Английская Википедия:A Confederacy of Dunces

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Шаблон:Short description Шаблон:Infobox book A Confederacy of Dunces is a novel by American writer John Kennedy Toole that was published in 1980, 11 years after Toole's death.[1] Published through the efforts of writer Walker Percy (who contributed a foreword) and Toole's mother, Thelma, the book became first a cult classic, then a mainstream success; it earned Toole a posthumous Pulitzer Prize for Fiction in 1981 and is now a canonical work of modern literature of the Southern United States.[2]

The book's title refers to an epigram from Jonathan Swift's essay Thoughts on Various Subjects, Moral and Diverting: "When a true genius appears in the world, you may know him by this sign, that the dunces are all in confederacy against him."

Dunces is a picaresque novel featuring the misadventures of protagonist Ignatius J. Reilly, a lazy, obese, misanthropic, self-styled scholar. He is an educated but slothful 30-year-old living with his mother in the Uptown neighborhood of early-1960s New Orleans. In his quest for employment, he has adventures with colorful French Quarter characters. Toole wrote the first draft in 1963 during his last few months in Puerto Rico. Critics liked the accurate depictions of New Orleans dialects. Toole based Reilly in part on his professor friend Bob Byrne. Byrne's slovenly, eccentric behavior was anything but professorial. Reilly resembled Toole; Toole's experiences served as inspiration for episodes. While at Tulane University, Toole filled in for a friend as a hot-tamale cart vendor and worked for a family who owned and operated a clothing factory.

Synopsis

Ignatius Jacques Reilly is an overweight and unemployed 30-year-old with a master's degree in Medieval History. He lives with his mother, Irene Reilly. He loathes the world, which he feels has lost the values of geometry and theology. One afternoon Reilly's mother drives him "downtown in the old Plymouth, and while she was at the doctor's seeing about her arthritis, Ignatius had bought some sheet music at Werlein's for his trumpet and a new string for his lute." While Reilly waits for his mother, Officer Angelo Mancuso approaches Reilly and demands that Ignatius produce identification. Affronted and outraged by Mancuso's zeal and officiousness, Reilly protests his innocence to the crowd while denouncing the city's vices and the graft of the local police. An elderly man, Claude Robichaux, takes Reilly's side and denounces Mancuso and the police as communists. In the resulting uproar, Mancuso arrests Robichaux while Reilly and his embarrassed mother escape and take refuge in a bar.

There, Mrs. Reilly drinks too much. On the way home, she crashes her car. The bills for the accident total $1,020, a sizable amount of money in early 1960s New Orleans and which would be a little over $10,000 in 2023. To help his mother pay for the accident, Ignatius must work for the first time in years.

What follows is a series of adventures that introduce characters and their interactions as Ignatius flounders from one low-wage job to another. Ignatius obsesses over his wardrobe, verbally abuses his mother, and frequents movie theaters, where he condemns the actors and actresses. The novel explores the psyche of a man who, every time he feels stress, makes use of his pyloric valve. Reilly maintains an adversarial relationship, and possibly a flirtation, with the politically liberal Myrna Minkoff, his only friend from college.

Major characters

Ignatius J. Reilly

Ignatius Jacques Reilly is something of a modern Don Quixote—eccentric, idealistic, and creative, sometimes to the point of delusion.[1] In his foreword to the book, Walker Percy describes Ignatius as a "slob extraordinary, a mad Oliver Hardy, a fat Don Quixote, a perverse Thomas Aquinas rolled into one". He disdains modernity, particularly pop culture. The disdain becomes his obsession: he goes to movies in order to mock their perversity and express his outrage with the contemporary world's lack of "theology and geometry". He prefers the scholastic philosophy of the Middle Ages, and the Early Medieval philosopher Boethius in particular.[3] However, he also enjoys many modern comforts and conveniences and is given to claiming that the rednecks of rural Louisiana hate all modern technology, which they associate with unwanted change. The workings of his pyloric valve play an important role in his life, reacting strongly to incidents in a fashion that he likens to Cassandra in terms of prophetic significance.[4]

Ignatius believes he does not belong in the world and that his failings are the work of some higher power. He refers to the goddess Fortuna as having spun him downward on her wheel of fortune. Ignatius loves to eat; his masturbatory fantasies lead in strange directions. His mockery of obscene images is portrayed as a defensive posture to hide their titillating effect on him. Although considering himself to have an expansive and learned worldview, Ignatius has an aversion to ever leaving the town of his birth and frequently bores friends and strangers with the story of his abortive journey out of New Orleans, to Baton Rouge on a Greyhound Scenicruiser, which Ignatius recounts as a traumatic ordeal of extreme horror.

