Английская Википедия:American Bank Note Company Printing Plant

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The American Bank Note Company Printing Plant is a repurposed printing plant in the Hunts Point neighborhood of the Bronx in New York City. The main structure includes three interconnected buildings.[note 1] The Lafayette wing, spanning the south side of the block, is the longest and tallest, incorporating an entrance at the base of a nine-story tower. The lower, but more massive, Garrison wing is perpendicular to that. These two were built first, and constitute the bulk of the complex. Prior to American Bank Note purchasing the property, the land on which the printing plant was built had been part of Edward G. Faile's estate.

The plant was built in 1909Шаблон:Ndash1911 by the American Bank Note Company contemporaneously with their corporate headquarters at 70 Broad Street, Manhattan. The design by Kirby, Petit & Green (who also designed the Broad Street building) incorporated advanced engineering ideas such as the sawtooth roof and large windows for improved lighting, unit drive electric motors in lieu of line shafts, and increased electrical capacity; layout was based on a design philosophy of specifying the production lines first, followed by the building which could enclose them. A small detached garage at the rear of the block was added in approximately 1911 and the Barretto wing was added to the west side of the property in 1912. Several building expansions took place between 1912 and 1928.

A wide variety of financial documents, including international currency, were printed at the plant. At one point, over five million documents were produced per day, including half the securities being traded on the New York Stock Exchange. Although the plant printed money for countries around the world, it was best known for producing currencies for countries in Latin America. The plant also housed a research department which worked to improve materials and processes to deter forgeries.

The plant was the target of a terrorist bombing in 1977 with the site chosen specifically because it was printing currency for Latin American countries. The facility was used by American Bank Note until about 1984 after which the property has changed hands several times, undergone a series of renovations, and been designated a New York City landmark. Шаблон:As of it has been subdivided, with major tenants including the John V. Lindsay Wildcat Academy Charter School and the New York City Human Resources Administration.

Previous land use

Historical photograph of Woodside Mansion with trees surrounding it. The front of the house has six columns in the Doric style, two stories tall. The ground slopes up gently from the photographer's location to the building.
Woodside Mansion, sometime before 1913 (New York)

Until the late 19th century, the land where the plant stands was part of the village of West Farms in Westchester County.[1] The area that is now the Barretto Street block was part of the Шаблон:Convert[2] estate of wealthy tea merchant Edward G. Faile, where the Faile Mansion (known as Woodside) was built in 1832.[3]

The area was annexed to New York City in 1874.[4] In 1904, the estate was sold to the Central Realty, Bond & Trust Company for about $1Шаблон:Nbspmillion (equivalent to $Шаблон:Format price in Шаблон:Inflation/year),Шаблон:Inflation/fn including 1,299 lots "bounded by Dongan Street, Intervale Avenue, Southern Boulevard, Longwood Avenue, Lafayette Avenue, Hunt's Point Road, Gilbert Place, and the Bronx River".[5] In September 1908, a portion of the estate comprising "over 400 lots" was acquired by the George F. Johnson's Sons Company, a real-estate developer building two-family houses in the Bronx.[6] In November of that year, 123 lots were resold to American Bank Note, including "all the property on the northerly side of Lafayette Ave, from Manida St. to the tracks of the New York, New Haven, and Hartford RailroadШаблон:Nbsp... all the property on both sides of Garrison Ave, from Manida St. to Lafayette AveШаблон:Nbsp... all the property between these boundaries except eighteen lots on Manida StreetШаблон:Nbsp... upon which two-family houses are being erected."[7] In 1910, the size of the Barretto Street block was increased as a result of a land swap between American Bank Note and the city government. The block gained a strip of land on the northeast side of the property and Barretto Street was moved slightly north of its original location.[8]Шаблон:Rp

