Просмотр кода страницы Английская Википедия:Ethel Sands

{{Английская Википедия/Панель перехода}}
{{short description|American-born British artist, socialite, patron}}
{{good article}}
{{Use British English|date=July 2020}}
{{Use dmy dates|date=July 2022}}
{{Infobox artist
| name                      = Ethel Sands
| native_name               =
| native_name_lang          =
| image                     = Ethel Sands in 1922 (cropped).jpg
| image_size                =
| caption                   = Sands in 1922
| birth_name                =
| birth_date                = {{Birth date|df=yes|1873|7|6}}
| birth_place               = [[Newport, Rhode Island]], U.S.
| death_date                = {{Death date and age|df=yes|1962|3|19|1873|7|6}}
| death_place               = London, England<ref>{{Cite web |title=A Spare Room, Château d'Auppegard |url=https://artcollection.culture.gov.uk/artwork/15098/ |access-date=6 July 2022 |website=Government Art Collection |language=en-GB}}</ref>
| nationality               = {{ubl|American|British (from 1916)}}
| partner                   = [[Anna Hope Hudson]]
| known_for                 = Painting
| training                  = [[Eugène Carrière]]
| alma_mater                =
}}

'''Ethel Sands''' (6 July 1873 – 19 March 1962) was an American-born [[artist]] and hostess who lived in England from childhood. She studied art in Paris, where she met her life partner [[Anna Hope Hudson]]. Her works were generally still lifes and interiors, often of Château d'Auppegard that she shared with Hudson. Sands was a [[Fitzroy Street Group]] and [[The London Group|London Group]] member. Her works are in London's [[National Portrait Gallery, London|National Portrait Gallery]] and other public collections. In 1916, she became a naturalised British citizen. Although a major art patron and an artist, she is most remembered as a hostess for the cultural elite, including [[Henry James]], [[Virginia Woolf]], [[Roger Fry]] and [[Augustus John]].

==Early life==
[[File:John Singer Sargent - Mrs. Mahlon Day Sands (Mary Hartpeace) - 1893-1894.jpg|thumb|John Singer Sargent, ''Mrs. [[Mahlon Day Sands]] (Mary Hartpence)'', 1893–1894]]
Ethel Sands was born on 6 July 1873 in [[Newport, Rhode Island]], the first child of Mary Morton (Hartpence) and [[Mahlon Day Sands]],<ref name="Tate bio" />{{#tag:ref|Mary Sands' maiden name is sometimes given as Hartpeace,<ref>[http://www.the-athenaeum.org/art/detail.php?ID=23433 ''Mrs. Mahlon Day Sands (Mary Hartpeace)''] {{Webarchive|url=https://web.archive.org/web/20140313212711/http://www.the-athenaeum.org/art/detail.php?ID=23433 |date=13 March 2014 }}. The Athenaeum. Retrieved 13 March 2014.</ref> but it is Hartpence,<ref>[http://collections.si.edu/search/results.htm?q=record_ID:npg_PC990564 ''Mrs. Mahlon Day Sands (Mary Hartpence)''] {{Webarchive|url=https://web.archive.org/web/20140313211933/http://collections.si.edu/search/results.htm?q=record_ID:npg_PC990564 |date=13 March 2014 }} Collections. Smithsonian Institution. 13 March 2014.</ref><ref>Henry James. ''[https://books.google.com/books?id=fWeFRQIawEEC&pg=PA244 Henry James: A Life in Letters] {{Webarchive|url=https://web.archive.org/web/20140629200341/http://books.google.com/books?id=fWeFRQIawEEC&pg=PA244 |date=29 June 2014 }}''. Penguin; 1999. {{ISBN|978-0-14-043516-0}}. p. 244.</ref> the daughter of Alanson Hartpence and Mary Morton Hartpence.<ref>Wendy Baron. ''Miss Ethel Sands and her circle''. Owen; April 1977. p. 4.</ref>|group="nb"}} who married in 1872.<ref name="Gale p. 586" /> {{#tag:ref|Mahlon was previously married; his wife died in India.<ref name="Gale p. 586" /> They had a daughter named Mabel.<ref name="Connoly p. 261">Theodore Connoly. ''[https://books.google.com/books?id=MltGAAAAYAAJ&pg=PA261 Reports of Cases Argued and Determined in the Surrogates' Courts of the State of New York] {{Webarchive|url=https://web.archive.org/web/20140629185910/http://books.google.com/books?id=MltGAAAAYAAJ&pg=PA261 |date=29 June 2014 }}''. Banks & Bros.; 1890. p. 261.</ref>|group="nb"}} Mahlon Sands was secretary of the American Free Trade League, who in 1870 advocated for civil service reform and free trade.<ref>Andrew L. Slap, [https://www.questia.com/read/119796870 ''The Doom of Reconstruction: The Liberal Republicans in the Civil War Era.''] {{Webarchive|url=https://web.archive.org/web/20220211231152/https://www.questia.com/read/119796870 |date=11 February 2022 }}  New York: Fordham University Press, 2006, pp. 128, 156.</ref> He was partner of his deceased father's pharmaceutical importing firm, A.B. Sands and Company.<ref name="New York Times obit"/> Ethel had two younger brothers, Mahlon Alan and Morton Harcourt Sands, who were, respectively, 5 and 11 years younger.<ref name="Connoly p. 261" />

