Английская Википедия:Ethel Sands

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Ethel Sands (6 July 1873 – 19 March 1962) was an American-born artist and hostess who lived in England from childhood. She studied art in Paris, where she met her life partner Anna Hope Hudson. Her works were generally still lifes and interiors, often of Château d'Auppegard that she shared with Hudson. Sands was a Fitzroy Street Group and London Group member. Her works are in London's National Portrait Gallery and other public collections. In 1916, she became a naturalised British citizen. Although a major art patron and an artist, she is most remembered as a hostess for the cultural elite, including Henry James, Virginia Woolf, Roger Fry and Augustus John.

Early life

Файл:John Singer Sargent - Mrs. Mahlon Day Sands (Mary Hartpeace) - 1893-1894.jpg
John Singer Sargent, Mrs. Mahlon Day Sands (Mary Hartpence), 1893–1894

Ethel Sands was born on 6 July 1873 in Newport, Rhode Island, the first child of Mary Morton (Hartpence) and Mahlon Day Sands,[1][nb 1] who married in 1872.[6] [nb 2] Mahlon Sands was secretary of the American Free Trade League, who in 1870 advocated for civil service reform and free trade.[8] He was partner of his deceased father's pharmaceutical importing firm, A.B. Sands and Company.[9] Ethel had two younger brothers, Mahlon Alan and Morton Harcourt Sands, who were, respectively, 5 and 11 years younger.[7]

In 1874, the family left the United States for England,[1] intending to only visit the country.[10] However, Mahlon Sands and his family stayed in England and travelled among European countries. They also visited the United States annually[9] and were there for an extended visit from 1877 to 1879.[1] They kept their house in Newport, Rhode Island throughout this time.[7]

The wealthy Sands circulated among London society, including writer and statesman John Morley, politician William Ewart Gladstone, writer Henry James, artist John Singer Sargent, the Rothschild family, and Henry Graham White. Mahlon's sister, Katherine, was married to journalist and newspaper editor Edwin Lawrence Godkin. They were part of Edward VII, then Prince of Wales', social circle.[nb 3]

John Singer Sargent painted the portrait of her mother, who was considered "a famous society beauty of her day."[1][6] Mary Sands was "much admired" by writer Henry James, who called her "that gracious lady" and based his heroic character "Madame de Mauves" on her.[6][nb 4]

Ethel Sands was raised in a respectable upper-class household in which her parents were "happily married".[12] While her father was considered handsome[9] and her mother beautiful, Anthony Powell states that some people wrote in their diaries and letters that she was plain. In her later years, Powell met her and said that "so great was her elegance, charm, capacity to be amusing in a no-nonsense manner, that I could well believed her to be good-looking in her youth.[12] Her father had ridden horseback through Hyde Park, was thrown from the horse and died an accidental death in 1888.[6] His widow, Mary Sands, raised Ethel and her brothers until her death on 28 July 1896.[1][6]

Art

Файл:Ethel Sands - Tea with Sickert - 1911-1912.jpg
Ethel Sands, Tea with Sickert, 1911–1912, Tate
Файл:Ethel Sands - Still Life with a View over a Cemetery - by 1923 when sold.jpg
Ethel Sands, Still Life with a View over a Cemetery, by March 1923 when it was sold

Education

Encouraged by artist John Singer Sargent,[13] Sands studied painting in Paris at the Académie Carrière under Eugène Carrière for several years, beginning in 1894.[14] There she met fellow student Nan Hudson, born Anna Hope Hudson in the United States, who became her life partner.[15][16][nb 5] During this time, Sands became the guardian of her two younger brothers following her mother's death in 1896.[1]

Painting

Sands painted still lifes and interior settings. Tate suggests that was inspired by Édouard Vuillard's dry brush technique, colour palette and depiction of "intimate" scenes. Her first exhibition was at Salon d'Automne in Paris[1] in 1904.[17]

In 1907, at Walter Sickert's invitation, she became a member and exhibited paintings she made at the Fitzroy Street Group. She also purchased the works of other artists. She was one of the artists that founded the London Group.[1][nb 6] According to author Kate Deepwell, her works, and those of Vanessa Bell and other women, were evaluated differently at that time from those made by men: The best critique of woman's work at the time would be that they had individuality, but they would not have been considered innovative, modern works like those made by men.[19]