Land acquisition and construction

The American Bank Note Company was formed on April 29, 1858, when seven large engraving firms (Toppan, Carpenter & Co.; Rawdon, Wright, Hatch & Edson; Danforth, Perkins & Co.; Jocelyn, Draper, Welch & Co.; Wellstood, Hay & Whitney; Bald, Cousland & Co.; and John E. Gavit) merged.[9] The combined company's first printing plant was at Wall and William Streets, Manhattan, in a building which would later become the United States Custom House and eventually National City Bank.[10]Шаблон:Rp They moved to 142 Broadway in 1867 and to 86 Trinity Place in 1884.[11]Шаблон:Rp By 1908 they had plants on Trinity Place, on Sixth Avenue, and other locations in Manhattan[12] as well as in Boston and Philadelphia.[13]

In 1908, American Bank Note built a new building at 70 Broad Street, Manhattan, into which they moved their administrative and sales offices. In parallel with this effort, the company was looking for a separate location into which they could move their production facilities; they felt that housing administration and production in separate locations would increase efficiency.[14]Шаблон:Rp The search culminated in the 1908 purchase of a large tract of land including the Barretto Street block from George Johnson.[15] In his 1913 history of the Bronx, Harry Cook noted that "The choice of its present site in the Hunt's Point section of the Bronx was the result of a [thorough] canvas of all the available sections in Greater New York".[16]Шаблон:Rp One factor in the site selection was proximity to the New York, New Haven and Hartford Railroad line; discussions were held with the railroad to ensure they would be able to handle the plant's "considerable freight delivery needs" totaling Шаблон:Convert per year of paper and other supplies.[8]Шаблон:Rp

The sale closed on November 20, 1908. The New York Times wrote that they expected the Trinity Place plant would be sold once the new Bronx facility was in operation. The total cost for the project was to be greater than $2Шаблон:Nbspmillion ($Шаблон:Format price in Шаблон:Inflation/year), with American Bank Note having a current capitalization of $10Шаблон:Nbspmillion ($Шаблон:Format price in Шаблон:Inflation/year).Шаблон:Inflation/fn Wages for most employees were to be $40 to $75 ($Шаблон:Inflation to $Шаблон:Inflation in Шаблон:Inflation/year)Шаблон:Inflation/fn per week for "the highest class of skilled labor",[13] and construction plans included housing for the workers. Robert E. Simon of the Henry Morgenthau Company estimated that within two or three years of American Banknote's relocation, taxable values in the neighborhood would increase by $5Шаблон:Nbspmillion ($Шаблон:Format price in Шаблон:Inflation/year).Шаблон:Inflation/fn[13] It was anticipated that 2,500 to 3,000 people would be employed initially, with the plant being sized to accommodate growth to 5,000.[15]

American Bank Note engaged the architecture firm of Kirby, Petit & Green (who also designed the company's downtown headquarters) for the building design.[17] Kirby, Petit & Green designed several printing plants around this time, including San Francisco's Hearst Building in 1908, housing the printing plant for the San Francisco Examiner, and a plant in Garden City, Long Island, for the Country Life Press in 1910.[14]Шаблон:Rp The firm was preparing preliminary plans before the land purchase was completed.[13]

Pictorial drawing of proposed building. Two long wings run along Garrison Ave and Lafayette Ave, on opposite sides of the plant. The Lafayette side has two tall towers. The Garrison side has what appears to be a large entrance in the center. The on-image caption reads "New Buildings to be Erected by American Bank Note Company in the Bronx on Block Bounded by Garrison and Lafayette Avenues, Tiffany and Barretto Streets –Kriby, Petit & Green, Architects"
Design drawing based on Kirby, Petit & Green large-scale model, as published by The New York Times. 1909 (New York)
Perspective drawing of a building, labeled "An Ideal Printing Plant" (Fred S. Hinds, Architect and Engineer, Boston). The front portion of the building is nine bays wide, two bays tall, and four bays deep. The central section has an entranceway surmounted by a three bay tall tower. The rear section of the building is much larger in area, but lower, and has a sawtooth roof. The on-image caption reads, "As described in the text, this establishment is intended for a suburban location and concrete construction. The sketch indicates the large window space, economy of building material and architectural detail appropriate to concrete. While various modifications may be necessary to meet special conditions, the general plan for office front and one-story workrooms is ideal for economical and fireproof construction and efficiency in the conduct of business."
Concept drawing, published by The Cement Age. 1909 (New York)