In 1874, the family left the United States for England,<ref name="Tate bio" /> intending to only visit the country.<ref>Josiah Granville Leach. ''[https://books.google.com/books?id=dBk5AAAAMAAJ&pg=PA65 Memoranda relating to the ancestry and family of Hon. Levi Parson Morton, vice-president of the United States (1889–1893).] {{Webarchive|url=https://web.archive.org/web/20140629185304/http://books.google.com/books?id=dBk5AAAAMAAJ&pg=PA65 |date=29 June 2014 }}''. Printed at the Riverside press; 1894. p. 65.</ref> However, Mahlon Sands and his family stayed in England and travelled among European countries. They also visited the United States annually<ref name="New York Times obit">[https://timesmachine.nytimes.com/timesmachine/1888/05/09/103179523.pdf "Mahlon Sand's Death: A Fatal Accident in London, While Starting for a Ride."] {{Webarchive|url=https://web.archive.org/web/20210720025216/https://timesmachine.nytimes.com/timesmachine/1888/05/09/103179523.pdf |date=20 July 2021 }} ''New York Times''. 9 May 1888. Retrieved 12 March 2014.</ref> and were there for an extended visit from 1877 to 1879.<ref name="Tate bio" /> They kept their house in [[Newport, Rhode Island]] throughout this time.<ref name="Connoly p. 261" />

The wealthy Sands circulated among London society, including writer and statesman [[John Morley, 1st Viscount Morley of Blackburn|John Morley]], politician [[William Ewart Gladstone]], writer [[Henry James]], artist [[John Singer Sargent]], the [[Rothschild family]], and [[Henry Graham White]]. Mahlon's sister, Katherine, was married to journalist and newspaper editor [[Edwin Lawrence Godkin]]. They were part of [[Edward VII]], then [[Prince of Wales]]', social circle.{{#tag:ref|[[Edward VII]], then Prince of Wales, encouraged the Sands to stay in England.<ref name="School p. 123">French Mary Ann Caws Distinguished Professor of English, and Comparative Literature City University of New York Graduate School; French Sarah Bird Wright Distinguished Professor of English, and Comparative Literature City University of New York Graduate School. ''[https://books.google.com/books?id=U8MeZDksY1wC&pg=PA123 Bloomsbury and France : Art and Friends: Art and Friends] {{Webarchive|url=https://web.archive.org/web/20140626182216/http://books.google.com/books?id=U8MeZDksY1wC&pg=PA123 |date=26 June 2014 }}''. Oxford University Press; 2 December 1999. {{ISBN|978-0-19-802781-2}}. p. 123.</ref>|group="nb"}} 

[[John Singer Sargent]] painted the portrait of her mother, who was considered "a famous society beauty of her day."<ref name="Tate bio" /><ref name="Gale p. 586" /> Mary Sands was "much admired" by writer [[Henry James]], who called her "that gracious lady" and based his heroic character "Madame de Mauves" on her.<ref name="Gale p. 586" />{{#tag:ref|Henry James and Mary Sands kept up a relationship until her death. They attended important events in each others' lives, corresponded and had discussions about the social, literary and political issues of the day. In a letter to his brother and sister-in-law, he wrote that Mary Sands was "a pathetic, ballottée creature — with nothing small or mean and with a beauty that had once been of the greatest." Ethel became a friend of James and following his death she spoke of her memories of him on a British radio program in 1956.<ref name="Gale p. 586" />|group="nb"}}

Ethel Sands was raised in a respectable upper-class household in which her parents were "happily married".<ref name=Powell /> While her father was considered handsome<ref name="New York Times obit" /> and her mother beautiful, Anthony Powell states that some people wrote in their diaries and letters that she was plain. In her later years, Powell met her and said that "so great was her elegance, charm, capacity to be amusing in a no-nonsense manner, that I could well believed her to be good-looking in her youth.<ref name=Powell>Anthony Powell. ''[https://books.google.com/books?id=ACkGE9kltyYC&pg=PA134 Under Review: Further Writings on Writers, 1946–1990] {{Webarchive|url=https://web.archive.org/web/20140626195113/http://books.google.com/books?id=ACkGE9kltyYC&pg=PA134 |date=26 June 2014 }}''. University of Chicago Press; 1 July 1994. {{ISBN|978-0-226-67712-5}}. pp. 134–135.</ref> Her father had ridden horseback through [[Hyde Park, London|Hyde Park]], was thrown from the horse and died an accidental death in 1888.<ref name="Gale p. 586">Robert L. Gale, [https://www.questia.com/read/29188347 ''A Henry James Encyclopedia.''] {{Webarchive|url=https://web.archive.org/web/20160307034152/https://www.questia.com/read/29188347 |date=7 March 2016 }} New York: Greenwood Press, 1989, 586–587.</ref> His widow, Mary Sands, raised Ethel and her brothers until her death on 28 July 1896.<ref name="Tate bio">[http://www.tate.org.uk/art/research-publications/camden-town-group/ethel-sands-r1105348 Ethel Sands.] {{Webarchive|url=https://web.archive.org/web/20140201202324/http://www.tate.org.uk/art/research-publications/camden-town-group/ethel-sands-r1105348 |date=1 February 2014 }} Tate. Retrieved 17 January 2014.</ref><ref name="Gale p. 586" />

