Английская Википедия:Akbar's tomb

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Akbar's tomb is the mausoleum of the third and greatest Mughal emperor Akbar. The tomb was built in 1605–1613 by his son, Jahangir and is situated on 119 acres of grounds in Sikandra, a suburb of Agra, Uttar Pradesh, India. The buildings are constructed mainly from a deep red sandstone, enriched with features in white marble.

Location

It is located at Sikandra, in the suburbs of Agra, on the Mathura road (NH2), 8 km west-northwest of the city center. About 1 km away from the tomb, lies, Tomb of Mariam-uz-Zamani, his favourite wife, who after the death of Akbar laid a large garden around his tomb and was later buried there by her son, Jahangir.

History

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Mughal emperor Akbar at his court.

Akbar I was the third Mughal emperor, who reigned from 1556 to 1605. Akbar succeeded his father, Humayun, under a regent, Bairam Khan, who helped the young emperor expand and consolidate Mughal domains in the Indian subcontinent. Akbar gradually enlarged the Mughal Empire to include much of the Indian subcontinent through Mughal military, political, cultural, and economic dominance. Under Akbar, Mughal India developed a strong and stable economy, which tripled in size and wealth, leading to commercial expansion and greater patronage of an Indo-Persian culture. Akbar's courts at Delhi, Agra, and Fatehpur Sikri attracted holy men of many faiths, poets, architects, and artisans, and become known as centres of the arts, letters, and learning.

On 3 October 1605, Akbar fell ill from an attack of dysentery, from which he never recovered. He is believed to have died on 26 October 1605. After Akbar's death, his son Jahangir planned and completed the construction of his father's tomb in 1605–1613. It cost 1,500,000 rupees to build and took 3 or 4 years to complete.

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Akbar's cenotaph inside the mausoleum, the real grave as per traditions lies below it

As Viceroy of India, George Curzon directed extensive repairs and restoration of Akbar's mausoleum, which were completed in 1905. Curzon discussed the restoration of the mausoleum and other historical buildings in Agra in connection with the passage of the Ancient Monuments Preservation Act in 1904, when he described the project as "an offering of reverence to the past and a gift of recovered beauty to the future". This preservation project may have discouraged veneration of the mausoleum by pilgrims and people living nearby.

Architecture and ornamentation

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Sideway of Akbar's tomb

The south gate is the largest, with four white marble chhatri-topped minarets, which are similar to (and pre-date) those of the Taj Mahal, and is the normal point of entry to the tomb. The tomb itself is surrounded by a walled enclosure 105 m square. The tomb building is a four-tiered pyramid, surmounted by a marble pavilion containing the false tomb. The true tomb, as in other mausoleums, is in the basement.

The buildings are constructed mainly from a deep red sandstone, enriched with features in white marble. Decorated inlaid panels of these materials and a black slate adorn the tomb and the main gatehouse. Panel designs are geometric, floral and calligraphic, and prefigure the more complex and subtle designs later incorporated in Itmad-ud-Daulah's tomb. There are four gateways in the tomb, which were built using red sandstone and design were inlaid using marble. The roof of the gateway has four kiosks. The magnificence of the gateway is inspired by the Buland Darwaza.

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A view of the garden around the tomb

Mariam-uz-Zamani, after the death of her husband, Akbar, laid a large garden around his tomb, which originally had an open baradari (pleasure pavilion) built during the reign of Sikander Lodi, in 1495 AD. After her death in May 1623, she was buried here near her husband's tomb and the baradari was converted into a fine mausoleum by her son, Jahangir. She stands as the only wife of Akbar buried closed to him.

The first floor of the tomb, has cloisters on four sides having arches, and has a hall where the tombstone of Akbar lies. The hall also consist tombstones of Shakr-un-Nissa Begum and Aram Banu Begum, the two daughters of Akbar.

Desecration of the tomb

Шаблон:Main During the reign of Aurangzeb, Jats rose in rebellion under the leadership of Raja Ram Jat. Mughal prestige suffered a blow when Jats ransacked Akbar's tomb, plundering and looting the gold, jewels, silver, and carpets. The grave was opened and the late king's bones were burned. This successful raid followed a previous unsuccessful attempt in 1685 and resulted in an escalation of the conflict between the Mughals and the Jats.

Gallery

• An unknown Lodi tomb in Akbar's tomb complex

  An unknown Lodi tomb in Akbar's tomb complex

• Barrel vault

  Barrel vault

• Front façade

  Front façade

• Circumferential gallery around the cenotaph

  Circumferential gallery around the cenotaph

• View of South Gate from interior

  View of South Gate from interior

• The Tomb of Akbar, c. 1905

  The Tomb of Akbar, c. 1905

• Main entrance of Akbar's tomb complex from inside

  Main entrance of Akbar's tomb complex from inside

• Tomb ceiling details, Tomb of Akbar, Sikandra

  Tomb ceiling details, Tomb of Akbar, Sikandra

• Inlay panels on the South Gate

  Inlay panels on the South Gate

• Calligraphy over the entrance to the main burial chamber

  Calligraphy over the entrance to the main burial chamber

• True Tomb of Akbar, at the basement of the tomb

  True Tomb of Akbar, at the basement of the tomb

• Kanch Mahal, built by Jehangir, as a harem quarter later used as a hunting lodge

  Kanch Mahal, built by Jehangir, as a harem quarter later used as a hunting lodge

• Inside work of Akbar's tomb

  Inside work of Akbar's tomb

• Entrance Arch (inside details) of main Cenotaph

  Entrance Arch (inside details) of main Cenotaph

• Akbar's tomb at basement

  Akbar's tomb at basement

See also

• Akbar
• Akbarnama
• Tomb of Mariam-uz-Zamani, tomb of the chief queen consort of Akbar

Further reading

• Шаблон:Cite book
• Шаблон:Cite book

External links

• ASI's page on Akbar's tomb
• A painting of the tomb by William Purser, engraved by J Rolph, as an illustration to Шаблон:Ws, a poem by Letitia Elizabeth Landon.