Английская Википедия:Adolfo Odnoposoff

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Adolfo Odnoposoff (circa 1945)

Adolfo Odnoposoff (Buenos Aires, 22 February 1917 – Denton, Texas, 13 March 1992) was an Argentine-born-and-raised cellist of Russian ancestry who performed in concerts for 5 decades in South, Central, and North America, the Caribbean, Europe, Israel, and the former USSR.[1] He had performed as principal cellist in the Israel Philharmonic and many of the important orchestras of Latin America. He had soloed with major orchestras under conductors that include Arturo Toscanini, Erich Kleiber, Fritz Busch, Juan José Castro, Rafael Kubelik, Victor Tevah, Luis Herrera de la Fuente, Carlos Chavez, Paul Kletzki, Luis Ximénez Caballero (es), Willem van Otterloo, Sir John Barbirolli, Eduardo Mata, Antal Doráti, Jorge Sarmientos (es), Erich Kleiber, George Singer (1908–1980), Ricardo del Carmen (1937-2003),[2][3][4][5][6][7][8] Anshel Brusilow, Pau Casals and Enrique Gimeno. He also performed a Khachaturian work under the direction of Khachaturian.

Biography

Career

Formal education

Beginning around 1930, Odnoposoff studied with Emanuel Feuermann and Paul Grümmer at the Music High School in Berlin (die Hochschule für Musik zu Berlin, which, as of 2001, has been known as Berlin University of the Arts). 1930 coincided with the coup d'état in Argentina. In 1932, Odnoposoff moved to Paris, entering École Normale de Musique, where, in 1935, he earned a concert and teaching diploma. While there, he studied cello with Diran Alexanian, a colleague of Pablo Casals.

Israel

1936, Odnoposoff, seeking refuge from the Third Reich because he was a Jew,[9] moved to Tel Aviv, where he became a founding member of the Israel Philharmonic for its inaugural 1936–1937 season. He had performed with the orchestra, then called the Palestine Symphony Orchestra, in various roles, including that of principal cellist and soloist. The orchestra was founded by Bronisław Huberman, a cousin once removed of Odnoposoff's future wife, Berthe Huberman.[lower-alpha 1]

Peru and Chile

From 1938 to 1941, Odnoposoff was principal cellist with The National Symphony Orchestra of Peru. In 1940, he was a founding member of the Chile Cuarteto de Cuerdas (Chile String Quartet) — with Willie McDermott (violin), Raúl Martínez (viola), Fredy Wang (Alfredo Wang; 1918–2004) (violin), sponsored by The Institute of Musical Extension at the University of Chile. He held that chair until 1944.

Cuba

From 1944 to 1958, he was principal cellist of the Orquesta Filarmónica de La Habana,[10] when, then, was conducted by Erich Kleiber. Alexander Prilutchi (1913–2001) was concertmaster and, from 1945 to 1953, J. Wolfgang Granat (1918–1998) was first violist.[11][12] Granat went to play viola with the Philadelphia Orchestra for 35 years, until he retired in 1991. In Havana, Odnoposoff had been a member of a trio of Sociedad de Música de Cámara (Chamber Music Society) — with Prilutchi and pianist Paquito Godino (né Francisco Jose Godino; 1919–1996).[13][14] In January 1959, Fidel Castro's revolutionaries overtook Havana. Within 6 months, Castro became the new president and restructured Cuba as a communist state.

Mexico and Puerto Rico

From 1958 to 1961, Odnoposoff was cellist with the National Symphony Orchestra of Mexico. While in Mexico, he taught at the Conservatorio Nacional de Música.[15][16] From 1964 to 1974, Odnoposoff, at the invitation of Pablo Casals, taught at the Conservatory of Music of Puerto Rico. For 10 years, he was head of the Cello Department and served as the right-hand man of Casals, director of the conservatory that he founded.[17][18] Casals died on October 22, 1973.