==Art==
[[File:Ethel Sands - Tea with Sickert - 1911-1912.jpg|thumb|Ethel Sands, ''Tea with Sickert,'' 1911–1912, [[Tate]]]] [[File:Ethel Sands - Still Life with a View over a Cemetery - by 1923 when sold.jpg|thumb|Ethel Sands, ''Still Life with a View over a Cemetery'', by March 1923 when it was sold]]

===Education===
Encouraged by artist [[John Singer Sargent]],<ref>[http://www.npg.org.uk/collections/search/person/mp58999/ethel-sands ''Ethel Sands''.] {{Webarchive|url=https://web.archive.org/web/20140313002555/http://www.npg.org.uk/collections/search/person/mp58999/ethel-sands |date=13 March 2014 }} National Portrait Gallery. Retrieved 12 March 2014.</ref> Sands studied painting in Paris at the Académie Carrière under [[Eugène Carrière]] for several years, beginning in 1894.<ref>Ian Chilvers. (1999) [https://www.questia.com/read/74370572 ''A Dictionary of Twentieth-Century Art.''] {{Webarchive|url=https://web.archive.org/web/20100417003059/http://www.questia.com/read/74370572 |date=17 April 2010 }} Oxford: Oxford University Press. pp. 545, 8.</ref> There she met fellow student [[Anna Hope Hudson|Nan Hudson]], born Anna Hope Hudson in the United States, who became her life partner.<ref name="Chilvers p. 545">[[Ian Chilvers]]. (1999) [https://www.questia.com/read/74370572 ''A Dictionary of Twentieth-Century Art.''] {{Webarchive|url=https://web.archive.org/web/20100417003059/http://www.questia.com/read/74370572 |date=17 April 2010 }} Oxford: Oxford University Press. pp. 545-546.</ref><ref name="Tate Nan bio">[http://www.tate.org.uk/art/research-publications/camden-town-group/nan-anna-hope-hudson-r1105358 Nan (Anna Hope) Hudson.] {{Webarchive|url=https://web.archive.org/web/20190513173317/https://www.tate.org.uk/art/research-publications/camden-town-group/nan-anna-hope-hudson-r1105358 |date=13 May 2019 }} Tate. Retrieved 17 January 2014.</ref>{{#tag:ref|Wendy Baron wrote in her 1977 book, ''Ethel Sands and Her Circle'': "They were basically two independent, individual women, whose mutual love and understanding rescued them from the loneliness of spinsterhood.<ref name="Chilvers p. 545" />|group="nb"}} During this time, Sands became the guardian of her two younger brothers following her mother's death in 1896.<ref name="Tate bio" />

===Painting===
Sands painted still lifes and interior settings. [[Tate]] suggests that was inspired by [[Édouard Vuillard]]'s dry brush technique, colour palette and depiction of "intimate" scenes. Her first exhibition was at [[Salon d'Automne]] in Paris<ref name="Tate bio" /> in 1904.<ref>Wendy Baron. ''Camden Town Recalled: Exhibition 14 October-12 November 1976 : Centenary 1876–1976, The Fine Art Society Ltd. : Text''. Fine Art Society; 1976. pp. 5, 44.</ref>

In 1907, at [[Walter Sickert]]'s invitation, she became a member and exhibited paintings she made at the [[Fitzroy Street Group]]. She also purchased the works of other artists. She was one of the artists that founded the [[London Group]].<ref name="Tate bio" />{{#tag:ref|[[Camden Town Group]] was a male-member organisation, but there were female artists like Sands, [[Anna Hope Hudson]] and [[Marjorie Sherlock]] that were involved on the periphery.<ref>Ian Chilvers, [https://www.questia.com/read/74370572 A Dictionary of Twentieth-Century Art] {{Webarchive|url=https://web.archive.org/web/20100417003059/http://www.questia.com/read/74370572 |date=17 April 2010 }} (Oxford: Oxford University Press, 1999), 110.</ref>|group="nb"}} According to author Kate Deepwell, her works, and those of [[Vanessa Bell]] and other women, were evaluated differently at that time from those made by men: The best critique of woman's work at the time would be that they had individuality, but they would not have been considered innovative, modern works like those made by men.<ref>Katy Deepwell. (1994). [https://www.questia.com/read/108927544 "Chapter 13: 'A Fair Field and No Favour': Women Artists Working in Britain Between the Wars"] {{Webarchive|url=https://web.archive.org/web/20160825202722/https://www.questia.com/read/108927544 |date=25 August 2016 }} in ''This Working-Day World: Women's Lives and Culture(s) in Britain, 1914–1945,'' ed. Sybil Oldfield. London: Taylor & Francis. p. 150.</ref>

