Английская Википедия:Anne Bauchens

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Шаблон:Short description Шаблон:Infobox person Anne Bauchens, born Roseanne Bauchens, (February 2, 1882 – May 7, 1967) was an American film editor who is remembered for her collaboration over 40 years with the director Cecil B. DeMille. In 1940, she won the Academy Award for film editing.

Personal life

Originally Roseanne Bauchens, she was born in St. Louis, Missouri, to Otto Bauchens and Louella McKee. She had a brother named Harry. She never married.

Hollywood career

Bauchens was trained as an editor by DeMille,[1] and shared her first credit with him on the film Carmen (1915). Prior to 1918, DeMille had edited, as well as directed, his films.[2] After Carmen and We Can't Have Everything (1918), Bauchens no longer shared the editing credits with DeMille. She edited DeMille's films for the rest of their long careers, through the film The Ten Commandments (1956).

When the Academy Award for Best Film Editing was created in 1934, Bauchens received one of the three nominations for her editing of Cleopatra. She later won the Academy Award for North West Mounted Police (1940) and became the first woman to win the Oscar in that category. She was nominated for the Academy Award for Film Editing again twice, first for The Greatest Show on Earth (1952) and then for The Ten Commandments (1956). In total, Bauchens is credited with editing on 43 films directed by DeMille and on 20 films with other directors.[3]

Despite her long career and her series of awards, the characterizations of Bauchens as an editor are not invariably flattering. Margaret Booth, another film editor, has been quoted as saying in 1965 that "Anne Bauchens is the oldest editor in the business. She was editing for years before I came into the business. DeMille was a bad editor, I thought, and made her look like a bad editor. I think Anne really would have been a good editor, but she had to put up with him — which was something."[4]

Filmography

NOTE: Some films were released/premiered at the end of a given year, but not copyrighted until the beginning of the following year. The sources themselves are inconsistent as to which date they applied to a given film. Either date might be used in the title of its corresponding Wikipedia article.

Anne Bauchens filmography
Year Title Notes (as editor unless otherwise noted) Шаблон:Abbr
1915 Carmen Paramount Pictures [4]
1918 The Squaw Man Famous Players Lasky
Editor and director
[5]
1918 We Can't Have Everything Famous Players Lasky [6]
1918 Till I Come Back to You Famous Players Lasky [7]
1919 For Better, for Worse Famous Players Lasky [8]
1919 Male and Female Famous Players Lasky [9]
1919 Don't Change Your Husband Famous Players Lasky [10]
1920 Why Change Your Wife? Famous Players Lasky [11]
1920 Something to Think About Famous Players Lasky [12]
1921 Forbidden Fruit Famous Players Lasky [13]
1921 The Affairs of Anatol Famous Players Lasky Шаблон:Sfn
1922 Saturday Night Famous Players Lasky Шаблон:Sfn
1922 Fool's Paradise Famous Players Lasky Шаблон:Sfn
1922 Manslaughter Famous Players Lasky [14]
1923 Adam's Rib Famous Players Lasky Шаблон:Sfn
1923 The Ten Commandments Famous Players Lasky [15]
1924 Feet of Clay Famous Players Lasky Шаблон:Sfn
1924 Triumph Famous Players Lasky [16]
1925 The Golden Bed Famous Players Lasky Шаблон:Sfn
1925 The Road to Yesterday De Mille Pictures Corp. [17]
1926 The Volga Boatman Cecil De Mille Pictures Corp. [18]
1927 The King of Kings De Mille Pictures Corp. [19]
1928 Chicago De Mille Pictures Corp.
Copyright and release 1928
[20]
1928 Craig's Wife Pathé Exchange [21]
1929 Dynamite MGM [22]
1929 The Godless Girl De Mille Pictures Corp. [23]
1929 Ned McCobb's Daughter Pathé Exchange
Copyright November 1928; release January 1929
[21]
1929 Noisy Neighbors Pathé Exchange [24]
1930 Lord Byron of Broadway MGM [25]
1930 Madam Satan MGM [26]
1930 This Mad World MGM [27]
1931 The Squaw Man MGM [28]
1931 Guilty Hands MGM [29]
1932 The Wet Parade MGM [30]
1932 The Beast of the City MGM [31]
1932 The Sign of the Cross Paramount Pictures [32]
1933 Tonight Is Ours Paramount Pictures [33]
1933 This Day and Age Paramount Pictures [34]
1934 Menace Paramount Pictures [35]
1934 Four Frightened People Paramount Pictures [36]
1934 Cleopatra Paramount Pictures [37]
1935 The Crusades Paramount Pictures [38]
1936 The Plainsman Paramount Pictures
Picture wrapped 1936, copyrighted January 1, 1937
[39]
1937 This Way Please Paramount Pictures [40]
1938 The Buccaneer Paramount Pictures [41]
1938 Bulldog Drummond in Africa Paramount Pictures [42]
1938 Sons of the Legion Paramount Pictures [43]
1938 Hunted Men Paramount Pictures [44]
1939 Television Spy Paramount Pictures [45]
1939 Union Pacific Paramount Pictures [46]
1940 North West Mounted Police Paramount Pictures
Bauchens won the Academy Award for film editing
[47]
1940 Women Without Names Paramount Pictures [48]
1942 Mrs. Wiggs of the Cabbage Patch Paramount Pictures [49]
1942 Reap the Wild Wind Paramount Pictures [50]
1942 Commandos Strike at Dawn Columbia Pictures
Lester Cowan Productions, Inc.
[51]
1944 The Story of Dr. Wassell Paramount Pictures [52]
1944 Tomorrow, the World! Lester Cowan Productions, Inc. [53]
1945 Love Letters Hal Wallis Productions, Inc.
Paramount Pictures
[54]
1946 Our Hearts Were Growing Up Paramount Pictures [55]
1948 Unconquered Paramount Pictures
Copyrighted November 4, 1947; released February 4, 1948
[56]
1949 Samson and Delilah Paramount Pictures [57]
1952 The Greatest Show on Earth Paramount Pictures [58]
1956 The Ten Commandments Paramount Pictures [59]

Bibliography

References

Шаблон:Reflist

External links

Шаблон:Portal

Шаблон:Academy Award Best Film Editing

Шаблон:Authority control

  1. Higashi, Sumiko (1994). Cecil B. DeMille and American Culture: The Silent Era (University of California Press), p. 223. Шаблон:ISBN.
  2. The original 1915 version of Carmen appears to be lost; Bauchens' credit as co-editor is for the 1918 re-release of the film. See p. 217 of the book by Sumiko Higashi.
  3. Totals based on Bauchens' filmography compiled at the imdb.com website; filmography retrieved 2008-06-24.
  4. 4,0 4,1 Lewis, Kevin (2006). "The Moviola Mavens and the Moguls: Three Pioneering Women Editors Who Had the Respect of Early Hollywood's Power-Brokers", in Editors Guild Magazine, Vol 27, No. 2 (March–April 2006). Archived at WebCite from this original URL 2008-06-22.
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