Design evolution

The New York Times reported on May 23, 1909, that construction was "about ready to begin",[15] describing a design which was abandoned before the end of that year.[8]Шаблон:Rp This initial design included a long wing[note 1] running the length of the Lafayette Avenue frontage, where the engraving and lithographing departments would be housed. Two additional wings, running along the Tiffany and Garrison sides of the property, would enclose a storage building in the V-shaped central area. Each of these wings was an independent structure, with all four buildings interconnected.[15] By this time, a large-scale model had already been constructed based on this initial design although the Times said that the design represented by the model might still "be subjected to some minor changes".[15]

A 1909 article published in Printing Art (reprinted in The Cement Age), described a prototype design for "an ideal printing plant".[18] The final design appears to have been influenced by this, as the constructed plant more closely resembles this "ideal" design than the original one shown in the New York Times article.[8]Шаблон:Rp The design change was driven by the tenets of the newly emerging field of industrial engineering; rather than build standardized buildings which were then filled with machines, the machine spaces were designed to optimize production, and then the buildings were designed to enclose the production lines.[8]Шаблон:Rp

The original plan provided for a single entrance to the building complex, about which the Times wrote, "This, of course, is made necessary by the character of much of the company's business; but an entire block of buildings without a rear entrance or a side door is certainly entitled to rank as a structural novelty."[15] In contrast to the Times, the Landmarks Preservation Commission noted in their 2008 report that this single-entrance configuration, "though characteristic of nineteenth-century industrial design, was not particularly adapted to the needs of the American Bank Note Company operation."[14]Шаблон:Rp As built, the Tiffany Street entrance is recessed behind four arched openings on the west façade, which also includes a loading dock spanning most of the west side of the building.[8]Шаблон:Rp

Initial configuration

View of the Lafayette Avenue façade, looking east. In this 1911 photo, the building has only its original three stories, making the mid-block tower twice as tall as the rest of the building. Sidewalks and fire hydrants are installed, but the streets are still unpaved.
Exterior view in 1911 from the intersection of Lafayette Avenue & Tiffany Street, looking northeast. The Lafayette wing is in its original configuration, before the fourth story was added. Photographer is believed to have been Irving Underhill.

The initial 1911 construction consisted of only two buildings: the long and tall but narrow office wing along Lafayette Avenue, and the large press building at right angles to it.[8]Шаблон:Rp Several additions were made over the next few years. Typical of printing plants, the buildings have an open plan, concrete floors, and high ceilings to accommodate large presses.[19] Column spacing is Шаблон:Convert in places, with floors typically rated for Шаблон:Convert live loads. Some areas have Шаблон:Convert ceilings.[20]Шаблон:Rp The buildings sit on a roughly pentagonal block bordered by Garrison Avenue, Tiffany Street, Lafayette Avenue, and Barretto Street, with Barretto curving to form two sides.[19][20] In 1913, Harry Cook described the plant as "mammoth".[16]Шаблон:Rp The New York Times wrote in 1992 that the site had an "unabashedly industrial look"[19] and noted that Architecture & Building Magazine had referred to its "arsenal-like appearance with a pervading sense of strength and security".[19] The site included 200 presses, a private restaurant, hospital, laundry, machine and carpenter shops, and laboratories where special inks were formulated.[8]Шаблон:Rp

The electrical requirements were exceptional for the day, and required special provisioning by the New York Edison Company. In addition to lighting, loads included 500 motors (compared to 300 at the Trinity Place plant) driving the presses, pumps, and other machinery. The switchgear was in the basement.[11] The plant was designed to use individual electric motors to drive each press ("unit drive"), as opposed to the drive line shafting system in common use. Unit drive was an advanced technology for the time, only becoming widespread in the 1920s. The design of the building included a large amount of conduit and wiring to support the motors' electrical feeds.[8]Шаблон:Rp

Detail of the easternmost three bays of the Lafayette elevation, showing three original stories and fourth story added in 1925.
Lafayette Avenue elevation, showing southern-exposure window detail and the fourth story added in 1925.

