Английская Википедия:In vain (Haas)

Материал из Онлайн справочника
Версия от 16:41, 25 марта 2024; EducationBot (обсуждение | вклад) (Новая страница: «{{Английская Википедия/Панель перехода}} {{short description|Composition by Georg Friedrich Haas}} {{DISPLAYTITLE:''in vain'' (Haas)}} {{Infobox musical composition |name = ''in vain'' |composer = Georg Friedrich Haas |period = Contemporary |composed = 2000 |duration = c. 70 minutes |scoring = Orchestra |premiere_date = {{...»)
(разн.) ← Предыдущая версия | Текущая версия (разн.) | Следующая версия → (разн.)
Перейти к навигацииПерейти к поиску

Шаблон:Short description

Шаблон:Infobox musical composition

in vain is a 2000 composition for 24 instruments by Austrian composer Georg Friedrich Haas. It was premiered on October 29, 2000 by Sylvain Cambreling and the Klangforum Wien and lasts approximately 70 minutes.[1] The piece is one of Haas' best-known works.[2]

Background and composition

in vain was commissioned by the Westdeutscher Rundfunk for Sylvain Cambreling (to whom the work is dedicated) and Klangforum Wien.[1][3] Haas wrote the piece in response to the rise of the far-right in Austria.[4][5]

The piece deals extensively with microtonality.[1] The light levels in the hall are specified in the score; some sections of the piece are played in very bright light, and about twenty minutes are played in complete darkness.[1][5]

Instrumentation

The piece is scored for the following ensemble:[1][3]

Шаблон:Col-begin Шаблон:Col-3 Woodwinds

Шаблон:Hanging indent
Oboe
Шаблон:Hanging indent
Шаблон:Hanging indent
Bassoon

Brass

2 Horns in F
2 Trombones

Keyboards

Accordion
Piano

Шаблон:Col-3

Percussion

Percussion 1:
Marimba
Crotales
Glockenspiel
Plate bell (E)
Cymbal
Tam-tam
Percussion 2:
Crotales
Glockenspiel
Vibraphone
Plate bell (BШаблон:Music)
Chinese cymbal
Tam-tam

Шаблон:Col-3

Strings

Harp
3 Violins
2 Violas
2 Cellos
Double bass (five string)

Шаблон:Col-end

Reception

Simon Rattle has hailed in vain as "one of the first masterpieces of the 21st century",[4][5] and the Austrian newspaper Die Presse has called it a "classic".[6] The piece was named the greatest work of art music since 2000 in a Classic Voice poll.[7]

In his 2007 book The Rest Is Noise, Alex Ross wrote that the piece "may mark a new departure in Austro-German music, joining spectral harmony to a vast Brucknerian structure".[8]

References

Шаблон:Reflist Шаблон:Spectral music