In Paris in 1911 she had her first show dedicated to her works. Hudson and Sands had a show at Carfax Gallery in 1912. The next year she was part of the "English Post-Impressionists, Cubists and Others" show in Brighton. Her works were exhibited at [[Goupil Gallery]], and in 1922 she had her initial solo show. She also exhibited often at the [[Women's International Art Club]] and the [[New English Art Club]].<ref name="Tate bio" />

Hudson purchased Château d'Auppegard near Dieppe, France in 1920,<ref name="Tate Nan bio" /> which was the subject of several of Sand's paintings. Some of the interior paintings are ''A Spare Room, Château d'Auppegard'' and ''Double Doors, Château d'Auppegard.''<ref name="CdA Double Doors" /><ref name="CdA Spare Room" /> Other examples are the landscape ''Auppegard Church from Château, France'' and one of her partner, ''Nan Hudson Playing Patience at Auppegard.''<ref name="CdA Nan Hudson" /><ref name="CdA Auppegard Church" /> Her works are in the collections of [[Tate]] museum<ref>[http://www.tate.org.uk/art/artworks?aid=1896&ws=date ''Ethel Sands''] {{Webarchive|url=https://web.archive.org/web/20140313060242/http://www.tate.org.uk/art/artworks?aid=1896&ws=date |date=13 March 2014 }}. Tate. Retrieved 12 March 2014.</ref> Government Art Collection,<ref>[http://www.gac.culture.gov.uk/artist.aspx?id=109605 ''Ethel Sands''] {{Webarchive|url=https://web.archive.org/web/20140219182055/http://www.gac.culture.gov.uk/artist.aspx?id=109605 |date=19 February 2014 }}. Government Art Collection. Retrieved 12 March 2014.</ref> and [[Fitzwilliam Museum]].<ref>[http://webapps.fitzmuseum.cam.ac.uk/explorer/index.php?oid=3841 ''Still-life with a view over a cemetery.''] {{Webarchive|url=https://web.archive.org/web/20140314001453/http://webapps.fitzmuseum.cam.ac.uk/explorer/index.php?oid=3841 |date=14 March 2014 }} Fitzwilliam Museum. Retrieved 13 March 2014.</ref>

==Socialite and patron==
Like [[Sibyl, Lady Colefax|Lady Sibyl Colefax]] and [[Lady Ottoline Morrell]], Sands entertained artists and writers with the intention to nurture and discuss ideas relevant to their careers.{{cn|date=February 2024}} [[Lady Ottoline Morrell]] "took over" Sand's Chelsea house for entertainment after she had to give up her London house at Bedford Square.<ref>Pamela Todd. (1999). [https://www.questia.com/read/97284584 ''Bloomsbury at Home.''] {{Webarchive|url=https://web.archive.org/web/20090505134929/http://www.questia.com/read/97284584 |date=5 May 2009 }} (New York: Harry N. Abrams. p. 156.</ref> Affiliated with the [[Bloomsbury Group]],<ref>[https://www.questia.com/read/1G1-126171223 "Jamie Cullum Ups the Jazziness of Kensal Green; Homes Gossip: Homes & Property"] {{Webarchive|url=https://web.archive.org/web/20160308052348/https://www.questia.com/read/1G1-126171223 |date=8 March 2016 }} ''The Evening Standard.'' London, England, 15 December 2004.</ref> she was best-known as "one of the leading artist hostesses of her time", her lavish affairs were financially possible due to the significant wealth she inherited from her parents. She was mainly at the Oxford, Newington house until 1920,<ref name="Chilvers p. 545" /> but when in England she also entertained at her London Lowndes Street house, and between 1913 and 1937 at 15 Vale, Chelsea, London house,<ref name="Tate bio" /> where she lived near her mother's friend, [[Henry James]].<ref name="Gale p. 586" /> Notable artists [[Augustus John]] and [[Walter Sickert]]. [[Henry James]], [[Virginia Woolf]], [[Roger Fry]] and [[Arnold Bennett]] were among the writers of the "cultural elite" who visited her.<ref name="Tate bio" /> Her friends included artist [[Jacques-Émile Blanche]], writer [[Edith Wharton]], poet [[William Butler Yeats]], essayist and critic [[Logan Pearsall Smith]] and novelist [[Howard Overing Sturgis]].<ref name="Gale p. 586" />