Шаблон:Multiple image The Lafayette wing is a tall but narrow building which originally contained offices and workrooms for plate preparation; the façade runs the full length of the Lafayette Avenue frontage, almost Шаблон:Convert.[8]Шаблон:Rp In the center of the block is a nine story tower. As Lafayette Avenue slopes down to the west, the left-most portion of the building exposes several basement levels to the façade.[8]Шаблон:Rp The exterior is brick, with a structural framework of steel, allowing for wide unbroken arches filled with glass. It was originally constructed as three stories, three bays deep, with large windows topped by arches on the third story.[8]Шаблон:Rp The use of round arches and recessed brick spandrels were common in New York City industrial architecture of the late 19th century, evoking the German Rundbogenstil style of the 1830s and 1840s.[8]Шаблон:Rp Although the building used modern incandescent and arc lighting,[21] the large windows also allowed daylight, necessary for visual inspection of detailed color printing work, to flood into the building. The steel framework allowed three times the window area as would have been possible in an all-brick structure.[21]

A three-story printing press building (now known as the Garrison wing) is at right angles to the Lafayette wing; it has larger open spaces, heavier floor slabs, and taller ceilings to accommodate the presses. The lower floor of this building included a vault for storing over 130,000 printing plates. The presses were on the upper floor; the saw-tooth roof incorporated many windows to supply natural illumination for inspecting plates and printed documents.[8]Шаблон:Rp The saw-tooth roof design had long been used in England because it admitted glare-free light through its north-facing windows but had been avoided in North America due to concerns about supporting snow loads, leakage, and condensation. It was only in the early part of the 20th century that engineering improvements made this type of roof practical in colder climates.[8]Шаблон:Rp

The area to the west of the press building, along Tiffany Street and Garrison Avenue, originally had manicured lawns, a curved driveway, and a pedestrian walk flanked by lampposts. The lawns have since been turned into a paved parking lot, and most of the lampposts have been removed.[8]Шаблон:Rp

Subsequent additions

Шаблон:Multiple image

In 1910, a detached garage designed by Kirby, Petit & Green was built at the corner of Garrison Avenue and Barretto Street. The garage, expanded to twice its original size in 1928 to provide space for ink production,[8]Шаблон:Rp[22] is now known as the North Building.[20] In 1912, architect H. W. Butts added a single-story addition along the Barretto Street side of the property to hold a laundry and pulp mill,[8]Шаблон:Rp estimated to cost $12,000 ($Шаблон:Inflation in Шаблон:Inflation/year).[23]Шаблон:Inflation/fn In 1925, a fourth story, only two bays deep, was added to the top of the Lafayette building, using materials that closely matched the style of the original.[8]Шаблон:Rp The Barretto addition was raised to three stories in 1928, by architect Oscar P. Cadmus, providing space for additional presses and a machine shop.[8]Шаблон:Rp[21] In the 1928 configuration, the buildings total Шаблон:Convert of floor space, occupying a Шаблон:Convert block.[20]

In addition to the buildings on the landmark block, American Bank Note developed other properties in the immediate area. In 1913, an employee welfare and research building was erected on Lafayette Avenue, on the other side of Barretto Street, also designed by H. W. Butts. A distribution center was added in 1925 and a paper storage warehouse in 1949. These additional buildings are mentioned (with their exact location and current disposition unspecified) in the Landmarks Preservation Commission report of 2008, but explicitly excluded from the landmark designation.[8]Шаблон:Rp

Operations

Dutch banknote. In the center is an oval portrait of an elderly woman. Legend on the bottom says "Een Gulden" (One Guilder / Legal Tender). Uitgegeven Krachtens Koninklijk Besluit van Februai 1943, no. 2" (Issued pursuant to Royal Decree of February 1943, No. 2). American Bank Note Company" is printed in small letters on the bottom margin.
Dutch Guilder printed in this plant.

