:Sfn Reviewers praised Warner Baxter's portrayal of Gatsby and Neil Hamilton's portrayal of Nick Carraway but some found Lois Wilson's interpretation of Daisy to be needlessly unsympathetic.Шаблон:Sfn Other critics raved that Wilson reached "heights of emotional acting in the picture which she never before attained" and did "the best acting of her career."Шаблон:Sfn Reportedly, F. Scott Fitzgerald and his wife Zelda loathed the 1926 film adaptation of his novel and walked out midway through a viewing of the film at a theater.Шаблон:Sfn "We saw The Great Gatsby at the movies," Zelda later wrote to an acquaintance, "It's Шаблон:Mono and awful and terrible and we left."Шаблон:Sfnm The film is considered lost.Шаблон:Sfn
In 1949, a second cinematic adaptation was undertaken starring Betty Field as Daisy.Шаблон:Sfn In contrast to the 1926 adaptation, the 1949 adaptation was filmed under the strictures of the Hollywood Production Code, and the novel's plot was altered to appease Production Code Administration censors.Шаблон:Sfnm According to screenwriter Richard Maibaum, critics were conflicted about Field's performance as Daisy: "Some thought she was perfect, others that she was subtly wrong."Шаблон:Sfn Critic Lew Sheaffer wrote in The Brooklyn Daily Eagle that Field performed "the difficult feat of making a strong impact" as Gatsby's "vague, shilly-shallying sweetheart."Шаблон:Sfn Boyd Martin of The Courier-Journal opined that Field was "convincing in showing the shallowness of Daisy's character",Шаблон:Sfn whereas Wanda Hale of The New York Daily News complained that Field gave "such a restrained, delicate performance that you have to use some imagination to understand her weakness."Шаблон:Sfn Шаблон:Multiple image In 1974, Mia Farrow portrayed Daisy in the third cinematic adaptation.Шаблон:Sfn The film received poor critical reviews,Шаблон:Sfn and Farrow's performance as Daisy was met with a mixed reception.Шаблон:Sfnm Bruce Handy of Vanity Fair praised Farrow as being "full of vain flutter and the seductive instant intimacy of the careless rich".Шаблон:Sfn Vincent Canby of The New York Times, in an otherwise negative review of the film, wrote favorably of Farrow as Daisy, calling the actress' performance "just odd enough to be right as Daisy, a woman who cannot conceive of the cruelties she so casually commits".Шаблон:Sfn Roger Ebert lamented that Farrow played Daisy as "all squeaks and narcissism and empty sophistication."Шаблон:Sfn Similarly, Gene Siskel complained that Farrow interpreted Daisy to be a "skittish child-woman" who bore little resemblance to Fitzgerald's character.Шаблон:Sfn Upon viewing the 1974 film, Fitzgerald's daughter Frances "Scottie" Fitzgerald criticized Farrow's performance as Daisy.Шаблон:Sfn Although she praised Farrow as a "fine actress," Scottie noted that Farrow seemed unable to convey the "Southern nature" of Daisy's character.Шаблон:Sfn
In 2013, Carey Mulligan portrayed Daisy in the fourth cinematic adaptation.Шаблон:Sfn Mulligan had two 90-minute auditions, which she found to be fun and served as her initial encounters with Leonardo DiCaprio, who portrayed Gatsby.Шаблон:Sfn Mulligan partly based her performance on the Kardashian family in regards to "looking very present, presentational, and perfect."Шаблон:Sfn She was familiar with the dislike some readers of The Great Gatsby had for the character but felt she could not "think that about her, because I can't play her thinking she's awful."Шаблон:Sfnm Todd McCarthy of The Hollywood Reporter in his review of the 2013 film wrote that viewers had their own ideas about Daisy's character and would debate whether Mulligan "has the beauty, the bearing, the dream qualities desired for the part, but she lucidly portrays the desperate tear Daisy feels between her unquestionable love for Gatsby and fear of her husband."Шаблон:Sfn Critic Jonathan Romney of The Independent praised Mulligan's "reassuringly candid presence" which he described as "weary, wan, with a dash of Blanche DuBois."Шаблон:Sfn
Television
Phyllis Kirk portrayed Daisy in a 1955 episode of the television series Robert Montgomery Presents adapting The Great Gatsby.Шаблон:Sfn Reviewers were lukewarm towards Kirk's interpretation of Daisy noting that her performance was "fine" and more than adequate as "the distraught lady across the bay" from Gatsby.Шаблон:Sfnm Three years later, Jeanne Crain played Daisy in a 1958 episode of the television series Playhouse 90.Шаблон:Sfn
Mira Sorvino played Daisy in the 2000 television adaptation.Шаблон:Sfn Produced on a limited budget, the 2000 television adaptation suffered from low production values.Шаблон:Sfn Sorvino's performance was roundly criticized.Шаблон:Sfn Natasha Joffe of The Guardian wrote that Sorvino was an abysmal Daisy "whose voice is supposed to be full of money, but is just moany. Why would Gatsby love her? She looks like a drowned goose and her hats are like they've been made out of old pants."Шаблон:Sfn Similarly, John Crook of The Fremont Tribune wrote that Sorvino was "seriously miscast as Daisy".Шаблон:Sfn In 2007, Tricia Paoluccio portrayed Daisy in an American Masters television episode titled "Novel Reflections: The American Dream".
