Английская Википедия:Amar (1954 film)

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Шаблон:Short description Шаблон:Use dmy dates Шаблон:Use Indian English Шаблон:Infobox film

Amar (Шаблон:Translation) is a 1954 Indian Hindi-language romantic drama film produced and directed by Mehboob Khan.[1] Dealing with the controversial subject of rape, the film revolves around the titular upper-class lawyer (Dilip Kumar), his feminist fiancé, the social worker Anju Roy (Madhubala), and Sonia (Nimmi), a poor milkmaid.[1]Шаблон:Sfn

Plot

Amarnath (Dilip Kumar), a well-known lawyer, is known for his sense of justice. One day, he meets Soniya (Nimmi), a milkwoman. She is awed by him and he finds her interesting. Amar's father wants him to get married and sends him Anju's (Madhubala) photograph. Anju has graduated from a foreign university and believes in justice and aiding the poor. Both she and Amar take a liking to each other and they are soon engaged. One night, after attending a local fair, Soniya is attacked by the local ruffian Shankar (Jayant) who wants to possess her at any cost. In a bid to escape him, Soniya runs heedlessly into Amar's house as a thunderstorm begins. In the lonely house, Amar ends up raping Soniya. Amar's conscience torments him as he tries to hide his misdeed and proceed with his engagement to Anju. Anju senses something is amiss, but cannot fathom what it is. Meanwhile, it is revealed that Soniya is pregnant. She refuses to name the father of her child and is cast out by the villagers as a fallen woman. Shankar manages to figure out who the father of Soniya's child is and wants to avenge her. He ends up dying by his own hands. Amar is accused of murdering him and the truth regarding him and Soniya comes out. The villagers eventually want to lynch Soniya. Anju supports and protects her. In the end, she ensures that Amar officially marries Soniya and leaves the village once her duty is done.

Cast

Production

For the role of Anju Roy, Mehboob Khan had initially cast the actress Meena Kumari. However, due to some reasons, Kumari could not continue shooting and left the film. Following Kumari's departure, the shooting came to a halt and several actresses made unsuccessful tries to achieve the high-profile role. In late 1952, Raj Kapoor phoned Khan requesting him to cast Nargis (whom Kapoor was dating then) in the role. However, at this time, there was a considerable amount of lobbying from Kumar's side also, to take Madhubala in the film. Finally, Khan had to refuse to Kapoor and choose Madhubala on Kumar's insistence.Шаблон:Sfn

Soundtrack

Шаблон:Infobox album The music was composed by Naushad with lyrics by Shakeel Badayuni.

Song Singer(s) Music Director Lyricist Actor(s)
Tere Sadake Balam Na Kar Koi Gam Lata Mangeshkar Naushad Shakeel Badayuni Dilip Kumar, Madhubala
Insaaf Ka Mandir Hai Ye Bhagavaan Ka Ghar Hai Mohammed Rafi Naushad Shakeel Badayuni Dilip Kumar,Madhubala
Na Milta Gham Tau Barbadi Ke Afsaane Kahan Jaate Lata Mangeshkar Naushad Shakeel Badayuni Dilip Kumar, Nimmi
Naa Shikwa Hai Koyi Naa Koyi Gila Hai Lata Mangeshkar Naushad Shakeel Badayuni Dilip Kumar,Madhubala
Jaane Vaale Se Mulaqat Na Hone Payi Lata Mangeshkar Naushad Shakeel Badayuni Dilip Kumar,Madhubala
Khamosh Hai Khewanhar Mera Lata Mangeshkar Naushad Shakeel Badayuni Dilip Kumar, Nimmi
Umangon Ko Sakhi Pi Ki Nagariyaa Kaise Le Jaaun Lata Mangeshkar Naushad Shakeel Badayuni Nimmi
Uudi Uudi Chhaai Ghataa Jiyaa Laharaaye Lata Mangeshkar Naushad Shakeel Badayuni Nimmi
Ik Bat Kahun Mere Piya Sun Le Asha Bhosle Naushad Shakeel Badayuni Dilip Kumar, Nimmi
Radha Ke Pyare Krishina Kanhai Asha Bhosle Naushad Shakeel Badayuni Nimmi
Dance Music (Amar) Naushad

Release

Critical reception

Amar was released on 10 September 1954 to positive reviews.Шаблон:Sfn Baburao Patel, the editor of Filmindia, called it "a brilliant picture with a gripping human story superbly directed and acted with flawless perfection. A masterpiece of film craft."Шаблон:Sfn Swatantrata magazine was highly impressed by Khan's direction and commented that "Mehboob can really be proud of this achievement."[3] The magazine also defended Kumar's anti-hero role, quoting Jawaharlal Nehru as "films must amuse and at the same time educate."[3] Deepak Mahaan of The Hindu lauded the film for its characterization of strong female protagonists and photography of rape scenes without any nudity.[2] Mahaan added: "The black and white canvas lent the story a quiet dignity, appropriate to the ethical tussle between truth and desire, moral turpitude and justice."[2] In a retrospective review, Khalid Mohammed noted that the protagonists were not portrayed as "snow-white paragons of virtue" but are instead shown with "human weaknesses", which is a rarity in Indian cinema.Шаблон:Sfn Also, Amar is stated to be the most favourite film of Khan.[4] In 2019, Rachit Gupta of Filmfare mentioned Madhubala's portrayal of Anju among her finest performances.[5] Actor Naseeruddin Shah called Dilip Kumar's performance in Amar as one of his favourites.[6]

Box office

Trade website Box Office India reported that Amar grossed Шаблон:INRConvert at the box office and was a below-average earner at box-office.[7] Mahaan and Karan Bali subsequently attributed the film's controversial subject matter to its poor box office earnings.[2][4]

Accolades

References

Шаблон:Reflist

Bibliography

External links

Шаблон:Mehboob Khan

Партнерские ресурсы
Криптовалюты
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  1. ↑ 1,0 1,1 1,2 1,3 1,4 1,5 1,6 Шаблон:Cite web
  2. ↑ 2,0 2,1 2,2 2,3 2,4 2,5 2,6 2,7 Шаблон:Cite news
  3. ↑ 3,0 3,1 Шаблон:Cite book
  4. ↑ 4,0 4,1 Шаблон:Cite web
  5. ↑ Шаблон:Cite web
  6. ↑ Шаблон:Cite web
  7. ↑ Шаблон:Cite web
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