Myrna Minkoff

Myrna Minkoff, referred to by Ignatius as "that minx," is a Jewish beatnik from New York City. Ignatius met her while she was in college in New Orleans.[1] Although their political, social, religious, and personal orientations could hardly be more different, Myrna and Ignatius fascinate one another. The novel refers to Myrna and Ignatius as having engaged in tag-team attacks on the teachings of professors. For most of the novel, she is seen only in the regular correspondence which the two sustain after her return to New York, a correspondence heavily weighted with sexual analysis from Myrna and contempt for her apparent sacrilegious activity by Ignatius. Officially, they deplore everything the other stands for. Although neither will admit it, their correspondence indicates that, separated though they are by half a continent, they want to impress each other.

Irene Reilly

Mrs. Irene Reilly is Ignatius's mother. She has been widowed for 21 years. At first, she allows Ignatius his space and drives him where he needs to go, but over the course of the novel she learns to stand up for herself. She has a drinking problem, most frequently indulging in muscatel, although Ignatius exaggerates that she is a raving, abusive drunk.[1]

She falls for Claude Robichaux, who has a railroad pension and rental properties. At the end of the novel, she decides she will marry Claude. But first, she agrees with Santa Battaglia (who has not only recently become Mrs. Reilly's new best friend, but also harbors an intense dislike for Ignatius) that Ignatius is insane and arranges to have him sent to a mental hospital.

Others

  • Santa Battaglia, a "grammaw" who is friends with Mrs. Reilly and has a marked disdain for Ignatius
  • Claude Robichaux, an old man constantly on the lookout for any "communiss" who might infiltrate the United States; he takes an interest in protecting Irene
  • Angelo Mancuso, an inept police officer, the nephew of Santa Battaglia, who, after an abortive attempt to arrest Ignatius as a "suspicious character," features prominently in the novel as Ignatius's self-perceived nemesis
  • Lana Lee, a pornographic model who runs the "Night of Joy," a downscale French Quarter strip club
  • George, Lana's distributor, who sells photographs of her to high-school children
  • Darlene, a goodhearted but none-too-bright girl, who aspires to be a "Night of Joy" stripper, with a pet cockatoo
  • Burma Jones, a black janitor for the "Night of Joy" who holds on to his below-minimum wage job only to avoid being arrested for vagrancy
  • Mr. Clyde, the frustrated owner of Paradise Vendors, a hot dog vendor business, who inadvisedly employs Ignatius as a vendor
  • Gus Levy, the reluctant, mostly absentee owner of Levy Pants, an inherited family business in the Bywater neighborhood where Ignatius briefly works
  • Mrs. Levy, Gus's wife, who attempts to psychoanalyze her husband and Miss Trixie despite being completely unqualified to do so
  • Miss Trixie, an aged clerk at Levy Pants who suffers from dementia and compulsive hoarding
  • Mr. Gonzalez, the meek office manager at Levy Pants
  • Dorian Greene, a flamboyant French Quarter homosexual who puts on elaborate parties
  • Frieda Club, Betty Bumper, and Liz Steele, a trio of aggressive lesbians who run afoul of Ignatius
  • Dr. Talc, a mediocre professor at Tulane who had the misfortune of teaching Myrna and Ignatius
  • Miss Annie, the disgruntled neighbor of the Reillys who professes an addiction to headache medicine

Ignatius at the movies

Toole provides comical descriptions of two of the films Ignatius watches without naming them; they can be recognized as Billy Rose's Jumbo and That Touch of Mink, both Doris Day features released in 1962.[5] In another passage, Ignatius declines to see another film, a "widely praised Swedish drama about a man who was losing his soul". This is most likely Ingmar Bergman's Winter Light, released in early 1963. In another passage, Irene Reilly recalls the night Ignatius was conceived: after she and her husband viewed Red Dust, released in October 1932.Шаблон:Sfn

Confederacy and New Orleans

Файл:CanalStreetPostcardIgnatiusEraHolmses.jpg
Canal Street, New Orleans in the late 1950s; the D. H. Holmes store at right
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A "Lucky Dogs" cart from the era of the novel

The book is famous for its rich depiction of New Orleans and the city's dialects, including Yat.[6][7] Many locals and writers think that it is the best and most accurate depiction of the city in a work of fiction.[8]

A bronze statue of Ignatius J. Reilly can be found under the clock on the down-river side of the 800 block of Canal Street, New Orleans, the former site of the D. H. Holmes Department Store, now the Hyatt French Quarter Hotel. The statue mimics the opening scene: Ignatius waits for his mother under the D.H. Holmes clock, clutching a Werlein's shopping bag, dressed in a hunting cap, flannel shirt, baggy pants and scarf, 'studying the crowd of people for signs of bad taste.' The statue is modeled on New Orleans actor John "Spud" McConnell, who portrayed Ignatius in a stage version of the novel.

Various local businesses are mentioned in addition to D. H. Holmes, including Werlein's Music Store and local cinemas such as the Prytania Theater. Some readers from elsewhere assume Ignatius's favorite soft drink, Dr. Nut, to be fictitious, but it was an actual local soft drink brand of the era. The "Paradise Hot Dogs" vending carts are an easily recognized satire of those actually branded "Lucky Dogs".