United States

During the 1975–1976 academic year, Odnoposoff became a visiting professor at the University of North Texas College of Music following an extensive tour of the Soviet Union — while still holding the post as Professor of Cello and Chamber Music at the Conservatory of Music of Puerto Rico. He and his wife soon became a full-time professors at North Texas. In 1977, his friend, Eduardo Mata became the conductor of the Dallas Symphony. Odnoposoff remained active teaching and concertizing until his retirement in 1988, whereupon North Texas awarded him Professor Emeritus status. His wife, Berthe, is still a professor of music at North Texas.[19][20][21]

Legacy in Latin American classical music

Odnoposoff was an influential exponent of Latin classical music, notably works by Heitor Villa-Lobos, Alberto Ginastera, Blas Galindo Dimas, Rodolfo Halffter. He presented numerous lectures, master classes, and concerts throughout the Western Hemisphere on that theme.

Personal life

Early life and family background

Adolfo was one of three children born in Buenos Aires to the marriage of Mauricio (altnernate spelling: Moisés) Odnoposoff and Juana (née Veinstien; alternate spelling Weinstien).

Alolfo's brother, Ricardo Odnoposoff (de) (1914–2004), was the former concertmaster of Vienna Philharmonic.

Adolfo's sister, Nélida Odnoposoff (born 1919), was a critically acclaimed Argentine concert pianist[22] whose European debut was in 1935 in Berlin. Growing up in Buenos Aires, she had been a protégée of the Argentine pianist Edmundo Piazzini (es), and in Berlin, she studied with Hansi Freudberg. Nélida concertized until the late 1950s. During the early 1940s, was associated with the Opera and Ballet of Montevideo[23] and had soloed with important orchestras of Latin America.[24][25][26][27][28]

Mauricio Odnoposoff had emigrated from Russia to Argentina with his father. When Ricardo, Adolfo, and Nélida were studying music in Germany, Mauricio and Juana Odnoposoff moved to Germany.

Marriage

Adolfo met his wife, Berthe (né Huberman; born in Paris) in Cuba in 1941, when he was principal cellist with the Havana Symphony.[29] Berthe was a young aspiring concert pianist. She is a first cousin once removed of the violinist Bronislaw Huberman[lower-alpha 1][30][31] and also the sister-in-law of Mexican poet Angelina Muñiz-Huberman, PhD.

Odnoposoff's wife, Berthe (also spelled Berte and Berta; née Huberman born in Paris on May 19, 1925) was a widely acclaimed piano virtuoso. Since 1941, when they met in Havana, until his retirement in 1988, she had been his accompanist and chief musical collaborator. In concerts and on recordings, they were often billed as a duo. Composers often inscribed dedications to both Adolfo and Berthe. She was also an influential piano pedagogue.[32][33] She joined the faculty at the University of North Texas College of Music in 1976. She held a Bachelor of Arts and Sciences Degree, a Diploma in piano, and a Diploma in theory and harmony from the Ministry of Education, Havana, Cuba. She not only mentored aspiring performing artists at the conservatory and collegiate levels, she developed effective pedagogical approaches for gifted pianists at primary and secondary school ages. Berthe Huberman de Odnoposoff died on July 1, 2019, at the age of 94.[34]

Adolfo, his wife, and his brother performed their final concert together in May 1987— and billed it as a farewell — playing Beethoven's Triple Concerto with the National Symphony Orchestra of Guatemala under the direction of Ricardo del Carmen.

Other information

Adolfo Odnoposoff maintained his Argentine citizenship; although, in 1977 Texas Governor Dolph Briscoe made him an honorary citizen of the State of Texas, and presented him a commemorative plaque.[29]

The surname, Odnoposoff, has various spellings (typically "z" instead of "s" and "v" instead of "ff"). But under this particular spelling, the name faces extinction in the Western Hemisphere. Of the two males born to Mauricio and Juana Odnoposoff, (i) Ricardo Odnoposoff (de) and his wife Hilde had one daughter, Henriette Helene Odnoposoff, who, in 1978, married David Mark Hume (born 1952); (ii) Adolfo and Berthe had one daughter, Alina M. Odnoposoff (born 1954), who married Mark J. Heller (born 1954).

