Английская Википедия:Dogaressa

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Версия от 05:47, 28 февраля 2024; EducationBot (обсуждение | вклад) (Новая страница: «{{Английская Википедия/Панель перехода}} {{Short description|Official title of the wife of the Doge of Venice}} {{Expand language|topic=|langcode=de|otherarticle=Dogaressa|date=February 2020}} {{Unreliable sources|date=December 2019}} thumb|250px|Dogaressa [[Morosina Morosini by Tintoretto, 1590s.]] '''Dogaressa''' ({{IPAc-en|ˌ|d|oʊ|ɡ|ə|ˈ|r|ɛ|s|ə|,_|ˌ|d|oʊ|dʒ|ə|ˈ|-}} {{respell|DOH|gə|...»)
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Файл:Dogaressa.jpg
Dogaressa Morosina Morosini by Tintoretto, 1590s.

Dogaressa (Шаблон:IPAc-en Шаблон:Respell, Шаблон:IPA-it, Шаблон:IPA-vec) was the official title of the wife of the Doge of Venice. The title was unique for Venice: while the heads of the Republic of Genoa were also called Doge, the wives of the Doges of Genoa were not called Dogaressa, nor did they have such a public position.[1]

History

The first bearer of the title was reportedly Dogaressa Carola in the 800s, and the last was Elisabetta Grimani in the 1790s.

The position of the Dogaressa was regulated by the laws of the Republic, which specified which duties and rights she had, and what was prohibited to her. These rights changed several times during the history of the Republic.

Position

Just like the Doge, the Dogaressa was crowned, made a Solemn EntryШаблон:Clarify, and gave a vow of loyalty (promissione ducale) to the republic upon her coronation. The symbols of her rank were a golden veil, and a crown in a similar shape as that of the Doge. Similar to a queen, the Dogaressa was provided with a household of ladies-in-waiting. The coronation of the Dogaressa was abolished during certain periods, as specified below.

Formally, the Dogaressa had no political rights whatsoever, and her task was to participate in the representational life of the republic through the official ceremonies and rituals designed to personify the glory of the state. Thus, she had a very visible public role. She was expected to act as the formal protector of certain guilds and trades, and could, as such, play an important part in the role of these trades within the state: something several Dogaressas are known to have done. Alicia Giustiniani, for example, played an important part in Venetian commerce and business because of this role.

Though the law disallowed any influence over affairs of state to the Dogaressa, some wielded a great deal of influence over such affairs in practice, most notably Felicia Cornaro.

When the Dogaressa became a widow, she was expected to become a nun. However, there was no actual law to require this, and some widowed Dogaressas refused to follow this custom, although doing so was considered scandalous.

Changes in position

During the centuries, the regulations around the Dogaressa introduced laws to restrict her rights. In the 13th century, the Dogaressa was banned from receiving dignitaries and making public donations on her own, and in 1342, a law banned her from conducting business affairs of her own.

The coronation ceremony of the Dogaressa did not occur between those of Taddea Michiel in 1478 and Zilia Dandolo in 1556. After the coronation of Morosina Morosini in 1597, the coronation of a Dogaressa was deemed unnecessary by 1645 and the other ceremonies around her were suppressed to a minimum. The last Dogaressa to be crowned was Elisabetta Querini in 1694, after which the ceremony was permanently abolished. After the tenure of Elisabetta Querini, most other ceremonial privileges of the Dogaressa was abolished as well: in 1700, she was no longer permitted to wear a crown or to receive gifts from dignitaries. In 1763, the Solemn Entry was revived by the wish of the Doge for Pisana Conaro, who was the last Dogaressa to perform it.

List of Dogaressas of Venice

References

Шаблон:Reflist

Шаблон:Republic of Venice topics

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  1. ↑ The Dogaressa of Venice, 1200-1500: Wives and Icons
  2. ↑ Giuseppe Gullino, s.v. ORSEOLO, Ottone in Dizionario Biografico degli Italiani - Volume 79 (2013)
  3. ↑ Holly S. Hurlburt, The Dogaressa of Venice, 1200-1500: Wife and Icon, New York: Palgrave, Macmillan, 2006, p. 188
  4. ↑ Holly S. Hurlburt, The Dogaressa of Venice, 1200-1500: Wife and Icon, New York: Palgrave, Macmillan, 2006, p. 189
  5. ↑ Holly S. Hurlburt, The Dogaressa of Venice, 1200-1500: Wife and Icon, New York: Palgrave, Macmillan, 2006, p. 190
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