Radio
Irene DunneШаблон:Verify source starred as Daisy in an adaptation broadcast on Family Hour of Stars on January 1, 1950,Шаблон:Sfn and Pippa Bennett-Warner played Daisy in the 2012 two-part Classic Serial production.Шаблон:Sfn
List
| Year | Title | Actor | Format | Distributor | Rotten Tomatoes | Metacritic |
|---|---|---|---|---|---|---|
| 1926 | Шаблон:Sort | Florence Eldridge | Stage | Broadway (Ambassador Theatre) | Шаблон:N/A | Шаблон:N/A |
| 1926 | Шаблон:Sort | Lois Wilson | Film | Paramount Pictures | 55% (22 reviews)Шаблон:Sfn | Шаблон:N/A |
| 1949 | Шаблон:Sort | Betty Field | Film | Paramount Pictures | 33% (9 reviews)Шаблон:Sfn | Шаблон:N/A |
| 1950 | Шаблон:Sort | Irene DunneШаблон:Verify source | Radio | Family Hour of Stars | Шаблон:N/A | Шаблон:N/A |
| 1955 | Шаблон:Sort | Phyllis Kirk | Television | Robert Montgomery Presents | Шаблон:N/A | Шаблон:N/A |
| 1958 | Шаблон:Sort | Jeanne Crain | Television | Playhouse 90 | Шаблон:N/A | Шаблон:N/A |
| 1974 | Шаблон:Sort | Mia Farrow | Film | Paramount Pictures | 39% (36 reviews)Шаблон:Sfn | 43 (5 reviews)Шаблон:Sfn |
| 2000 | Шаблон:Sort | Mira Sorvino | Television | A&E Television Networks | Шаблон:N/A | Шаблон:N/A |
| 2012 | Шаблон:Sort | Pippa Bennett-Warner | Radio | BBC Radio 4 | Шаблон:N/A | Шаблон:N/A |
| 2013 | Шаблон:Sort | Carey Mulligan | Film | Warner Bros. Pictures | 48% (301 reviews)Шаблон:Sfn | 55 (45 reviews)Шаблон:Sfn |
See also
References
Citations
Works cited
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Шаблон:The Great Gatsby Шаблон:Authority control
- ↑ 1,0 1,1 Шаблон:Harvnb: "Fitzgerald's literary creation Daisy Buchanan in The Great Gatsby was identified with the type of the flapper. Her pictorial counterpart was drawn by the American cartoonist John Held Jr., whose images of party-going flappers who petted in cars frequented the cover of the American magazine Life during the 1920s".
- ↑ 2,0 2,1 Шаблон:Harvnb: "More than any other type of the Modern Woman, it was the Flapper who embodied the scandal which attached to women's new public visibility, from their increasing street presence to their mechanical reproduction as spectacles".
- ↑ 3,0 3,1 Шаблон:Harvnb: The flappers, "if they get about at all, know the taste of gin or corn at sixteen".
- ↑ 4,0 4,1 Шаблон:Harvnb: "Unchaperoned young people of the smaller cities had discovered the mobile privacy of that automobile given to young Bill at sixteen to make him 'self-reliant'. At first petting was a desperate adventure even under such favorable conditions, but presently confidences were exchanged and the old commandment broke down".
- ↑ Шаблон:Harvnb: "From Louisville. Our white girlhood was passed together there. Our beautiful white—"
- ↑ Шаблон:Harvnb: The valley of ashes was a landfill in Flushing Meadows, Queens. "In those empty spaces and graying heaps, part of which was known as the Corona Dumps, Fitzgerald found his perfect image for the callous and brutal betrayal of the incurably innocent Gatsby". Flushing Meadows was drained and became the location of the 1939 World's Fair.
- ↑ Шаблон:Harvnb: "Fitzgerald's "longing for Ginevra went into Gatsby's timeless and untouchable love for Daisy Fay".
- ↑ Шаблон:Harvnb: "Lacking the outward signs of high status that the landed nobility of Europe once enjoyed, wealthy American families have long maintained social distance from the 'common people' by withdrawing into upper-class enclaves. Often located on forested hills far from the stench and noise of the industrial distracts, places like Greenwich, Connecticut; Lake Forest, Illinois; and Palm Beach, Florida, are 'clear material statement[s] of status, power, and privilege.'"
- ↑ Шаблон:Harvnb: "Boundaries have always been paramount in Lake Forest. The town was off-limits to Black and Jewish people for decades, and even during the First World War a middle-class Catholic like Fitzgerald showing up could have caused a stir."
- ↑ Шаблон:Harvnb: "On July 15, 1918, [Ginevra] writes to tell [Fitzgerald] that on the following day she will announce her engagement to William Mitchell, in what her granddaughter believes was something of an arranged marriage between two prominent Chicago families."
- ↑ Шаблон:Harvnb: "A year later Ginevra wrote that she was engaged to Bill Mitchell, another wealthy young Chicagoan who was the son of a business associate of her father's. She said she wanted Fitzgerald to be the first to know."
- ↑ Шаблон:Harvnb: "Gatsby's love for Daisy was Fitzgerald's love for Zelda — and before her, Ginevra — decked out in a Keatsian prose."
- ↑ Шаблон:Harvnb: "Zelda was no housekeeper. Sketchy about ordering meals, she completely ignored the laundry".
- ↑ Шаблон:Harvnb: "Being born 'masculine,' but feeling 'half-feminine,' Fitzgerald was personally interested in sexual differentiation from an early age."
- ↑ Шаблон:Harvnb: "Blunt... channeled 1920s glam à la Daisy Buchanan with a pin curled faux bob, minimal face makeup, dark lashes, and a bright red lip."
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