Английская Википедия:George Van Eps

Материал из Онлайн справочника
Версия от 14:54, 12 марта 2024; EducationBot (обсуждение | вклад) (Новая страница: «{{Английская Википедия/Панель перехода}} {{Short description|American swing and jazz guitarist (1913–1998)}} {{Infobox musical artist | name = George Van Eps | image = George Van Eps In 1949 Photograph.jpg | caption = George Van Eps in 1949 | background = non_vocal_instrumentalist | birth_name = George Abel Van Eps | birth_date = {{birth d...»)
(разн.) ← Предыдущая версия | Текущая версия (разн.) | Следующая версия → (разн.)
Перейти к навигацииПерейти к поиску

Шаблон:Short description Шаблон:Infobox musical artist

George Abel Van Eps (August 7, 1913 – November 29, 1998)[1] was an American swing and mainstream jazz guitarist.[2]

Biography

George Van Eps was born in Plainfield, New Jersey, United States,[3] into a family of musicians. His three brothers – Fred Abel Van Eps, Jr. (1907–1980), Robert B. Van Eps (1909–1986),[2] and John A. Van Eps (1912–1945)[4] – were musicians. His mother, Louise Abel, was a classical pianist and his father, Fred Van Eps, was a ragtime banjoist and sound engineer.[3] George Van Eps began playing banjo when he was eleven years old.[3] After hearing Eddie Lang on the radio, he put down the banjo and devoted himself to guitar.[3] By the age of thirteen, in 1926, he was performing on the radio. Through the middle of the 1930s, he played with Harry Reser, Smith Ballew, Freddy Martin, Benny Goodman, and Ray Noble.[5][6][7]

Van Eps moved to California and spent most of his remaining career as a studio musician, playing on many commercials and movie soundtracks.[5]

In the 1930s, he invented a model of guitar with another bass string added to the common six-string guitar. The seven-string guitar allowed him to play basslines below his chord voicings, unlike the single-string style of Charlie Christian and Django Reinhardt. He called his technique "lap piano". It anticipated the fingerpicking style of country guitarists Chet Atkins and Merle Travis and inspired jazz guitarists Bucky Pizzarelli, John Pizzarelli, and Howard Alden to pick up the seven-string.[7]

Dixieland had a following in Los Angeles during the 1940s and 1950s, and he played in groups led by Bob Crosby and Matty Matlock and appeared in the film Pete Kelly's Blues.[5] He played guitar on Frank Sinatra's 1955 album. In the Wee Small Hours.

Van Eps played guitar into his eighties, having built a career that lasted over sixty years.[7] He died of pneumonia in Newport Beach, California, on November 29, 1998, at the age of 85.[7][1]

Discography

As leader or co-leader

  • 1949 Jump Presents George Van Eps (Jump)
  • 1957 Mellow Guitar (Columbia)
  • 1966 My Guitar (Columbia)
  • 1967 George Van Eps' Seven-String Guitar (Capitol)
  • 1967 Soliloquy (Capitol)
  • 1991 Thirteen Strings with Howard Alden (Concord)
  • 1992 Hand-Crafted Swing with Howard Alden (Concord)
  • 1993 Seven & Seven with Howard Alden (Concord)
  • 1994 Keepin' Time with Howard Alden (Concord)
  • 1994 Legends (Concord) with Johnny Smith
  • 2003 George Van Eps, Eddie Miller, and Stanley Wright (Jump)[8][5]

As sideman

Bibliography

References

Шаблон:Reflist


Шаблон:Authority control

  1. 1,0 1,1 Шаблон:Cite news
  2. 2,0 2,1 Ошибка цитирования Неверный тег <ref>; для сносок ASCAP-Bios 1980 не указан текст
  3. 3,0 3,1 3,2 3,3 Шаблон:Cite book
  4. Ошибка цитирования Неверный тег <ref>; для сносок Courier-News 1945 Dec 29 не указан текст
  5. 5,0 5,1 5,2 5,3 Шаблон:Cite book
  6. Шаблон:Cite book
  7. 7,0 7,1 7,2 7,3 Шаблон:Cite web
  8. Шаблон:Cite web
  9. Шаблон:Cite web