Musical output

Selected discography

Шаблон:Refbegin

Odnoposoff, cello; Elvira Savi (es) (1920–1913)
The record also includes Mozart's Piano Sonata No. 8 in A Minor, performed by Rosita Renard
Odnoposoff, cello; Huberman, piano
Side B
  2. Alberto Ginastera, "Pampeana No. 2" for cello and piano, Op. 21
Odnoposoff, cello; Huberman, piano
Recorded on November 21, 1968
Granados, "Intermezzo" from the opera Goyescas
Odnoposoff, cello; Huberman, piano
Odnoposoff, cello, Huberman, pianist,
  1. José Ardévol, "Sonatina For Cello And Piano"
a)Шаблон:Space "Andantino"
b)Шаблон:Space "Slow-vivo"
c)Шаблон:Space "Alegretto"
  2. Amadeo Roldán: Two Popular Songs
a)Шаблон:Space "Cuban Point"
b)Шаблон:Space "Vueltabajo Guajira" ("The Babbling Brook")
  2. Aurelio de la Vega, "Legend of Ariel Criollo"
  3. Pedro Menéndez, "Black Canto"
String Orchestra of CMZ Radio, Havana, José Ardévol, conductor
  2. Harold Gramatges, "Serenade For String Orchestra"
a)Шаблон:Space "Allegretto"
b)Шаблон:Space "Andante Moderato"
c)Шаблон:Space "Allegro"
National Symphony Orchestra of Cuba conducted by Jean Constantinesco
Live performance, Auditorium Theatre in 1960
  2. John White, "Elegy"
Unnamed composition of Pablo Casals
Olga Iglesias, soprano; Emilio Belaval, tenor; Odnoposoff, cello; Huberman, piano, Jesús María Sanromá, piano
"Reverie," for cello and piano, Odnoposoff; cello, Huberman, piano
Recorded 1974–1975 at the Ochoa and Echo Sound Studios, Puerto Rico
Odnoposoff, cello; Huberman, piano
Includes also Quintet for winds (1959), with the Westwood Woodwind Quintet
Moldenhauer, Hans, collector. The Moldenhauer Archives at Harvard University
  • Third Music Festival of Caracas, digital files (WAV; 96–kHz, 24 bit)
Шаблон:OCLC (works 1–3), Шаблон:OCLC (works 4–5), Шаблон:OCLC (work 4), Шаблон:OCLC (work 5), Шаблон:OCLC (work 5)
Live performance, Third Music Festival of Caracas, Venezuela, May 12, 1966
  1. Halffter: "Sonata," Op. 26
a)Шаблон:Space "Allegro deciso"
b)Шаблон:Space "Tempo de siciliana"
c)Шаблон:Space "Rondó: Allegro"
  2. Vega (de): "Legend of Ariel Criollo"
  4. Ginastera, "Pampeana No. 2"
Odnoposoff, cello; Huberman, piano
  2. Sergio Cervetti (es), "Cinco Episodios Para Trio" ("Five Movements For Trio")
  4. Salas, "Trio" Op. 58
José Figueroa, violin; Odnoposoff, cello; Elias López, piano
José Madera, violin; Guillermo Figueroa, viola; Odnoposoff, cello
  2. Luis Antonio Ramírez (1923–1995): "Sonata Elegiaca," for cello and piano
Odnoposoff, cello; Huberman, piano
Recorded July & August 1971 at the Ochoa Sound Studio
  2. Hector Campos Parsi: "Petroglifos," for violin, cello and piano
José Figueroa, violin; Odnoposoff, cello; Jesús María Sanromá, piano
Recorded in concert at the Instituto de Cultura Puertorriqueña, October 8, 1967
Side A
  1. Galindo: "Sonata"
  2. Ponce: "Tres preludios"
Side B
  2. Halffter: "Sonata," Op. 26
a)Шаблон:Space "Allegro deciso"
b)Шаблон:Space "Tempo de siciliana"
c)Шаблон:Space "Rondó: Allegro"
  2. Revueltas: two selections from "Siete canciones" ("Seven Children's Songs")
a)Шаблон:Space "Canción de cuna" ("Cradle Song")
b)Шаблон:Space "Las cinco horas" ("The Five Hours")
  2. Sandi: "Hoja de albúm" ("Sheet album")
Odnoposoff, cello; Huberman, piano
Liner notes by Otto Mayer-Serra
Odnoposoff, cello; Huberman, piano