In Paris in 1911 she had her first show dedicated to her works. Hudson and Sands had a show at Carfax Gallery in 1912. The next year she was part of the "English Post-Impressionists, Cubists and Others" show in Brighton. Her works were exhibited at Goupil Gallery, and in 1922 she had her initial solo show. She also exhibited often at the Women's International Art Club and the New English Art Club.[1]

Hudson purchased Château d'Auppegard near Dieppe, France in 1920,[16] which was the subject of several of Sand's paintings. Some of the interior paintings are A Spare Room, Château d'Auppegard and Double Doors, Château d'Auppegard.[20][21] Other examples are the landscape Auppegard Church from Château, France and one of her partner, Nan Hudson Playing Patience at Auppegard.[22][23] Her works are in the collections of Tate museum[24] Government Art Collection,[25] and Fitzwilliam Museum.[26]

Socialite and patron

Like Lady Sibyl Colefax and Lady Ottoline Morrell, Sands entertained artists and writers with the intention to nurture and discuss ideas relevant to their careers.Шаблон:Cn Lady Ottoline Morrell "took over" Sand's Chelsea house for entertainment after she had to give up her London house at Bedford Square.[27] Affiliated with the Bloomsbury Group,[28] she was best-known as "one of the leading artist hostesses of her time", her lavish affairs were financially possible due to the significant wealth she inherited from her parents. She was mainly at the Oxford, Newington house until 1920,[15] but when in England she also entertained at her London Lowndes Street house, and between 1913 and 1937 at 15 Vale, Chelsea, London house,[1] where she lived near her mother's friend, Henry James.[6] Notable artists Augustus John and Walter Sickert. Henry James, Virginia Woolf, Roger Fry and Arnold Bennett were among the writers of the "cultural elite" who visited her.[1] Her friends included artist Jacques-Émile Blanche, writer Edith Wharton, poet William Butler Yeats, essayist and critic Logan Pearsall Smith and novelist Howard Overing Sturgis.[6]

Lytton Strachey (a founder of the Bloomsbury Group) met at Sands' house[15][29] and her uncle, Edwin Lawrence Godkin wrote of his upcoming visit to Sands' house in Oxfordshire, "There one fortnight, and then back to "holy wars", patriotism, and buncombe..."[6][30]

She was a patron and collector of works by other contemporary artists. For instance, she commissioned Boris Anrep, a Russian immigrant, to create mosaics and murals in her Vale, Chelsea house.[1] Sands continued to entertain into the 1950s with her friends, including Duncan Grant and Desmond MacCarthy, until he died in 1952.[11]

She was described as a "plain woman of immense charm, cultivation and perception, and a painter of considerable talent" in the Dictionary of Real People and Places in Fiction. It was suggested there that Henry James modelled the character Nanda in The Awkward Age after Sands.[31]

World wars

Sands tended to soldiers who had been injured in France during World War I, having established a hospital for soldiers near Dieppe with Hudson. It was forced to close down, and they continued their nursing efforts in both France and England.[16] Sands was then in Britain working as a forewoman in a factory that made overalls. In 1916 she became a British citizenship. During World War II, Sands served as a nurse.[1][15] The house in Chelsea, London was destroyed during The Blitz by a parachute mine, and the house in France was broken into and its contents were stolen or destroyed. The two war-time events resulted in the loss of most of Sands' and Hudson's works.[16]

Personal life

Шаблон:Quote box Sands and Hudson divided their time between England and France to accommodate their lifestyle preferences. Hudson enjoyed living a relatively quiet life in France and Sands liked the London and Oxford social life.[1][16]

Sands entertained people within and outside of the cultural elite throughout her life.[12] When Hudson's health began to fail, Sands nursed her until she died in 1957. Sand continued to entertain after Hudson's death. Her date of death was 19 March 1962.[1]

Friend Virginia Woolf wrote a sketch based upon her called "The Lady in the Looking Glass", subtitled "A Reflection", about a time that she saw her come "in from the garden and not reading her letters." The mirror symbolised the way in which art is used to take a snapshot in time, but can also cut.Шаблон:Cn

