Английская Википедия:Giselle Galos

Материал из Онлайн справочника
Версия от 14:08, 14 марта 2024; EducationBot (обсуждение | вклад) (Новая страница: «{{Английская Википедия/Панель перехода}} {{short description|Italian composer}} '''Giselle Galos''', commonly known as '''C. Galos''', (sometimes misspelled '''Galas'''), was an obscure 19th century Italian or French musician and composer<ref name=musicaltimes>{{cite book |title= The Musical Times and Singing Class Circular |volume= 22 |publisher= Novello, Ewer & Co}}</ref> who is responsib...»)
(разн.) ← Предыдущая версия | Текущая версия (разн.) | Следующая версия → (разн.)
Перейти к навигацииПерейти к поиску

Шаблон:Short description

Giselle Galos, commonly known as C. Galos, (sometimes misspelled Galas), was an obscure 19th century Italian or French musician and composer[1] who is responsible for composing two popular pieces of salon music, Le Chant du Berger (Nocturne, Op. 17) and Le Lac de Come (Nocturne, Op. 24). Both pieces are in the form of nocturnes.[2]

Galos' pieces are composed of stock salon clichés and often appear in collections of famous piano pieces.[2]

Galos did not perform in public and her music was typically published under the pseudonym C. Galos. For many years there was debate regarding whether Galos was male or female. Music historians disagreed over what the composer's first name was, with suggestions from Celestino to Charles, based on the "C. Galos" pseudonym. Early publications of Galos' Le Lac de Como have subsequently been discovered under the names "Giselle Galos" and "Madmoiselle Giselle Galos", finally confirming the composer's full name.[3]

External links

References

Шаблон:Reflist

Шаблон:Authority control


Шаблон:Italy-composer-stub Шаблон:France-composer-stub

  1. Шаблон:Cite book
  2. 2,0 2,1 Шаблон:Cite book
  3. VIAF. Database Entry. Viaf.org. Retrieved on 2011-03-19.