Английская Википедия:A Woman's Case

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Шаблон:Use dmy dates Шаблон:Infobox film A Woman's Case (Шаблон:Lang-he, tr. Mikreh Isha) is a 1969 black and white Israeli independent underground experimental dramatic art film, the first Israeli film to be screened at the Venice Film Festival, directed by Jacques Katmor, and, usually, categorized as belonging to the bohemian/counterculture and anarchistic Шаблон:Interlanguage link movement.[1][2] The film was released on DVD by NMC Music.[3] Cinematographer and coscreenwriter Amnon Salomon stated, during an interview, held late in life, that the film's origin is in Katmor's early exhibition, dealing with the female body, and, that no commercial motivations were held by the filmmakers.[4]

Synopsis

This modernist and non-linear film, influenced by the French New Wave, and, especially, by films such as Jules and Jim and Breathless, tells the story of an advertiser (Yossi Spector), in his forties, who, meets Helit (Шаблон:Interlanguage link), a model, in her twenties, and, together, the two spend a day in Tel Aviv and Jerusalem, The model leads the advertiser into cafés and drug-fueled orgies, while, he leads her into the workshops of sculptors, so, that they could create sculptures, modeled on her body, out of gypsum. While she tries to liberate his mind, he attempts to stay where he is. The film ends with the advertiser strangling Helit to death, during a sadomasochistic session.[5]

Reception

Maariv compared the film to the works of James Joyce, Jean-Luc Godard, and, Michelangelo Antonioni, with the acting of Шаблон:Interlanguage link being compared to that of Monica Vitti,[6] writer Yoram Kaniuk wrote that the film is a critique of the horrors of the modern world,[7][8] and, Davar compared the film to painting.[9] The film, however, was a commercial failure, with only 38,000 tickets sold, due to its highly avant-garde nature.[10] University of Haifa sociologist, Prof. Dr. Шаблон:Interlanguage link, wrote that film's main theme is the independent woman's, unsuccessful, attempt to free the man, from the shackles of his masculinity, and, noted that it was one of the first Israeli films to express their director's personal view.[11]

References

Шаблон:Reflist

External links

Шаблон:Authority control