Английская Википедия:Alcancías

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Silvestre Revueltas in 1930

Alcancías (Penny Banks) is a composition for small orchestra by the Mexican composer Silvestre Revueltas, written in 1932. It is in three movements with a total duration in performance of about eight minutes.

History

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Alcancías, in the form of piggy banks, Feria de alfarería de Zamora 2012

Alcancías takes as its subject a very typical product of Mexican popular art, those multicolored pottery penny-banks, usually small and in the form of a pig or fish, which generally must be broken in order to remove the money inside.Шаблон:Sfn The work was composed in the first half of 1932, and was completed in July.Шаблон:Sfn

Instrumentation

Alcancías is scored for a chamber orchestra of piccolo, oboe, EШаблон:Music clarinet, BШаблон:Music clarinet, horn, 2 trumpets in C, trombone, timpani, percussion (xylophone, maracas, snare drum, suspended cymbals, güiro, bass drum) and strings. Despite the absence of the instrument in the score,Шаблон:Sfn cites Alcancías as one of several Revueltas compositions in which the tuba is prominent.

Analysis

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Alcancía in the form of an altar boy

Alcancías consists of three movements:

  1. Allegro
  2. Andante
  3. Allegro vivo

The first movement has a complex and unorthodox three-part architectural structure; the second, lyrical movement is in essence a folk song; and the last movement has the character of a lively traditional huapango.Шаблон:Sfn

An off-balance five-bar introduction featuring melodic fragments with strong accents on the off-beats leads to the opening theme of the first main section, a folk-like melody in parallel thirds.Шаблон:Sfn The movement can be described as modernist, angular, motoric, and tonally ambiguous. It is in a three-part, ABC form, in which each section consists of three smaller units. "It serves as an excellent example of Revueltas’s predilection for triple subdivisions and the creative way in which he applied and combined them to create extended, more elaborate forms".Шаблон:Sfn

The second movement is in a contrasting lyrical, tonal, and folk-like style, suggesting a melancholy canción ranchera. An eight-bar introduction is followed by a first verse (b. 9–31), an eight-bar interlude, a second verse (b. 40–59), and a concluding eight-bar coda.Шаблон:Sfn The scoring here features unison violins together with piccolo and oboe in thirds, and the E-flat clarinet entering after an oboe solo and a trio of horn, trumpet, and trombone.Шаблон:Sfn The strings and winds in the high register above a rumbling accompaniment creates a moment of tension that "extends beyond everything and suggests a disruption of the underworld".Шаблон:Sfn

In the third movement, Revueltas's chief goal is to place elements of Mexican popular music in the foreground. Formal aspects take a secondary place to the natural developmental unfolding of folk thematic material in the improvisatory manner characteristic of the huapango.Шаблон:Sfn

Recordings

  • Silvestre Revueltas: Música de camara. Alcancías; El renacuajo paseador; Ocho por radio; Toccata sin fuga; Planos. London Sinfonietta; David Atherton, conductor. Recorded November 1979, in London. LP recording, 1 sound disc: analogue, 33-⅓ rpm, stereo. RCA Victor MRS-019; Mexico: RCA Victor, 1980. This recording of Alcancías reissued as parts of:
    • Night of the Mayas: Music of Silvestre Revueltas. CD recording, 1 sound disc: analogue/digital, 4¾ in., stereo. Catalyst 09026-62672-2. [New York]: Catalyst, 1994.
    • Silvestre Revueltas, Centennial Anthology (1899–1999): 15 Masterpieces. CD recording, 2 sound discs: digital, 4¾ in., monaural/stereo. RCA Red Seal 09026-63548-2. New York: RCA Red Seal, 1999.

References

Шаблон:Reflist Sources

External links

Шаблон:Silvestre Revueltas Шаблон:Portal bar Шаблон:Authority control