[[Lytton Strachey]] (a founder of the [[Bloomsbury Group]]) met at Sands' house<ref name="Chilvers p. 545" /><ref>Gertrude Stein. (1933) [https://www.questia.com/read/91041224 The Autobiography of Alice B. Toklas.''] {{Webarchive|url=https://web.archive.org/web/20080229095658/http://www.questia.com/read/91041224 |date=29 February 2008 }} New York: Random House. p. 151.</ref> and her uncle, [[Edwin Lawrence Godkin]] wrote of his upcoming visit to Sands' house in Oxfordshire, "There one fortnight, and then back to "holy wars", patriotism, and [[wikt:bunkum|buncombe]]..."<ref name="Gale p. 586" /><ref>Rollo Ogden, ed. (1907) [https://www.questia.com/read/11690225 ''Life and Letters of Edwin Lawrence Godkin, vol. 2.''] {{Webarchive|url=https://web.archive.org/web/20160308063412/https://www.questia.com/read/11690225 |date=8 March 2016 }} (New York: Macmillan Company. p. 220.</ref>

<gallery widths="135px" heights="150px" perrow="3">
File:Edwin Godkin.jpg|[[Edwin Lawrence Godkin]], her uncle, a journalist and editor
File:Henry James.jpg|[[Henry James]], writer, neighbour and close friend of the family
File:Walter Sickert photo by George Charles Beresford 1911 (1).jpg|[[Walter Sickert]], artist and mentor
</gallery>

She was a patron and collector of works by other contemporary artists. For instance, she commissioned [[Boris Anrep]], a Russian immigrant, to create mosaics and murals in her Vale, Chelsea house.<ref name="Tate bio" /> Sands continued to entertain into the 1950s with her friends, including [[Duncan Grant]] and [[Desmond MacCarthy]], until he died in 1952.<ref name="School p. 123" />

She was described as a "plain woman of immense charm, cultivation and perception, and a painter of considerable talent" in the ''Dictionary of Real People and Places in Fiction.'' It was suggested there that Henry James modelled the character Nanda in ''[[The Awkward Age]]'' after Sands.<ref>M. C. Rintoul. ''[https://books.google.com/books?id=tFCOc-tW3uMC&pg=PA807 Dictionary of Real People and Places in Fiction] {{Webarchive|url=https://web.archive.org/web/20140629175904/http://books.google.com/books?id=tFCOc-tW3uMC&pg=PA807 |date=29 June 2014 }}''. Taylor & Francis; 1 January 1993. {{ISBN|978-0-415-05999-2}}. p. 807.</ref>

==World wars==
Sands tended to soldiers who had been injured in France during [[World War I]], having established a hospital for soldiers near [[Dieppe]] with Hudson. It was forced to close down, and they continued their nursing efforts in both France and England.<ref name="Tate Nan bio" /> Sands was then in Britain working as a forewoman in a factory that made overalls. In 1916 she became a British citizenship. During World War II, Sands served as a nurse.<ref name="Tate bio" /><ref name="Chilvers p. 545" /> The house in [[Chelsea, London]] was destroyed during [[The Blitz]] by a [[parachute mine]], and the house in France was broken into and its contents were stolen or destroyed. The two war-time events resulted in the loss of most of Sands' and Hudson's works.<ref name="Tate Nan bio" />

==Personal life==
{{Quote box
 |title =
 |quote = Her mind was like her room, in which lights advanced and retreated, came pirouetting and stepping delicately, spread their tails, pecked their way; and then her whole being was suffused, like the room again, with a cloud of some profound knowledge, some unspoken regret, and then she was full of locked drawers, stuffed with letters, like her cabinets.
 |source = [[Virginia Woolf]], ''The Lady in the Looking Glass: A Reflection''<ref name="School p. 123"/>
 |align =
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 |border = 0px
 |bgcolor = #BCD4E6
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}}
Sands and Hudson divided their time between England and France to accommodate their lifestyle preferences. Hudson enjoyed living a relatively quiet life in France and Sands liked the London and Oxford social life.<ref name="Tate bio" /><ref name="Tate Nan bio" />

Sands entertained people within and outside of the cultural elite throughout her life.<ref name=Powell /> When Hudson's health began to fail, Sands nursed her until she died in 1957. Sand continued to entertain after Hudson's death. Her date of death was 19 March 1962.<ref name="Tate bio" />

Friend [[Virginia Woolf]] wrote a sketch based upon her called "The Lady in the Looking Glass", subtitled "A Reflection", about a time that she saw her come "in from the garden and not reading her letters." The mirror symbolised the way in which art is used to take a snapshot in time, but can also cut.{{cn|date=February 2024}}