Шаблон:Refend

Selected dedicated works

Wikipedia
interlanguage
link codes
es = Spanish
de = German
ca = Catalan

Works dedicated to Adolfo and Berthe Odnoposoff

Cuban composers

Premiered by Adolfo and Berthe in Havana in 1954 at a concert of the Sociedad de Conciertos; it was immediately recorded by Panart as an LP that included works by other Cuban composers, such as Amadeo Roldán, Pedro Menéndez, and José Ardévol (see Selected discography above); Vega (de) dedicated the work to the marriage of Odnoposoff and Huberman.[38] The work was published in the Washington, D.C., in 1955 by the Pan American Union

Mexican composers

Argentine composers

Puerto Rican composers

Elsewhere

Notable performances

"Fantasia for Cello and Piano" – Gerard Schurmann (fr)
(other works were performed by Ciccolini)
"Fantasia" was composed in 1967 and premiered March 1967 by Odnoposoff and Ciccolini at the Salle Pleyel, Paris – Odnoposoff and Ciccolini also performed the work at Lincoln Center, Manhattan[42]

Instrument

  • Odnoposoff owned and performed on a compound Amati cello, circa 1680.[43]

List of former students

Шаблон:Unreferenced section Шаблон:Incomplete list

References and further reading

External links

Conciertos Daniel, an artist management agency, managed the concert tours of Adolfo Odnoposoff. Primarily a family business, three generations of family members managed Odnoposoff.

