Английская Википедия:Ali Loghmani
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Ali Loghmani (born in 1962, Mashhad) is an Iranian cinematographer who is known for his work on films by prominent Iranian directors such as Khosrow Sinai, Dariush Mehrjui, and Asghar Farhadi. Loghmani's works have been nominated for the best cinematography in Iranian festivals and have won some awards.[1]
Selected filmography
Year | Title | Role |
---|---|---|
1991 | In the Allies of Love (در کوچههای عشق) by Khosrow Sinai | Cinematographer, Editor |
1993 | Gizella (گیزلا) by Khosrow Sinai | Cinematographer |
1997 | Autumn Alley (کوچه پاییز) by Khosrow Sinai | Cinematographer |
1998 | Bead (مهره) by Mohammad Ali Sajjadi | Cinematographer |
2000 | Big Drum Under Left Foot (طبل بزرگ زیر پای چپ) by Kazem Masoomi | Cinematographer |
2000 | Birde of Fire (عروس آتش) by Khosrow Sinai | Cinematographer |
2000 | Djomeh (جمعه) by Hasan Yektapanah | Cinematographer[2] |
2001 | The Red Journey (سفر سرخ) by Hamid Farrokhnejad | Cinematographer |
2003 | Deep Breath (نفس عمیق) by Parviz Shahbazi | Cinematographer |
2004 | The Beautiful City (شهر زیبا) by Asghar Farhadi | Cinematographer |
2004 | The Tear of the Cold (اشک سرما) by Azizollah Hamidnejad | Cinematographer |
2006 | Talking With A Shadow (گفتگو با سایه) by Khosrow Sinai | Cinematographer |
2008 | Lady of Roses (بانوی گل سرخ) by Mojtaba Mirtahmasb | Cinematographer |
2010 | Tehran Tehran (طهران تهران) by Khosrow Sinai | Cinematographer |
2011 | Alzheimer (آلزایمر) by Ahmadreza Motamedi | Cinematographer |
2012 | The Rooster Trademark Paper (کاغذ خروسنشان) by Maryam Milani | Cinematographer |
2012 | Needlessly and Causelessly (بیخود و بیجهت) by Abdolreza Kahani | Cinematographer |
2015 | The Rainbow Island (جزیره رنگین) by Khosrow Sinai | Cinematographer |
References
External links
- Ali Loghmani at CIC (Chronography of Iranian Cinema)
- Шаблон:IMDb name
- Ali Loghmani at Imvbox
- Ali Loghmani at BFI
- Ali Loghmani Films Presented at Cannes
- Variety | A Review of The Beautiful City with a comment on Loghmani's work
- Film Journal | A review of Djomeh with a comment on Loghmani's work