Wendy Baron, an author and art historian, wrote a biography about Sands, partly based upon the letters that Sands exchanged with Hudson and others.[1] Tate Archives now holds the correspondence.[32]

Works

Among the works that survived World War II plunders and bombings are: Шаблон:Div col

  • A Dressing Room, oil on millboard, 46 x 38 cm, The Ashmolean Museum of Art and Archaeology. Before it came to The Ashmolean, it was owned by Logan Pearsall Smith. The museum commented on the similarity of this work to paintings made by Édouard Vuillard.[33][34]
  • A Spare Room, Château d'Auppegard, c. 1925, oil on board, 44.5 x 53.5 cm, Government Art Collection[21] It was exhibited at British Council, Cairo & Algiers, 1944.[35]
  • Auppegard Church from the Château, France, oil on canvas, 60 x 48 cm, City of London Corporation[23]
  • Bedroom Interior, Auppegard, France, oil on canvas, 60 x 48 cm, City of London Corporation[36]
  • Double Doors, Auppegard, France, oil on canvas, 53 x 45 cm, City of London Corporation[20]
  • Figure Seated by an Open Window, oil on canvas, 60 x 48 cm, City of London Corporation[37]
  • Flowers in a Jug, 1920s, oil on canvas, Tate[38]
  • Girl Reading on a Sofa, Auppegard, France, oil on canvas, 53 x 46 cm, City of London Corporation[39]
  • Girl Sewing, Auppegard, France, oil on canvas, 49 x 60 cm, City of London Corporation[40]
  • Interior at Portland Place, London, oil on canvas, 43 x 58 cm, City of London Corporation[41]
  • Interior with Mirror and Fireplace, oil on canvas, 65 x 53 cm, City of London Corporation[42]
  • Interior with Still Life and the Statuette of the Madonna, oil on canvas, 67.3 x 58.5 cm, Amgueddfa Cymru – National Museum Wales[43]
  • (Lloyd) Logan Pearsall Smith, 1932, oil on canvas, 61.4 x 49.8 cm, National Portrait Gallery, London[44]
  • Nan Hudson Playing Patience at Auppegard, France, oil on canvas, 64 x 52 cm, City of London Corporation[22]
  • Still Life with a View over a Cemetery, oil on board, 45 x 37.5 cm, The Fitzwilliam Museum[45]
  • Still Life with Books and Flowers, oil on canvas, 36 x 44 cm, City of London Corporation[46]
  • Tea with Sickert, c. 1911–12, oil on canvas, 61 x 51 cm, Tate[47]
  • The Bedroom at Auppegard, France, Girl Reading, oil on canvas, 51 x 61 cm, City of London Corporation[48]
  • The Chintz Couch, c. 1911–12, oil on board, 46.5 x 38.5 cm, Tate[49]
  • The Open Door, Auppegard, France, oil on canvas, 54 x 45 cm, City of London Corporation[50]

