Английская Википедия:Eli (opera)

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Шаблон:Short description Шаблон:Use list-defined references Шаблон:Use dmy dates Шаблон:Infobox opera Eli, Op. 7, is a German-language opera in three acts with music by Walter Steffens to a libretto based on a play by Nelly Sachs. The world premiere was in 1967 at the Opernhaus Dortmund.[1]

History

Файл:Dortmund-Oper 2502.JPG
Opernhaus Dortmund

Eli was a commission from the city of Dortmund[2] as the first world premiere to be performed at the new Opernhaus Dortmund which was inaugurated in 1966.[3] The composer wrote the libretto[2] for the opera in three acts (12 scenes) based on a 1943 mystery play by Nelly Sachs.[4] The city of Dortmund awards a literature prize in her name, the Nelly Sachs Prize.[3] Her play was first entitled Eli: Ein Legendenspiel vom Leiden Israels (Eli: A mystery play of the sufferings of Israel), later changed to Eli: Ein MysterienspielШаблон:Nbsp...[5] It was premiered by Theater Dortmund on 14 March 1962.[4] The opera was published by Bärenreiter.[2]

The action is in single episodes, without a plot. It is set in a Polish village right after World War II, where a Jewish boy, Eli, was slain by a German soldier during a pogrom, and is remembered in various ways.[6] Walter Steffens, a resident of Dortmund,[7] worked on the composition from 1964 to 1966.[4][1]

The world premiere of the opera was on 5 March 1967 in the Opernhaus Dortmund,[5][8][7] directed by Hans Hartleb, with Hainer Hill as designer of stage and costumes, and Wilhelm Schüchter conducting.[1][5]

Roles

The first performance was at the Opernhaus Dortmund on 5 March 1967, conducted by Wilhelm Schüchter. Many singers take more than one role:[1]

Шаблон:Sronly
Role Voice type Performer
Michael heldenbaritone
A Baker / A Woman / An Old Woman dramatic soprano
Ester / The Mother coloratura soprano
A Young Woman coloratura soprano
A Girl / A Woman soprano
Ester / The Mother coloratura soprano
A Washing Woman dramatic contralto
Second Tree contralto
Jossele / First Voice / Scherenschleifer / Beggar / A Man high lyric tenor Шаблон:Nowrap[9]
Ein Verwachsener tenor
Mendel tenor
First Bricklayer / Voice of a Star / A Chimney tenor
The Old Bricklayer / A Man / The Man With the Mirror Glass / A Rabbi serious bass-baritone
Second Bricklayer baritone
A Being / A Baker low bass
Samuel silent role
Second Voice / A Blind Girl / A Carpenter / A Child / A Postman / First Tree / A Doctor / A Voice speaking roles
Brick layers / Praying Group / Voice from the Chimney / Voices of the Fingers / Voice of the Lecturer's Finger / Choir in the orchestra choir
Rough Man's Voice / Hissing Sounds / A Finger / A Long Bony Finger / Voice of the Lecturer's Finger tape

Reception

A reviewer from Süddeutsche Zeitung noted that Steffens transports the poetry to a different level of emotional intensity.[8] He described the vocal and instrumental lines as expressive and melodic ("Expressiv-melodische Diktion"), and the electro-acoustic parts as unreal voices.[8]

References

Шаблон:Reflist

Further reading

Шаблон:Portal bar Шаблон:Authority control

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  1. ↑ 1,0 1,1 1,2 1,3 Ошибка цитирования Неверный тег <ref>; для сносок Steffens не указан текст
  2. ↑ 2,0 2,1 2,2 Ошибка цитирования Неверный тег <ref>; для сносок Komponisten не указан текст
  3. ↑ 3,0 3,1 Ошибка цитирования Неверный тег <ref>; для сносок Theater не указан текст
  4. ↑ 4,0 4,1 4,2 Ошибка цитирования Неверный тег <ref>; для сносок Suhrkamp не указан текст
  5. ↑ 5,0 5,1 5,2 Ошибка цитирования Неверный тег <ref>; для сносок Griffel не указан текст
  6. ↑ Ошибка цитирования Неверный тег <ref>; для сносок Sauer не указан текст
  7. ↑ 7,0 7,1 Ошибка цитирования Неверный тег <ref>; для сносок Zeit не указан текст
  8. ↑ 8,0 8,1 8,2 Ошибка цитирования Неверный тег <ref>; для сносок Ruppel не указан текст
  9. ↑ Ошибка цитирования Неверный тег <ref>; для сносок Kutsch/Riemens не указан текст
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