In the 1960s, the plant was processing over 5 million pieces of paper a day, and printing half of the securities of the New York Stock Exchange.[17] Production included bank notes, postage and revenue stamps, stock and bond certificates, checks, traveler's checks, letters of credit,[8]Шаблон:Rp lottery tickets,[24] and food stamps.[19] Although the plant printed money for 115 countries around the world, it was best known for producing currencies for Latin America, including Mexico, Brazil, Costa Rica, Ecuador, Haiti, and Cuba.[24] The printing operation was organized into several divisions. Stocks, bonds, and postage stamps were handled by the engraved currency and steel plate divisions. A separate typographic division produced catalogs, booklets, folders, maps, railroad tickets and marketing materials for railroads, steamship lines and others.[8]Шаблон:Rp The plant produced its own special rag paper as well as the boxes used for shipping its completed products. Printed materials were first wrapped in paper, then encased in metal containers which were sealed with solder to make them waterproof, then inserted into the tightly fitting custom boxes.[25]Шаблон:Rp

The company employed, according to New York Times columnist Meyer Berger, the world's most skilled engravers who served apprenticeships of ten years or longer. Some came from families which had been in the business for three or four generations. In 1958, the chief engraver was Will Ford, who had been with the company for 46 years.[25]Шаблон:Rp In 1963, there were 33 engravers on staff; they employed a house style favoring "folded robes, bare-chested men, and half-naked women who seem to be a cross between a Wagnerian soprano and the White Rock nymph." This was driven by stock exchange regulations which required stock certificates to include an image of "a human figure with visible areas of flesh" as these, along with the details of folded robes, were considered the hardest for a counterfeiter to duplicate.[26]

The company prided itself on having the best-equipped plant and most advanced research program in the industry, as well as employing the finest designers, engineers, and printers to whom it offered an advanced employee welfare program.[14]Шаблон:Rp An unusual job title at the company was counterfeiter; the job entailed attempting to produce copies of the company's own products.[19][10]Шаблон:Rp When attempts were successful, better engraving, paper, or inks were incorporated into the products, to increase the difficulty of fraudulently reproducing the documents.[19][25]Шаблон:Rp The counterfeiting office was in the tower (behind locked doors). One official counterfeiter was Will Ford's father, William F. Ford.[25]Шаблон:Rp

Physical security included counting each piece of paper 33 times as it progressed from raw material to finished product. Items which failed quality inspections were burned in a furnace. A high level of security was necessary not just to prevent theft, but also to keep from leaking information about jobs. Events such as stock splits or issuance of bonds could involve orders for printing new certificates months in advance of the announcement; these print jobs were closely guarded secrets to prevent untimely disclosure of customers' plans.[26]

Ace of Spades, King of Diamonds, Joker, and reverse design from a deck of playing cards.
American Bank Note Co. playing cards, design No. 502. 1910 (New York)

One of the company's less successful ventures was playing cards, which they produced for six years starting in 1908. Although the company's financial documents were of the finest quality their playing cards were not, lacking an opaque inner layer, thus allowing the face of a card to be read from the back if held in a strong light. The playing card business was sold to the Russell Playing Card Company in 1914.[27]

Bombing

On March 20, 1977, the complex was damaged by a bomb planted by the FALN, a Puerto Rican terrorist group which had chosen to attack the plant because of its role in what they deemed "capitalistic exploitation".[28] The explosive device, placed near the Lafayette Avenue entrance, broke windows as high as the fourth floor. This was one of two FALN attacks that day, the other being to the FBI Manhattan headquarters, where one person received minor injuries.[29] A letter from the FALN claiming responsibility stated that the plant was targeted as a symbol of "Yanki repression and exploitation":[30]