Шаблон:Div col end

Notes

Шаблон:Reflist

References

Шаблон:Reflist

Further reading

External links

Шаблон:Commons category

Шаблон:New Woman (late 19th century) Шаблон:Authority control

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  1. ↑ 1,00 1,01 1,02 1,03 1,04 1,05 1,06 1,07 1,08 1,09 1,10 1,11 1,12 1,13 1,14 1,15 Ethel Sands. Шаблон:Webarchive Tate. Retrieved 17 January 2014.
  2. ↑ Mrs. Mahlon Day Sands (Mary Hartpeace) Шаблон:Webarchive. The Athenaeum. Retrieved 13 March 2014.
  3. ↑ Mrs. Mahlon Day Sands (Mary Hartpence) Шаблон:Webarchive Collections. Smithsonian Institution. 13 March 2014.
  4. ↑ Henry James. Henry James: A Life in Letters Шаблон:Webarchive. Penguin; 1999. Шаблон:ISBN. p. 244.
  5. ↑ Wendy Baron. Miss Ethel Sands and her circle. Owen; April 1977. p. 4.
  6. ↑ 6,0 6,1 6,2 6,3 6,4 6,5 6,6 6,7 6,8 6,9 Robert L. Gale, A Henry James Encyclopedia. Шаблон:Webarchive New York: Greenwood Press, 1989, 586–587.
  7. ↑ 7,0 7,1 7,2 Theodore Connoly. Reports of Cases Argued and Determined in the Surrogates' Courts of the State of New York Шаблон:Webarchive. Banks & Bros.; 1890. p. 261.
  8. ↑ Andrew L. Slap, The Doom of Reconstruction: The Liberal Republicans in the Civil War Era. Шаблон:Webarchive New York: Fordham University Press, 2006, pp. 128, 156.
  9. ↑ 9,0 9,1 9,2 "Mahlon Sand's Death: A Fatal Accident in London, While Starting for a Ride." Шаблон:Webarchive New York Times. 9 May 1888. Retrieved 12 March 2014.
  10. ↑ Josiah Granville Leach. Memoranda relating to the ancestry and family of Hon. Levi Parson Morton, vice-president of the United States (1889–1893). Шаблон:Webarchive. Printed at the Riverside press; 1894. p. 65.
  11. ↑ 11,0 11,1 French Mary Ann Caws Distinguished Professor of English, and Comparative Literature City University of New York Graduate School; French Sarah Bird Wright Distinguished Professor of English, and Comparative Literature City University of New York Graduate School. Bloomsbury and France : Art and Friends: Art and Friends Шаблон:Webarchive. Oxford University Press; 2 December 1999. Шаблон:ISBN. p. 123.
  12. ↑ 12,0 12,1 12,2 Anthony Powell. Under Review: Further Writings on Writers, 1946–1990 Шаблон:Webarchive. University of Chicago Press; 1 July 1994. Шаблон:ISBN. pp. 134–135.
  13. ↑ Ethel Sands. Шаблон:Webarchive National Portrait Gallery. Retrieved 12 March 2014.
  14. ↑ Ian Chilvers. (1999) A Dictionary of Twentieth-Century Art. Шаблон:Webarchive Oxford: Oxford University Press. pp. 545, 8.
  15. ↑ 15,0 15,1 15,2 15,3 15,4 Ian Chilvers. (1999) A Dictionary of Twentieth-Century Art. Шаблон:Webarchive Oxford: Oxford University Press. pp. 545-546.
  16. ↑ 16,0 16,1 16,2 16,3 16,4 Nan (Anna Hope) Hudson. Шаблон:Webarchive Tate. Retrieved 17 January 2014.
  17. ↑ Wendy Baron. Camden Town Recalled: Exhibition 14 October-12 November 1976 : Centenary 1876–1976, The Fine Art Society Ltd. : Text. Fine Art Society; 1976. pp. 5, 44.
  18. ↑ Ian Chilvers, A Dictionary of Twentieth-Century Art Шаблон:Webarchive (Oxford: Oxford University Press, 1999), 110.
  19. ↑ Katy Deepwell. (1994). "Chapter 13: 'A Fair Field and No Favour': Women Artists Working in Britain Between the Wars" Шаблон:Webarchive in This Working-Day World: Women's Lives and Culture(s) in Britain, 1914–1945, ed. Sybil Oldfield. London: Taylor & Francis. p. 150.
  20. ↑ 20,0 20,1 Double Doors, Auppegard, France. Шаблон:Webarchive Your Paintings: Ethel Sands. BBC. Retrieved 18 January 2014.
  21. ↑ 21,0 21,1 A Spare Room, Château d'Auppegard. Шаблон:Webarchive Your Paintings: Ethel Sands. BBC. Retrieved 18 January 2014.
