Английская Википедия:Destiny (wordless novel)

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An illustration of two men fighting and a woman behind them wielding an axe

A page from Destiny

Destiny (Шаблон:Lang-de) is the only wordless novel by German artist Otto Nückel. It first appeared in 1926 from the Munich-based publisher Delphin-Verlag. In 190 wordless images the story follows an unnamed woman in a German city in the early 20th century whose life of poverty and misfortune drives her to infanticide, prostitution, and murder.

The book was the first whose images were made with leadcuts instead of the more common woodcuts, and showed a greater depth of character and cinematic sense than previous wordless novels. The book inspired American artist Lynd Ward to tackle the medium, beginning with Gods' Man in 1929. Ward's success brought about an American publication of Destiny in 1930 which sold well. The book has impressed critics and has become one of the best-known wordless novels.

Synopsis

The book follows an unnamed woman in a German city in the early 20th century who lives a life of poverty and misfortune.Шаблон:Sfn She is the constant victim of her society—especially the men, such as her drunken, abusive father, and the traveling salesman who gets her pregnant. She is imprisoned for the murder of her unwanted child, and upon release turns to life as a prostitute. The police hunt her down after she murders a man with an axe, and as she jumps from an upper-floor window they shoot her dead.Шаблон:Sfn

Background

A black-and-white illustration of a large police officer strangling a smaller man

Frans Masereel pioneered the wordless novel genre with woodcut artwork.
From 25 Images of a Man's Passion, 1918

Otto Nückel (1888–1955) was born in Cologne in the German Empire. He studied medicine in Freiburg before switching to art, which he studied in Munich in 1910–12.Шаблон:Sfn His paintings were less successful than the illustrations he made for magazines such as the satirical Simplicissimus and for books by Thomas Mann and E. T. A. Hoffmann.Шаблон:Sfn

In 1918, the Belgian Frans Masereel created the first wordless novel, 25 Images of a Man's Passion,Шаблон:Efn and followed it up the next year with his longest and most successful work, Passionate Journey.Шаблон:Efn Such books achieved particular popularity in Germany, where they sold in the hundreds of thousands in the 1920s. Masereel's woodcut artwork drew inspiration from the German Expressionists and displayed socialist themes of struggle against social injustice, themes that were to be common in the wordless novel genre.Шаблон:Sfn

Production and publication

Nückel's medium was the leadcut—engraved plates of lead—a medium Nückel turned to when he found wood in short supply in Germany.Шаблон:Sfn Lead plates are also more economical than wood in that they can be melted down and reused if errors are made during engraving.Шаблон:Sfn Destiny was the first wordless novel to employ lead engraving.Шаблон:Sfn Nückel made 190 printsШаблон:Sfn in black and white for the book.Шаблон:Sfn The images range in size from Шаблон:Convert to Шаблон:ConvertШаблон:Sfn and were originally printed on Шаблон:Convert pages of thin Japanese handmade paperШаблон:Sfn when the book was published in Germany in 1926.Шаблон:Sfn

Editions

• Das Schicksal: eine Geschichte in Bildern (1926). Munich: Delphin-VerlagШаблон:Sfn
• Destiny: A Novel in Pictures (1930). New York: Farrar & RinehartШаблон:Sfn
• Schicksal eine Geschichte in Bildern (1984). Zürich: Шаблон:Interlanguage link multiШаблон:Sfn
• Destin (2005). Paris: Шаблон:Interlanguage link multiШаблон:Sfn
• Destiny: A Novel in Pictures (2007). New York: Dover PublicationsШаблон:Sfn

Style and analysis

Painting of a bespectacled man

Though well-received, Destiny was to be Nückel's only wordless novel.
Self-portrait, 1920

Nückel engraved his plates with a multiple tool (also called a lining tool), a sort of chisel that cuts multiple parallel lines at once, which gives a mechanical hatching texture to the print.Шаблон:Sfnm The images vary not only in dimensions but in focus, from close-ups of faces to panoramas of crowds.Шаблон:Sfn

In contrast to the earlier works of Masereel, Destiny focuses on an individualized woman instead of the plight of a man as cipher for humankind.Шаблон:Sfn Lynd Ward found Nückel's book had greater psychological depth in its characters and plot development, and more skilled technical achievement in the artwork. Canadian artist George Walker believed that Masereel's plots were more original.Шаблон:Sfn

Reception and legacy

American artist Lynd Ward discovered a copy of Nückel's book in New York in 1929 and was inspired by it to create wordless novels of his own, beginning with Шаблон:Not a typo the same year.Шаблон:Sfn The success of both Gods' Man and the subsequent Madman's Drum (1930) led to a number of American publishers bringing other wordless novels into print, including Destiny in 1930,Шаблон:Sfn which sold well in the US.Шаблон:Sfn

Literary scholar Martin S. Cohen called Destiny "perhaps the most pathetic ... and one of the most memorable" examples of the wordless novel genre.Шаблон:Sfn Wordless novel scholar David Beronä judged the book "a pioneering work in the development of the contemporary graphic novel" for the complexity of its plot, its social consciousness, and its focus on an individual character.Шаблон:Sfn Reviewer Christian Gasser commended the book's "narrative pull", which he credited as creating a "haunting, edgy narrative rhythm" of a story of persecution, satire, and Expressionist art. The story, he suggests, may be allegory of the Weimar Republic in which it arose.Шаблон:Sfn

References

Works cited

• Шаблон:Cite book
• Шаблон:Cite book
• Шаблон:Cite web
• Шаблон:Cite journal
• Шаблон:Cite news
• Шаблон:Cite book
• Шаблон:Cite journal
• Шаблон:Cite book
• Шаблон:Cite book
• Шаблон:Cite book

Further reading

• Шаблон:Cite journal
• Шаблон:Cite journal

External links

• Шаблон:Internet Archive