Шаблон:Quote

These were the fiftieth and fifty-first attacks attributed to the group in the previous three years.[29] The next day, a second bomb threat against the plant was phoned into the Daily News. This turned out to be a hoax by a local resident who was distraught over personal issues. The man drove up to the plant while the police were sifting through rubble from the previous day's attack, announced that he had a hand grenade, and dropped it. The grenade failed to explode and was found to be a harmless practice device.[31]

Post-Bank Note

By 1984 or 1985 (sources differ), with the plant having only about 500 employees, American Bank Note moved their printing facilities to a new site in Blauvelt, New York.[8]Шаблон:Rp[19][32] In 1985, the site was purchased by Walter Cahn and Max Blauner who repurposed it as the Bronx Apparel Center. The purchase and renovation costs totalled $8.3Шаблон:Nbspmillion ($Шаблон:Format price in Шаблон:Inflation/year)Шаблон:Inflation/fn The center occupied Шаблон:Convert (about one third of the site), housing several tenant companies in the clothing and fabric industry.[33] The Bronx Academy of Arts and Dance also had space in the building during this time.[34] Other tenants included a wine cellar and a homeless shelter, along with art and photography studios.[21][35] Rents for the first tenants averaged $3.50 ($Шаблон:Format price in Шаблон:Inflation/year) per square foot.[33]

In 1997, the John V. Lindsay Wildcat Academy Charter School opened their Hunts Point campus in the complex, occupying the fourth through sixth floors[note 2] of the Lafayette wing.[36][37] The campus, which serves ninth and tenth grade students, includes the school's culinary internship program, the student-run JVL Wildcat Café and a hydroponics garden.[38][39] The space was renovated in 2005 using a $1Шаблон:Nbspmillion grant from the Charles Hayden Foundation,[40] at which time they added a Шаблон:Convert "professional-grade" kitchen for their new culinary program.[37] The school renewed their lease in 2009, citing the 2005 improvements as a major factor in their decision to renew. The initial asking price was about $25 per square foot, although the final agreed rent was not made public.[40]

The Bronx Academy of Arts and Dance had their first home in the complex in 1998,[41] converting a previously vacant area into a 70-seat space for performances and workshops.[42] There they hosted the Arthur Aviles Typical Theatre dance company, with roots in Latino and LGBTQ cultures.[34][43][44] An anchor tenant with a long-term low-rent lease, they attracted other artists, who occupied spaces ranging from Шаблон:Convert studios to entire floors.[42] The deal was catalyzed by The Point, a neighborhood community development group. The Point recruited several local artists to lease Шаблон:Convert studios[32] (another source says 600)[42] in the building for $375 ($Шаблон:Format price in Шаблон:Inflation/year) per month in exchange for the building's owners donating space to the dance company, which at the time was using The Point's building across the street. Aviles stated a desire to sign a ten-year lease in the building.[32]

In 2002, Lady Pink organized a group of female graffiti artists to paint an anti-war mural on a brick wall on the Barretto Street side of the property.[35][45]Шаблон:Rp The group revisited the site for several years. In 2013, the wall was torn down by the site's new owners.[35]

The site was purchased by Taconic Investment Partners and Denham Wolf Real Estate Services in January 2008[46] for $32.5Шаблон:Nbspmillion ($Шаблон:Format price in Шаблон:Inflation/year); they invested another $37Шаблон:Nbspmillion ($Шаблон:Format price in Шаблон:Inflation/year)Шаблон:Inflation/fn on renovations.[47] Denham Wolf had a history of working with nonprofit and arts groups. The New York Times reported that "the new owners hope to make the building into a mecca for cultural groups that have been priced out of Manhattan".[46] Rents were estimated to be $20 to $30 per square foot, with the possibility of tax breaks reducing that number. At the time, comparable rents were in the mid $30s to $40 elsewhere in the Bronx and around $50 in midtown Manhattan.[46]