Wendy Baron, an author and art historian, wrote a biography about Sands, partly based upon the letters that Sands exchanged with Hudson and others.<ref name="Tate bio" /> Tate Archives now holds the correspondence.<ref>[http://archive.tate.org.uk/DServe/dserve.exe?dsqServer=tb-calm&dsqApp=Archive&dsqDb=Catalog&dsqCmd=Search.tcl Search: Ethel Sands] {{Webarchive|url=http://webarchive.nationalarchives.gov.uk/20140208195100/http%3A//archive.tate.org.uk/DServe/dserve.exe?dsqServer%3Dtb%2Dcalm%26dsqApp%3DArchive%26dsqDb%3DCatalog%26dsqCmd%3DSearch.tcl |date=8 February 2014 }}. Tate Archive. Retrieved 13 March 2014.</ref><!-- + Tate bio citation --->

==Works==
Among the works that survived World War II plunders and bombings are:
{{Div col}}
* ''A Dressing Room,'' oil on millboard, 46 x 38&nbsp;cm, The Ashmolean Museum of Art and Archaeology. Before it came to The Ashmolean, it was owned by [[Logan Pearsall Smith]]. The museum commented on the similarity of this work to paintings made by [[Édouard Vuillard]].<ref>[https://artuk.org/discover/artworks/a-dressing-room-142708 ''A Dressing Room''] {{Webarchive|url=https://web.archive.org/web/20210720025319/https://artuk.org/discover/artworks/a-dressing-room-142708 |date=20 July 2021 }} Your Paintings: Ethel Sands. BBC. Retrieved 18 January 2014.</ref><ref>[http://www.ashmolean.org/ash/objects/paintings/WA1948.81.php ''A Dressing Room''] {{Webarchive|url=https://web.archive.org/web/20140201191803/http://www.ashmolean.org/ash/objects/paintings/WA1948.81.php |date=1 February 2014 }} The Ashmolean Museum of Art and Archaeology. Retrieved 18 January 2014.</ref>
* ''A Spare Room, Château d'Auppegard,'' c. 1925, oil on board, 44.5 x 53.5&nbsp;cm, [[Government Art Collection]]<ref name="CdA Spare Room">[https://artuk.org/discover/artworks/a-spare-room-chateau-dauppegard-29186 ''A Spare Room, Château d'Auppegard.''] {{Webarchive|url=https://web.archive.org/web/20210117123408/https://artuk.org/discover/artworks/a-spare-room-chateau-dauppegard-29186 |date=17 January 2021 }} Your Paintings: Ethel Sands. BBC. Retrieved 18 January 2014.</ref> It was exhibited at British Council, Cairo & Algiers, 1944.<ref>[http://www.gac.culture.gov.uk/work.aspx?obj=14788 ''A Spare Room, Château d'Auppegard.''] {{Webarchive|url=https://web.archive.org/web/20140202222210/http://www.gac.culture.gov.uk/work.aspx?obj=14788 |date=2 February 2014 }} [[Government Art Collection]]. Retrieved 18 January 2014.</ref>
* ''Auppegard Church from the Château, France,'' oil on canvas, 60 x 48&nbsp;cm, City of London Corporation<ref name="CdA Auppegard Church">[https://artuk.org/discover/artworks/auppegard-church-from-the-chateau-france-52058 ''Auppegard Church from the Château, France.''] {{Webarchive|url=https://web.archive.org/web/20210720025323/https://artuk.org/discover/artworks/auppegard-church-from-the-chateau-france-52058 |date=20 July 2021 }} Your Paintings: Ethel Sands. BBC. Retrieved 18 January 2014.</ref>
* ''Bedroom Interior, Auppegard, France,'' oil on canvas, 60 x 48&nbsp;cm, City of London Corporation<ref>[https://artuk.org/discover/artworks/bedroom-interior-auppegard-france-52057 ''Bedroom Interior, Auppegard, France.''] {{Webarchive|url=https://web.archive.org/web/20210720025315/https://artuk.org/discover/artworks/bedroom-interior-auppegard-france-52057 |date=20 July 2021 }} Your Paintings: Ethel Sands. BBC. Retrieved 18 January 2014.</ref>
* ''Double Doors, Auppegard, France,'' oil on canvas, 53 x 45&nbsp;cm, City of London Corporation<ref name="CdA Double Doors">[https://artuk.org/discover/artworks/double-doors-auppegard-france-52054 ''Double Doors, Auppegard, France.''] {{Webarchive|url=https://web.archive.org/web/20210117125340/https://artuk.org/discover/artworks/double-doors-auppegard-france-52054 |date=17 January 2021 }} Your Paintings: Ethel Sands. BBC. Retrieved 18 January 2014.</ref>
* ''Figure Seated by an Open Window,'' oil on canvas, 60 x 48&nbsp;cm, City of London Corporation<ref>[https://artuk.org/discover/artworks/figure-seated-by-an-open-window-52059 ''Figure Seated by an Open Window.''] {{Webarchive|url=https://web.archive.org/web/20210720025313/https://artuk.org/discover/artworks/figure-seated-by-an-open-window-52059 |date=20 July 2021 }} Your Paintings: Ethel Sands. BBC. Retrieved 18 January 2014.</ref>
* ''Flowers in a Jug,'' 1920s, oil on canvas, Tate<ref>[https://artuk.org/discover/artworks/flowers-in-a-jug-201644 ''Flowers in a Jug.''] {{Webarchive|url=https://web.archive.org/web/20210109033447/https://artuk.org/discover/artworks/flowers-in-a-jug-201644 |date=9 January 2021 }} Your Paintings: Ethel Sands. BBC. Retrieved 18 January 2014.</ref>
* ''Girl Reading on a Sofa, Auppegard, France,'' oil on canvas, 53 x 46&nbsp;cm, City of London Corporation<ref>[https://artuk.org/discover/artworks/girl-reading-on-a-sofa-auppegard-france-52052 ''Girl Reading on a Sofa, Auppegard, France.''] {{Webarchive|url=https://web.archive.org/web/20210109120644/https://artuk.org/discover/artworks/girl-reading-on-a-sofa-auppegard-france-52052 |date=9 January 2021 }} Your Paintings: Ethel Sands. BBC. Retrieved 18 January 2014.</ref>