References

Notes

Шаблон:Reflist

Inline citations

Шаблон:Reflist

Шаблон:Authority control

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  1. ↑ Ошибка цитирования Неверный тег <ref>; для сносок Wilson bios не указан текст
  2. ↑ Ошибка цитирования Неверный тег <ref>; для сносок Musical Times 1963 не указан текст
  3. ↑ Ошибка цитирования Неверный тег <ref>; для сносок Baker's bios не указан текст
  4. ↑ Ошибка цитирования Неверный тег <ref>; для сносок Baker's bios 20th Century не указан текст
  5. ↑ Ошибка цитирования Неверный тег <ref>; для сносок Who's Who 1 не указан текст
  6. ↑ Ошибка цитирования Неверный тег <ref>; для сносок Who's Who 2 не указан текст
  7. ↑ Ошибка цитирования Неверный тег <ref>; для сносок Penguin не указан текст
  8. ↑ Ошибка цитирования Неверный тег <ref>; для сносок NYTs bios не указан текст
  9. ↑ Ошибка цитирования Неверный тег <ref>; для сносок Jewish-Argentine musical careers не указан текст
  10. ↑ Ошибка цитирования Неверный тег <ref>; для сносок Havana Philharmonic memoir не указан текст
  11. ↑ Ошибка цитирования Неверный тег <ref>; для сносок Cummings 2000 не указан текст
  12. ↑ Ошибка цитирования Неверный тег <ref>; для сносок Kookhee Hong 2013 Jan не указан текст
  13. ↑ Ошибка цитирования Неверный тег <ref>; для сносок Spanish-SpanishAmerican Dictionary 2002 не указан текст
  14. ↑ Ошибка цитирования Неверный тег <ref>; для сносок Diaz-Ayala-Encyclopedia-Cuban-Music не указан текст
  15. ↑ Ошибка цитирования Неверный тег <ref>; для сносок Pareyon 2007 не указан текст
  16. ↑ Ошибка цитирования Неверный тег <ref>; для сносок Revista Musical Mexicana 1944 Oct 7 не указан текст
  17. ↑ Ошибка цитирования Неверный тег <ref>; для сносок Univ. PR 1992 не указан текст
  18. ↑ Ошибка цитирования Неверный тег <ref>; для сносок El-Nuevoía 1992 Mar 26 не указан текст
  19. ↑ Ошибка цитирования Неверный тег <ref>; для сносок Ginzburg не указан текст
  20. ↑ Ошибка цитирования Неверный тег <ref>; для сносок NYTs 1992 Mar 18 не указан текст
  21. ↑ Ошибка цитирования Неверный тег <ref>; для сносок AST 1992 Summer не указан текст
  22. ↑ 22,0 22,1 Ошибка цитирования Неверный тег <ref>; для сносок NYTs 1947 Jan 30 не указан текст
  23. ↑ The Teatro Solís: 150 Years of Opera, Concert and Ballet in Montevideo, by Susana Salgado, Wesleyan University Press (2003); Шаблон:OCLC
  24. ↑ Exploring the Musical Mind, by Jacob Kwalwasser (1894–1977), Coleman-Ross Co. (1955); Шаблон:OCLC
  25. ↑ Gran Enciclopedia Argentina (in vol. 6 of 8 vols.), Diego Abad de Santillán (ed.), Buenos Aires: Ediar (1956–1963); Шаблон:OCLC, Шаблон:LCCN
  26. ↑ Músicos exiliados del nazismo en la Argentina (1932–1943), by Josefina Irurzun, Revista Brasileira de História das Religiões (journal), Vol. 5, No. 15, January 2013 Шаблон:ISSN
  27. ↑ Ошибка цитирования Неверный тег <ref>; для сносок Nelida bio не указан текст
  28. ↑ Ошибка цитирования Неверный тег <ref>; для сносок 20,000 Biographies: Nelida не указан текст
  29. ↑ 29,0 29,1 Ошибка цитирования Неверный тег <ref>; для сносок NTSU Notes 1977 не указан текст
  30. ↑ Ошибка цитирования Неверный тег <ref>; для сносок Who's Who, Women, Berthe не указан текст
  31. ↑ Ошибка цитирования Неверный тег <ref>; для сносок Who's Who World, Berthe не указан текст
  32. ↑ Ошибка цитирования Неверный тег <ref>; для сносок Women Who's Who не указан текст
  33. ↑ Ошибка цитирования Неверный тег <ref>; для сносок World Who's Who не указан текст
  34. ↑ Ошибка цитирования Неверный тег <ref>; для сносок Berthe Huberman de Odnoposoff, acclaimed pianist, dies at 94 не указан текст
  35. ↑ Record Review: Discos-Radio, Revista Musical Chilena (chronicle) (Шаблон:URL), Vol. 1, No. 6, October 1945, pg. 41; Шаблон:ISSN
  36. ↑ Ошибка цитирования Неверный тег <ref>; для сносок Ginastera discography не указан текст
  37. ↑ Ошибка цитирования Неверный тег <ref>; для сносок Ramsay 1963 Jun не указан текст
  38. ↑ Ошибка цитирования Неверный тег <ref>; для сносок Palabra-Neuva 2010 Oct не указан текст
  39. ↑ Ошибка цитирования Неверный тег <ref>; для сносок Encuentro 2002 Spring не указан текст
  40. ↑ Ошибка цитирования Неверный тег <ref>; для сносок Orquesta Sinfonica de Chile 1957 не указан текст
  41. ↑ Ошибка цитирования Неверный тег <ref>; для сносок Thompson не указан текст
  42. ↑ Ошибка цитирования Неверный тег <ref>; для сносок Conway 2016 не указан текст
  43. ↑ Ошибка цитирования Неверный тег <ref>; для сносок cellist database не указан текст
  44. ↑ Ошибка цитирования Неверный тег <ref>; для сносок Oxford Music: Fabio не указан текст


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