Structure

The structure of A Confederacy of Dunces reflects the structure of Ignatius's favorite book, Boethius' The Consolation of Philosophy.[9] Like Boethius' book, A Confederacy of Dunces is divided into chapters that are further divided into a varying number of subchapters. Key parts of some chapters are outside of the main narrative. In Consolation, sections of narrative prose alternate with metrical verse. In Confederacy, such narrative interludes vary more widely in form and include light verse, journal entries by Ignatius, and also letters between himself and Myrna. A copy of The Consolation of Philosophy within the narrative itself also becomes an explicit plot device in several ways.

The difficult path to publication

As outlined in the introduction to a later revised edition, the book would never have been published if Toole's mother had not found a smeared carbon copy of the manuscript left in the house following Toole's 1969 death at 31. She was persistent despite rejections.

Thelma repeatedly telephoned Walker Percy, an author and college instructor at Loyola University New Orleans, and demanded that he read it. He initially resisted; however, as he recounts in the book's foreword: Шаблон:Blockquote

The book was published by LSU Press in 1980. It won the Pulitzer Prize for Fiction in 1981. In 2005, Blackstone Audio released an unabridged audiobook of the novel, read by Barrett Whitener.

While Tulane University in New Orleans retains a collection of Toole's papers, and some early drafts have been found, the location of Toole's last manuscript is unknown.[10]

Adaptations

In March 1984, LSU staged a musical adaptation of the book, with book and lyrics by Frank Galati and music by Edward Zelnis; actor Scott Harlan played Ignatius.[11]

Kerry Shale read the book for BBC Radio 4's Book at Bedtime in 1982, and later adapted the book into a one-man show which he performed at the Adelaide Festival in 1990,[12] at the Gate Theatre in London, and for BBC Radio.[13]

There have been repeated attempts to turn the book into a film. In 1982, Harold Ramis was to write and direct an adaptation, starring John Belushi as Ignatius and Richard Pryor as Burma Jones, but Belushi's death prevented this. Later, John Candy and Chris Farley were touted for the lead, but both of them, like Belushi, also died at an early age, leading many to ascribe a curse to the role of Ignatius.[14]

Director John Waters was interested in directing an adaptation that would have starred Divine, who also died at an early age, as Ignatius.[15]

British performer and writer Stephen Fry was at one point commissioned to adapt Toole's book for the screen.[16] He was sent to New Orleans by Paramount Pictures in 1997 to get background for a screenplay adaptation.[17]

John Goodman, a longtime resident of New Orleans, was slated to play Ignatius at one point.[18]

A version adapted by Steven Soderbergh and Scott Kramer, and slated to be directed by David Gordon Green, was scheduled for release in 2005. The film was to star Will Ferrell as Ignatius and Lily Tomlin as Irene. A staged reading of the script took place at the 8th Nantucket Film Festival, with Ferrell as Ignatius, Anne Meara as Irene, Paul Rudd as Officer Mancuso, Kristen Johnston as Lana Lee, Mos Def as Burma Jones, Rosie Perez as Darlene, Olympia Dukakis as Santa Battaglia and Miss Trixie, Natasha Lyonne as Myrna, Alan Cumming as Dorian Greene, John Shea as Gonzales, Jesse Eisenberg as George, John Conlon as Claude Robichaux, Jace Alexander as Bartender Ben, Celia Weston as Miss Annie, Miss Inez & Mrs. Levy, and Dan Hedaya as Mr. Levy.[19]

Various reasons are cited as to why the Soderbergh version has yet to be filmed. They include disorganization and lack of interest at Paramount Pictures, the murder of Helen Hill, the head of the Louisiana State Film Commission, and the devastating effects of Hurricane Katrina on New Orleans.[14] When asked why the film was never made, Will Ferrell has said it is a "mystery".[20]

In 2012, there was a version in negotiation with director James Bobin and potentially starring Zach Galifianakis.[21]

In a 2013 interview, Steven Soderbergh remarked "I think it's cursed. I'm not prone to superstition, but that project has got bad mojo on it."[22]

In November 2015, Huntington Theatre Company introduced a stage version of A Confederacy of Dunces written by Jeffrey Hatcher in their Avenue of the Arts/BU Theatre location in Boston, starring Nick Offerman as Ignatius J. Reilly. It set a record as the company's highest-grossing production.[23]

Critical reception

On November 5, 2019, BBC News included A Confederacy of Dunces on its list of the 100 most inspiring novels.[24] The book is regularly included on lists of 'most funny' or 'best comedic novel'.[25]

See also

Шаблон:Portal

References

Шаблон:Reflist

Sources

Further reading

External links

Шаблон:Commons category

Шаблон:PulitzerPrize Fiction 1976–2000