Английская Википедия:Imagination

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Olin Levi Warner, Imagination (1896). Library of Congress Thomas Jefferson Building, Washington, D.C.

Imagination is the production of sensations, feelings and thoughts informing oneself.[1] These experiences can be re-creations of past experiences, such as vivid memories with imagined changes, or completely invented and possibly fantastic scenes.[2] Imagination helps apply knowledge to solve problems and is fundamental to integrating experience and the learning process.[3][4][5]Шаблон:Full citation needed[6] As a way of building theory, it is called "disciplined imagination".[7] A way of training imagination is by listening to storytelling (narrative),[3][8] in which the exactness of the chosen words is how it can "evoke worlds".[9]Шаблон:Full citation needed

One view of imagination links it with cognition,[10] seeing imagination as a cognitive process used in mental functioning. It is used — in the form of visual imagery — by clinicians in psychological treatment.[11] Imaginative thought may become associated with rational thought on the assumption that both activities involve cognitive processes that "underpin thinking about possibilities".[12]

The cognate term, "mental imagery" may be used in psychology to denote the process of reviving in the mind recollections of objects formerly given in sense perception. Since this use of the term conflicts with that of ordinary language, some psychologists have preferred to describe this process as "imaging" or "imagery" or to speak of it as "reproductive" as opposed to "productive" or "constructive" imagination. Constructive imagination is further divided into voluntary imagination driven by the lateral prefrontal cortex (LPFC) and involuntary imagination (LPFC-independent), such as REM sleep dreaming, daydreaming, hallucinations, and spontaneous insight.[13] The voluntary types of imagination include integration of modifiersШаблон:Jargon inline, and mental rotation. Imagined images, both novel and recalled, are seen with the "mind's eye".

Imagination, however, is not considered to be exclusively a cognitive activity because it is also linked to the body and place, particularly in that it also involves setting up relationships with materials and people, precluding the sense that imagination is locked away in the head.[14]

Imagination can be expressed through stories and writings such as fairy tales, fantasies, science fiction.[15] Children often use such narratives and pretend play in order to exercise their imaginations. When children develop fantasy they play at two levels: first, they use role playing to act out what they have developed with their imagination, and at the second level they play again with their make-believe situation by acting as if what they have developed is an actual reality.[16]

History

Шаблон:Lang is the standard Latin translation of the Greek term Шаблон:Transliteration.[17] Aristotle in On the Soul considered Шаблон:Transliteration (imagination) as the capacity for making mental images, and distinguished it from perception and from thinking. He held however that thought was always accompanied by an image.[18]

The notion of a "mind's eye" goes back at least to Cicero's reference to Шаблон:Lang during his discussion of the orator's appropriate use of simile.[19] Cicero observed that allusions to "the Syrtis of his patrimony" and "the Charybdis of his possessions" involved similes that were "too far-fetched". He advised the orator to, instead, just speak of "the rock" and "the gulf" (respectively) — on the grounds that "the eyes of the mind are more easily directed to those objects which we have seen, than to those which we have only heard".[20]

In medieval faculty psychology, the imagination was one of the inward wits along with memory and the Шаблон:Lang. It allowed the recombination of images, for example by combining perceptions of gold and mountain to obtain the idea of a golden mountain.[21]

The concept of "mind's eye" appeared in English in Chaucer's (Шаблон:Circa) Man of Law's Tale in his Canterbury Tales, in which he tells us that one of the three men dwelling in a castle was blind, and could only see with "the eyes of his mind"; namely, those eyes "with which all men see after they have become blind".[22]

Galileo used the imagination to conduct thought experiments, such as asking readers to imagine in what direction a stone released from a sling would fly.[23]

Description

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Imagination involves a creative division of the mind which is used to develop theories and ideas based on functions. Drawing from actual perceptions, imagination employs intricate conditional processes that engage both Semantic and Episodic memory to generate fresh or refined ideas.[24] This part of the mind helps develop better and easier ways to accomplish old and new tasks.

In sociology, imagination serves as a means to depart from reality and gain insights into social interactions from an external perspective. This leads to the development of theories through questions that would not otherwise be asked. These speculative ideas can be safely explored within a virtual realm and then, if deemed feasible and Шаблон:Clarify, translated into real-world applications.

Imagination can be classified as:

  • involuntary (encompassing sleeping dreams)
  • voluntary (encompassing daydreaming, reproductive imagination, creative imagination, and Шаблон:Clarify)

Psychology

Psychologists have studied imaginative thought, not only in its exotic form of creativity and artistic expression but also in its mundane form of everyday imagination.[25] Ruth M.J. Byrne proposed that everyday imaginative thoughts about counterfactual alternatives to reality may be based on the same cognitive processes on which rational thoughts are based.[26] Children can create imaginative alternatives to reality from their very early years.[27] Cultural psychology views imagination as a higher mental function involved in a number of everyday activities both at the individual and collective level[28] that enables people to manipulate complex meanings of both linguistic and iconic forms in the process of experiencing.