* ''Girl Sewing, Auppegard, France,'' oil on canvas, 49 x 60&nbsp;cm, City of London Corporation<ref>[https://artuk.org/discover/artworks/girl-sewing-auppegard-france-52051 ''Girl Sewing, Auppegard, France.''] {{Webarchive|url=https://web.archive.org/web/20210720025249/https://artuk.org/discover/artworks/girl-sewing-auppegard-france-52051 |date=20 July 2021 }} Your Paintings: Ethel Sands. BBC. Retrieved 18 January 2014.</ref>
* ''Interior at Portland Place, London,'' oil on canvas, 43 x 58&nbsp;cm, City of London Corporation<ref>[https://artuk.org/discover/artworks/interior-at-portland-place-london-52053 ''Interior at Portland Place, London.''] {{Webarchive|url=https://web.archive.org/web/20210109094304/https://artuk.org/discover/artworks/interior-at-portland-place-london-52053 |date=9 January 2021 }} Your Paintings: Ethel Sands. BBC. Retrieved 18 January 2014.</ref>
* ''Interior with Mirror and Fireplace,'' oil on canvas, 65 x 53&nbsp;cm, City of London Corporation<ref>[https://artuk.org/discover/artworks/interior-with-mirror-and-fireplace-52060 ''Interior with Mirror and Fireplace.''] {{Webarchive|url=https://web.archive.org/web/20210720025302/https://artuk.org/discover/artworks/interior-with-mirror-and-fireplace-52060 |date=20 July 2021 }} Your Paintings: Ethel Sands. BBC. Retrieved 18 January 2014.</ref>
* ''Interior with Still Life and the Statuette of the Madonna,'' oil on canvas, 67.3 x 58.5&nbsp;cm, Amgueddfa Cymru – National Museum Wales<ref>[https://artuk.org/discover/artworks/interior-with-still-life-and-statuette-of-the-madonna-229956 ''Interior with Still Life and the Statuette of the Madonna.''] {{Webarchive|url=https://web.archive.org/web/20190507153840/https://artuk.org/discover/artworks/interior-with-still-life-and-statuette-of-the-madonna-229956 |date=7 May 2019 }} Your Paintings: Ethel Sands. BBC. Retrieved 18 January 2014.</ref>
* ''(Lloyd) [[Logan Pearsall Smith]],'' 1932, oil on canvas, 61.4 x 49.8&nbsp;cm, National Portrait Gallery, London<ref>[https://artuk.org/discover/artworks/lloyd-logan-pearsall-smith-157865 ''(Lloyd) Logan Pearsall Smith.''] {{Webarchive|url=https://web.archive.org/web/20200928200145/https://www.artuk.org/discover/artworks/lloyd-logan-pearsall-smith-157865 |date=28 September 2020 }} Your Paintings: Ethel Sands. BBC. Retrieved 18 January 2014.</ref>
* ''Nan Hudson Playing Patience at Auppegard, France,'' oil on canvas, 64 x 52&nbsp;cm, City of London Corporation<ref name="CdA Nan Hudson">[https://artuk.org/discover/artworks/nan-hudson-playing-patience-at-auppegard-france-52049 ''Nan Hudson Playing Patience at Auppegard, France.''] {{Webarchive|url=https://web.archive.org/web/20210109083818/https://artuk.org/discover/artworks/nan-hudson-playing-patience-at-auppegard-france-52049 |date=9 January 2021 }} Your Paintings: Ethel Sands. BBC. Retrieved 18 January 2014.</ref>
* ''Still Life with a View over a Cemetery,'' oil on board, 45 x 37.5&nbsp;cm, The Fitzwilliam Museum<ref>[https://artuk.org/discover/artworks/still-life-with-a-view-over-a-cemetery-4566 ''Still Life with a View over a Cemetery.''] {{Webarchive|url=https://web.archive.org/web/20200918171938/https://artuk.org/discover/artworks/still-life-with-a-view-over-a-cemetery-4566 |date=18 September 2020 }} Your Paintings: Ethel Sands. BBC. Retrieved 18 January 2014.</ref>
* ''Still Life with Books and Flowers,'' oil on canvas, 36 x 44&nbsp;cm, City of London Corporation<ref>[https://artuk.org/discover/artworks/still-life-with-books-and-flowers-52050 ''Still Life with Books and Flowers.''] {{Webarchive|url=https://web.archive.org/web/20210720025302/https://artuk.org/discover/artworks/still-life-with-books-and-flowers-52050 |date=20 July 2021 }} Your Paintings: Ethel Sands. BBC. Retrieved 18 January 2014.</ref>
* ''Tea with Sickert,'' c. 1911–12, oil on canvas, 61 x 51&nbsp;cm, Tate<ref>[https://artuk.org/discover/artworks/tea-with-sickert-201643 ''Tea with Sickert.''] {{Webarchive|url=https://web.archive.org/web/20210108223855/https://artuk.org/discover/artworks/tea-with-sickert-201643 |date=8 January 2021 }} Your Paintings: Ethel Sands. BBC. Retrieved 18 January 2014.</ref>
* ''The Bedroom at Auppegard, France, Girl Reading,'' oil on canvas, 51 x 61&nbsp;cm, City of London Corporation<ref>[https://artuk.org/discover/artworks/the-bedroom-at-auppegard-france-girl-reading-52055 ''The Bedroom at Auppegard, France, Girl Reading.''] {{Webarchive|url=https://web.archive.org/web/20210720025324/https://artuk.org/discover/artworks/the-bedroom-at-auppegard-france-girl-reading-52055 |date=20 July 2021 }} Your Paintings: Ethel Sands. BBC. Retrieved 18 January 2014.</ref>
* ''The Chintz Couch,'' c. 1911–12, oil on board, 46.5 x 38.5&nbsp;cm, Tate<ref>[https://artuk.org/discover/artworks/the-chintz-couch-201642 ''The Chintz Couch.''] {{Webarchive|url=https://web.archive.org/web/20190507163951/https://artuk.org/discover/artworks/the-chintz-couch-201642 |date=7 May 2019 }} Your Paintings: Ethel Sands. BBC. Retrieved 18 January 2014.</ref>
* ''The Open Door, Auppegard, France,'' oil on canvas, 54 x 45&nbsp;cm, City of London Corporation<ref>[https://artuk.org/discover/artworks/the-open-door-auppegard-france-52056 ''The Open Door, Auppegard, France.''] {{Webarchive|url=https://web.archive.org/web/20210720025337/https://artuk.org/discover/artworks/the-open-door-auppegard-france-52056 |date=20 July 2021 }} Your Paintings: Ethel Sands. BBC. Retrieved 18 January 2014.</ref>
{{Div col end}}

