Английская Википедия:Electronic Tragedy: Enola

Материал из Онлайн справочника
Версия от 22:08, 2 марта 2024; EducationBot (обсуждение | вклад) (Новая страница: «{{Английская Википедия/Панель перехода}} {{Infobox album | name = Electronic Tragedy: Enola | type = Studio | artist = P-Model | cover = P-MODEL - ENOLA.gif | alt = | released = {{Start date|1997|11|29}} | recorded = 1997 | venue = | studio = {{Collapsible list|title=Various|titlestyle=font-weight:normal;font-size:12px;background:transparent;text-align:left|{{Plainlist|{{unbulleted...»)
(разн.) ← Предыдущая версия | Текущая версия (разн.) | Следующая версия → (разн.)
Перейти к навигацииПерейти к поиску

Шаблон:Infobox album Electronic Tragedy: Enola, stylized as Шаблон:Nihongo, is the eleventh studio album by P-Model and the second by its "revised" lineup.

Background

In October 1996, P-Model started their project Шаблон:Nihongo, codenamed "Unfix", a 9-part venture where each member (or "branch") would work in projects either independently of the band or with other members in different formations, culminating with all branches merging again. The members were able to enact Unfixes No. 0, #1, No. 2, #4 and No. 6 successfully, with No. 1 being the band's enhanced maxi single "Rocket Shoot".[1] The project reached setbacks when Susumu Hirasawa was unable to come to Unfix No. 3, an all-night event which was supposed to have participation from every member, due to sudden illness and when Unfix No. 5, also a live event, was cancelled.Шаблон:Sfn The original plan was abandoned for good with the departure of drummer Wataru Kamiryo from the band, which made the end goal of merging all branches impossible.Шаблон:Sfn That led to Hirasawa to reconceptualize the project.

The reworked concept was centered around a story, Шаблон:Nihongo, which unfolded through maxi singles, the album, HTML and video files included in those releases, live shows, that year's World Inspection Tour and the internet, which the band used to post reports and set forth tasks for concertgoers through its official bulletin board system;Шаблон:Sfn all of this made it essentially like one of Hirasawa's Interactive Lives, but done with P-Model.Шаблон:Sfn

The story revolves around LAYER-GREEN, a three-dimensional "information sphere" representation of the internet, and was made to have people understand the feeling of being in an internet community, and to maybe make them want to buy a computer.Шаблон:Sfn Shortly after the project's end, Hirasawa felt that it wasn't as conceptually realized as his Interactive Lives, excessively enthusiastic and wasn't as adamant about its points anymore.Шаблон:Sfn

The idea of LAYER-GREEN was inspired by a vacation Hirasawa took in Bali in late 1996, amazed by the fractal patterns that he saw on a temple and its nearby jungle, as well as gamelan music, feeling that Bali was techno music itself.Шаблон:Sfn This Asian inspiration also manifested in the music made for the album.

Composition and production

Electronic Tragedy/〜ENOLA is the only P-Model album where less than half of its songs were written by Hirasawa, containing a "balanced" number of tracks for each member, sequenced to cycle through all of them. Kamiryo had prepared material for the album as well, and had he not left the band, there would have been less Hirasawa compositions than it ended up with.Шаблон:Sfn Since he wasn't the main creative force, Hirasawa did not have to consciously change his style for the album as a whole to have a different sound.Шаблон:Sfn

Hajime Fukuma, who was not content with making only "bonus material" following the release of "Rocket Shoot", sought to actively participate on the project.Шаблон:Sfn Some of his contributions aimed for a P-Model feel, but he also tried to include arrangement touches that the other members either would not use or opposed using on their own material and easy to understand technopop songs.Шаблон:Sfn

For Electronic Tragedy/〜ENOLA and its two preceding maxi singles, P-Model significantly digitized its workflow. Every member had a Roland VS-880 hard disk recorder, so almost all electronics were recorded on their home studios. They communicated online about their songs, sending low-quality RealAudio files of their demos to each other for review, changing aspects as discussion went on.Шаблон:Sfn They later convened in Thai studios to listen to the others' songs in high-quality and to record vocals. After recording was finished, they then went to a Tokyo studio to transfer their recordings to tape and mixdown.Шаблон:Sfn

For the inclusion of enhanced material, the group faced issues with the way the music industry was and undertook a big financial risk doing it. Extra staff was brought in create and ship the content. Nippon Columbia would not give them royalties for any non-music content, and could not think of packaging in any terms other than music packaging, so the band incurred extra costs trying to adapt to the different format.[2]

Track listing

Шаблон:Track listing Шаблон:Track listing

Personnel

  • Susumu Hirasawa – Vocals, Electric guitar, Synthesizers, Sampler, Amiga, Sequencer, Programming
  • Hajime Fukuma – System-1, Lead vocals on "BOGY", Backing vocals
  • Kenji Konishi – System-2, Lead vocals on "ENN", Backing vocals
  • Natthacha Yodsoongnern – Narration on "BOGY"
  • Masanori Chinzei – Mixing and Recording Engineer
  • Akinori Yoshino – Mixing (maxi-singles only) and Recording Engineer
  • Hideki Namai – Photography
  • Toshiyuki Akimoto – Direction

Release history

Date Label(s) Format Catalog Notes
Шаблон:Start date Nippon Columbia enhanced CD COCA-14673 Comes in a white slipcase with clear circular sections that almost entirely match up with photos of the band members and the maxi-single covers on the CD's label, with the "rear" as the front. To serve that purpose, there is no inlay. The reverse side of the slipcase is striped.
Шаблон:Start date
Шаблон:Start date
Chaos Union, Teslakite CD CHTE-0013 Remastered by Hirasawa. Part of Disc 9 of the Ashu-on [Sound Subspecies] in the solar system box set, alongside the "ASHURA CLOCK" and "LAYER-GREEN" maxi-singles. Re-released with new packaging by Kiyoshi Inagaki.
Шаблон:Start date Columbia Music Entertainment on Demand CD CORR-10418
Шаблон:Start date CD COCP-36929 Subtitled +6. Digitally remastered, with the "ASHURA CLOCK" and "LAYER-GREEN" maxi-singles for bonus tracks. The CD label design is changed to a solid colors one.
Digital Download none

References

Шаблон:Reflist

Bibliography

Шаблон:Refbegin

Шаблон:Refend

External links

Шаблон:P-Model

Шаблон:Authority control