The phenomenology of imagination is discussed in The Imaginary: A Phenomenological Psychology of the Imagination (Шаблон:Lang-fr), also published under the title The Psychology of the Imagination, a 1940 book by Jean-Paul Sartre, in which he propounds his concept of the imagination and discusses what the existence of imagination shows about the nature of human consciousness.[29]

The imagination is also active in our perception of photographic images in order to make them appear real.[30]

Memory

Шаблон:See also Memory and mental imagery, often seen as a part of the process of imagination, are affected by one another.[31] "Images made by functional magnetic resonance imaging (fMRI) technology show that remembering and imagining sends blood to identical parts of the brain."[31]

Various psychological factors can influence the brain's ability to retain information as either long-term memories or short-term memories. Experiences stored as long-term memories are easier to recallШаблон:Clarify. Each of these memory types necessitates its own specific instructional approach that engages the specialized brain regions appropriate to that variety of memory.[32] This insight may aid in designing programs for young students aimed at nurturing and enhancing their creative abilities. The neocortex and thalamus control the brain's imagination, along with many of the brain's other functions such as consciousness and abstract thought.Шаблон:Citation needed Since imagination involves many different brain functions (emotions, memory, thoughts, etc.) regions where these functions converge, such as the thalamus and neocortex, are the main regions where imaginative processing has been documented.[33]Шаблон:Better source needed

Perception

Piaget posited that a person's perceptions depend on their world view. The world view is the result of arranging perceptions into existing imagery by imagination. Piaget cites the example of a child saying that the moon is following her when she walks around the village at night. Like this, perceptions are integrated into the world view so that they make sense. Imagination is needed to make sense of perceptions.[34]

Brain activation

A study that used fMRI while subjects were asked to imagine precise visual figures, to mentally disassemble them, or mentally blend them, showed activity in the occipital, frontoparietal, posterior parietal, precuneus, and dorsolateral prefrontal regions of the subject's brains.[35]

Evolution

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Phylogenesis and ontogenesis of various components of imagination

Phylogenetic acquisition of imagination was a gradual process. The simplest form of imagination, REM-sleep dreaming, evolved in mammals with acquisition of REM sleep 140 million years ago.[36] Spontaneous insight improved in primates with acquisition of the lateral prefrontal cortex 70 million years ago. After hominins split from the chimpanzee line 6 million years ago they further improved their imagination. Prefrontal analysis was acquired 3.3 million years ago when hominins started to manufacture Mode One stone tools.[37] Progress in stone tools culture to Mode Two stone tools by 2 million years ago signifies remarkable improvement of prefrontal analysis. The most advanced mechanism of imagination, prefrontal synthesis, was likely acquired by humans around 70,000 years ago and resulted in behavioral modernity.[38] This leap toward modern imagination has been characterized by paleoanthropologists as the "Cognitive revolution",[39] "Upper Paleolithic Revolution",[40] and the "Great Leap Forward".[41]

Moral imagination

Moral imagination usually describes the mental capacity to find answers to ethical questions and dilemmas through the process of imagination and visualization. Different definitions of "moral imagination" can be found in the literature.[42]

The philosopher Mark Johnson described it as "[a]n ability to imaginatively discern various possibilities for acting in a given situation and to envision the potential help and harm that are likely to result from a given action."[43]

In one proposed example, Hitler's assassin Claus von Stauffenberg was said to have decided to dare to overthrow the Nazi regime as a result (among other factors) of a process of "moral imagination." His willingness to kill Hitler was less due to his compassion for his comrades, his family, or friends living at that time, but from thinking about the potential problems of later generations and people he did not know. In other words, through a process of “moral imagination” he developed empathy for "abstract" people (for example, Germans of later generations, people who were not yet alive).[44]

See also

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References

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Further reading

Books
Articles

Three philosophers for whom imagination is a central concept are Kendall Walton, John Sallis and Richard Kearney. See in particular:

  • Kendall Walton, Mimesis as Make-Believe: On the Foundations of the Representational Arts. Harvard University Press, 1990. Шаблон:ISBN (pbk.).
  • John Sallis, Force of Imagination: The Sense of the Elemental (2000)
  • John Sallis, Spacings-Of Reason and Imagination. In Texts of Kant, Fichte, Hegel (1987)
  • Richard Kearney, The Wake of Imagination. Minneapolis: University of Minnesota Press (1988); 1st Paperback Edition- (Шаблон:ISBN)
  • Richard Kearney, "Poetics of Imagining: Modern to Post-modern." Fordham University Press (1998)

External links

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  3. ↑ 3,0 3,1 Шаблон:Cite journal
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  5. ↑ Archibald MacLeish 1970, p. 887
  6. ↑ Шаблон:Cite book
  7. ↑ Шаблон:Cite journal
  8. ↑ Шаблон:Cite book
  9. ↑ As noted by Giovanni Pascoli.
  10. ↑ Шаблон:Multiref2
  11. ↑ Шаблон:Cite book
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  14. ↑ Шаблон:Cite book
  15. ↑ Шаблон:Cite web
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  18. ↑ Шаблон:Cite web
  19. ↑ Шаблон:Cite book
  20. ↑ Шаблон:Cite book
  21. ↑ Шаблон:Multiref2
  22. ↑ Шаблон:Cite book
  23. ↑ Шаблон:Cite book
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  27. ↑ Шаблон:Cite book
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  30. ↑ Шаблон:Cite journal
  31. ↑ 31,0 31,1 Шаблон:Cite journal
  32. ↑ Шаблон:Cite journal
  33. ↑ Шаблон:Cite web
  34. ↑ Шаблон:Cite book
  35. ↑ Шаблон:Cite journal
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