==Notes==
{{Reflist|group="nb"}}

==References==
{{Reflist|30em}}

==Further reading==
* Wendy Baron. ''Miss Ethel Sands and her circle''. Owen; April 1977, {{ISBN|0-7206-0304-8}}
* Sarah Bradford; Honor Clerk. ''[https://books.google.com/books?id=nfiCk2lVZiYC&pg=PA64 The Sitwells and the Arts of the 1920s and 1930s]''. University of Texas Press; 1994. {{ISBN|978-0-292-77711-8}}. p.&nbsp;45, 64, 68, 204.
* Lara Feigel; Alexandra Harris. ''[https://books.google.com/books?id=y2e7SMzssGAC&pg=PA250 Modernism on Sea: Art and Culture at the British Seaside]''. Peter Lang; 2009. {{ISBN|978-1-906165-24-6}}. p.&nbsp;62–63, 250, 251.
* Genevieve Marie Preston. ''A Modern Setting for a Modern Life: Madame Stringberg, Ethel Sands, and Lady Drogheda's Innovative and Avant-garde Interiors''. University of California, Riverside; 1998.

==External links==
{{commons category}}
* {{Art UK bio}}

{{New Woman (late 19th century)}}
{{Authority control}}

{{DEFAULTSORT:Sands, Ethel}}
[[Category:1873 births]]
[[Category:1962 deaths]]
[[Category:Artists from Newport, Rhode Island]]
[[Category:British women artists]]
[[Category:British socialites]]
[[Category:20th-century British painters]]
[[Category:20th-century American women artists]]
[[Category:19th-century American women artists]]
[[Category:American lesbian artists]]
[[Category:American socialites]]
[[Category:Naturalised citizens of the United Kingdom]]
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