Английская Википедия:I Will Make You Mine

Материал из Онлайн справочника
Версия от 20:03, 24 марта 2024; EducationBot (обсуждение | вклад) (Новая страница: «{{Английская Википедия/Панель перехода}} {{Infobox film | name = I Will Make You Mine | image = | caption = | director = Lynn Chen | writer = Lynn Chen | producer = Dave Boyle<br>Lynn Chen<br>Mye Hoang<br>Cathy Shim<br>Emily Ting | starring = {{plainlist| * Lynn Chen * Goh Nakamura }} | music = Goh Nakamura | cinematography = Bill Otto<br>Carl Nenz...»)
(разн.) ← Предыдущая версия | Текущая версия (разн.) | Следующая версия → (разн.)
Перейти к навигацииПерейти к поиску

Шаблон:Infobox film

I Will Make You Mine is a 2020 American comedy drama film written and directed by Lynn Chen and starring Chen and Goh Nakamura. It is the third film of a trilogy in which Nakamura plays himself following the Dave Boyle films Surrogate Valentine (2011) and Daylight Savings (2012). It is also Chen's feature directorial debut.[1]

Plot

Шаблон:No plot

Cast

Release

In February 2020, it was announced that Gravitas Ventures acquired distribution rights to the film, which was released on May 26, 2020.[1][2] It was released on VOD on May 29, 2020.[3]

Reception

The film has a 100% rating on Rotten Tomatoes based on 21 reviews.[4] Bobby LePire of Film Threat rated the film a 6 out of 10.[5] David Ehrlich of IndieWire graded the film a B.[3] Ty Burr of The Boston Globe awarded the film two and a half stars.[6]

Kevin Crust of the Los Angeles Times gave the film a positive review and wrote, "More evolution than sequel, Chen‘s chapter maintains the laidback, low-fi charm and black-and-white aesthetic infused with Nakamura’s dreamy, pensive music but also grows the characters, infusing them with more narrative purpose."[7]

Lisa Kennedy of Variety gave the film a positive review, calling it "a female-forward work with three generously drawn roles for Asian women actors."[8]

Jeannette Catsoulis of The New York Times gave the film a positive review and wrote, "Soft black-and-white cinematography (by Bill Otto and Carl Nenzen Loven) and low-key humor help offset the limitations of its partly crowd-funded budget, as does the naturalism of the partly improvised performances."[9]

John DeFore of The Hollywood Reporter gave the film a positive review, calling it "A beautifully shot, settled-down finale."[2]

References

Шаблон:Reflist

External links