Английская Википедия:Hopes and Impediments
Шаблон:Short description Шаблон:Italic title
Hopes and Impediments: Selected Essays, 1965–1987 is collection of essays by Chinua Achebe, published in 1988.[1]
Several of the essays caution against generalizing all African people into a monolithic culture, or using Africa as a facile metaphor.[2] The opening essay, "An Image of Africa: Racism in Conrad's Heart of Darkness", challenged the prevailing opinions in the west about Joseph Conrad's depiction of African people.[3] He also discusses several notable authors and shares his opinion on the role of writers and writing in cultures. In a contemporary review, Chris Dunton wrote: "The essays in his new book remind us also how tough-minded, how properly insistent, he can be in exposing false and demeaning ideas about Africa and its culture."[4] The book is dedicated to Professor Michael Thelwell.[5]
Contents
- "An Image of Africa: Racism in Conrad's Heart of Darkness"
- "Impediments to Dialogue Between North and South"
- "Named for Victoria, Queen of England"
- "The Novelist as Teacher"
- "The Writer and His Community"
- "The Igbo World and Its Art"
- "Colonialist Criticism"
- "Thoughts on the African Novel"
- "Work and Play in Tutuola’s The Palm-Wine Drinkard"
- "Don’t Let Him Die: A Tribute to Christopher Okigbo"
- "Kofi Awoonor as Novelist"
- "Language and the Destiny of Man"
- "The Truth of Fiction"
- "What Has Literature Got To Do With It?"
- "Postscript: James Baldwin (1924-1987)"
References
External links
- ↑ Achebe, Chinua (1988) Hopes and Impediments: Selected Essays, 1965-1987. Heinemann, Шаблон:ISBN
- ↑ Edwards-Yearwood, Grace (December 31, 1989). Africa Is Nobody's Metaphor: Hopes and Impediments by Chinua Achebe (review). Los Angeles Times.
- ↑ Grossman, Ron (November 8, 1989). "Damning message proves irresistible", Chicago Tribune.
- ↑ Ezenwa-Ohaeto (1997). Chinua Achebe: A Biography, p. 262. Indiana University Press, Шаблон:ISBN
- ↑ French, Mary Ann (September 12, 1999). "The people's professor: Michael Thelwell, father of black studies at UMass-Amherst, thinks most of his academic peers have sold out the values of the '60s". Boston Globe.
