Английская Википедия:Anne Elizabeth Moore
Шаблон:Use mdy datesШаблон:Short description Шаблон:Infobox artist
Anne Elizabeth Moore (born 1971 in Winner, North Dakota) is an American cultural critic, artist, journalist, and editor. She is well known for her books Sweet Little Cunt (2018), Gentrifier: A Memoir (2021), and Body Horror: Capitalism, Fear, Misogyny, Jokes (2023). Her work mainly deals with the nature of power and women’s oppression, the housing crisis and gentrification, and women’s health.
Moore’s writing has been featured in various publications, including the Guardian, Salon, Paris Review, Chicago Journal, and The Baffler. She has written extensively about culture and media, illness, and human rights. Her essays “Reimagining the National Border Patrol Museum (and Gift Shop)” (2008) and “17 Theses on the Edge” (2010) have respectively received honorable mentions in Best American Non-Required Reading.
Life and career
Born 1971 in Winner, South Dakota, Moore graduated high school to attend the University of Wisconsin-Eau Claire and the School of the Art Institute of Chicago, where she got her start and trained as an artist to eventually exhibit work internationally.Шаблон:Citation needed Her work has also been in the Whitney Biennial in New York and the Museum of Contemporary Art in Chicago.[1] She also received various awards, including the National Endowment for the Arts Media Award, the Ragdale Fellowship, the USC Annenberg/Getty Arts Journalism Fellowship, the UN Press Fellowship for journalism, and two Fulbright Scholarships.Шаблон:Citation needed
Moore was named editor-in-chief of the Chicago Reader in October 2018, replacing Mark Konkol.[2] She abruptly departed the Reader in March 2019.[3]
Currently, she lives in Upstate New York with her cat, Captain America, writing, traveling, teaching, and dealing with the occasional cow and snake.Шаблон:Citation needed
Nonfiction
Books
- Gentrifier: A Memoir (2021)
Selected Essays
Essays on American Culture
- On Leaving the Birthplace of Standard Time, The Believer (an excerpt from Body Horror)[9]
- Knocked Out Loaded, The New Inquiry[10]
Comics, Books, Film & Art
- The Destabilizing Desire of Julie Doucet, Paris Review (an excerpt from Sweet Little Cunt)[11]
- The Never-ending Story, The Baffler[12]
- Silenced without Proof: On Soft Censorship, PEN America[13]
Media and Politics
- The Vertically Integrated Rape Joke, The Baffler[15]
Women & Labor
- Degendering Value, Jacobin[17]
Awards
- 2019 Eisner Award for Best Academic/Scholarly Work for Sweet Little Cunt: The Graphic Work of Julie Doucet (Uncivilized Books)
References
External links
- Шаблон:Official website
- Three Days in Detroit (2017)
- The Tupperware Party (2018)
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- Английская Википедия
- American editors
- Comics critics
- Book artists
- American contemporary artists
- Webzine writers
- American women essayists
- American essayists
- Living people
- University of Wisconsin–Eau Claire alumni
- School of the Art Institute of Chicago alumni
- 1971 births
- American women illustrators
- American illustrators
- Women book artists
- 21st-century American women
- Страницы, где используется шаблон "Навигационная таблица/Телепорт"
- Страницы с телепортом
- Википедия
- Статья из Википедии
- Статья из Английской Википедии