  22. ↑ 22,0 22,1 Nan Hudson Playing Patience at Auppegard, France. Шаблон:Webarchive Your Paintings: Ethel Sands. BBC. Retrieved 18 January 2014.
  23. ↑ 23,0 23,1 Auppegard Church from the Château, France. Шаблон:Webarchive Your Paintings: Ethel Sands. BBC. Retrieved 18 January 2014.
  24. ↑ Ethel Sands Шаблон:Webarchive. Tate. Retrieved 12 March 2014.
  25. ↑ Ethel Sands Шаблон:Webarchive. Government Art Collection. Retrieved 12 March 2014.
  26. ↑ Still-life with a view over a cemetery. Шаблон:Webarchive Fitzwilliam Museum. Retrieved 13 March 2014.
  27. ↑ Pamela Todd. (1999). Bloomsbury at Home. Шаблон:Webarchive (New York: Harry N. Abrams. p. 156.
  28. ↑ "Jamie Cullum Ups the Jazziness of Kensal Green; Homes Gossip: Homes & Property" Шаблон:Webarchive The Evening Standard. London, England, 15 December 2004.
  29. ↑ Gertrude Stein. (1933) The Autobiography of Alice B. Toklas. Шаблон:Webarchive New York: Random House. p. 151.
  30. ↑ Rollo Ogden, ed. (1907) Life and Letters of Edwin Lawrence Godkin, vol. 2. Шаблон:Webarchive (New York: Macmillan Company. p. 220.
  31. ↑ M. C. Rintoul. Dictionary of Real People and Places in Fiction Шаблон:Webarchive. Taylor & Francis; 1 January 1993. Шаблон:ISBN. p. 807.
  32. ↑ Search: Ethel Sands Шаблон:Webarchive. Tate Archive. Retrieved 13 March 2014.
  33. ↑ A Dressing Room Шаблон:Webarchive Your Paintings: Ethel Sands. BBC. Retrieved 18 January 2014.
  34. ↑ A Dressing Room Шаблон:Webarchive The Ashmolean Museum of Art and Archaeology. Retrieved 18 January 2014.
  35. ↑ A Spare Room, Château d'Auppegard. Шаблон:Webarchive Government Art Collection. Retrieved 18 January 2014.
  36. ↑ Bedroom Interior, Auppegard, France. Шаблон:Webarchive Your Paintings: Ethel Sands. BBC. Retrieved 18 January 2014.
  37. ↑ Figure Seated by an Open Window. Шаблон:Webarchive Your Paintings: Ethel Sands. BBC. Retrieved 18 January 2014.
  38. ↑ Flowers in a Jug. Шаблон:Webarchive Your Paintings: Ethel Sands. BBC. Retrieved 18 January 2014.
  39. ↑ Girl Reading on a Sofa, Auppegard, France. Шаблон:Webarchive Your Paintings: Ethel Sands. BBC. Retrieved 18 January 2014.
  40. ↑ Girl Sewing, Auppegard, France. Шаблон:Webarchive Your Paintings: Ethel Sands. BBC. Retrieved 18 January 2014.
  41. ↑ Interior at Portland Place, London. Шаблон:Webarchive Your Paintings: Ethel Sands. BBC. Retrieved 18 January 2014.
  42. ↑ Interior with Mirror and Fireplace. Шаблон:Webarchive Your Paintings: Ethel Sands. BBC. Retrieved 18 January 2014.
  43. ↑ Interior with Still Life and the Statuette of the Madonna. Шаблон:Webarchive Your Paintings: Ethel Sands. BBC. Retrieved 18 January 2014.
  44. ↑ (Lloyd) Logan Pearsall Smith. Шаблон:Webarchive Your Paintings: Ethel Sands. BBC. Retrieved 18 January 2014.
  45. ↑ Still Life with a View over a Cemetery. Шаблон:Webarchive Your Paintings: Ethel Sands. BBC. Retrieved 18 January 2014.
  46. ↑ Still Life with Books and Flowers. Шаблон:Webarchive Your Paintings: Ethel Sands. BBC. Retrieved 18 January 2014.
  47. ↑ Tea with Sickert. Шаблон:Webarchive Your Paintings: Ethel Sands. BBC. Retrieved 18 January 2014.
  48. ↑ The Bedroom at Auppegard, France, Girl Reading. Шаблон:Webarchive Your Paintings: Ethel Sands. BBC. Retrieved 18 January 2014.
  49. ↑ The Chintz Couch. Шаблон:Webarchive Your Paintings: Ethel Sands. BBC. Retrieved 18 January 2014.
  50. ↑ The Open Door, Auppegard, France. Шаблон:Webarchive Your Paintings: Ethel Sands. BBC. Retrieved 18 January 2014.


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