In 2010, the Sunshine Business Incubator began operations in the site, occupying Шаблон:Convert.[48] Small business and startups could rent small amounts of space (as little as just one desk), with access to shared facilities such as meeting rooms, and a reception area. Leases were available on a month-to-month basis.[49][50] The incubator targeted startups in the fields of new media, technology, biomedicine, healthcare and professional services.[49] In his 2014 State of the Borough address, borough president Ruben Diaz Jr. spoke of a "transformation" taking place in the Bronx, with economic growth from new businesses moving into the borough. He noted that the building housed the Sunshine Business Incubator which had "helped over 70 small companies take root through shared space and creative partnerships" as part of the "New Bronx".[51] Sunshine left the Bank Note building in 2014 with eight years left to run on its lease, and ceased operations completely in 2016.[52][53]

In 2013, the Bronx Academy of Arts and Dance left the building when Taconic Investment Partners refused to extend their lease at the current rate, instead offering a one-year extension at double the rent. According to Academy co-founder Charles Rice-Gonzalez, Taconic "failed to keep a promise it made when it bought the building five years ago, to maintain the building's character as a mecca for the arts in Hunts Point".[54] Rice-Gonzalez also said that Taconic initially demanded a payment equal to six months rent and threatened legal action when the Academy moved out before the expiration of their lease, although they ultimately withdrew that demand.[54]

The New York City Human Resources Administration (HRA) signed a 20-year lease in 2013, intending to move into approximately half of the Шаблон:Convert available space in the complex.[35] The move was completed in late 2014, combining existing offices at four locations to provide services to 1,700 clients daily in the areas of child support enforcement, home health care, Medicaid, food stamps, and HIV/AIDS assistance from this single location. Local 371, which represents the HRA employees, was opposed to the move, citing transportation issues and an inadequate number of bathrooms in the building. Bronx Community Board 2 was also opposed to the move with district manager Rafael Salamanca noting concerns over police presence and street lighting.[55]

Taconic Investment Partners sold the site to a partnership of two real estate investment firms, Madison Marquette and Perella Weinberg, for $114Шаблон:Nbspmillion ($Шаблон:Format price in Шаблон:Inflation/year)Шаблон:Inflation/fn in 2014.[47] Шаблон:Asof, Madison Marquette manages the building, which it markets as The BankNote.[20] In 2015, The Real Deal described the building as "one of the most architecturally distinctive office properties in the Bronx".[56]

Landmark status

Close-up photo of Lafayette building tower. Visible are rooftop parapets arched windows with decorative corbels.
Detail of the tower

The New York City Landmarks Preservation Commission designated the site as a New York City landmark in 2008, observing that it was "one of nearly 200 factories and related sites that the Commission has named as landmarks since 2002, as part of its goal to preserve the City's industrial heritage."[17] A commemorative plaque installed in the Lafayette Avenue entrance lobby calls out the "crenellated tower", "massive brick piers", and "saw-tooth skylights" as significant architectural details.[57] Landmarks Commission Chairman Robert B. Tierney was quoted in the official announcement as saying:[17]

Шаблон:Blockquote

The announcement also cited "monumental arcades", the "Gothic-inspired details", and the "crenellated parapet of the central tower" as significant architectural features.[17] The building design emphasizes security by deliberately limiting access to a single entrance, despite having over Шаблон:Convert of street frontage.[58] Benika Morokuma, of the Municipal Art Society described the building in her testimony supporting the landmark designation:[59]

Шаблон:Blockquote

Transportation

The building is adjacent to the New Haven & Hartford R. R. tracks (now the Hell Gate Line of the Northeast Corridor). When the plant was built, the railroad constructed a freight spur to serve the property.[12] Шаблон:As of, the Penn Station Access project is expected to provide Metro North service from a new Hunts Point station, which is expected to be completed by 2027.[60]

The site is one block away from Bruckner Boulevard with private parking adjacent to the Garrison wing.[20] The nearest subway stations are Hunts Point Avenue and Longwood Avenue, providing access to Manhattan via the Шаблон:NYCS trains. The Bx6 bus line runs along Hunts Point Avenue. Bicycle access is via the South Bronx Greenway.[61]

See also

Notes

Шаблон:Reflist

References

Шаблон:Reflist

External links


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