Английская Википедия:Batuque (Brazil)
Batuque (drumming[1]) was a general term for various Afro-Brazilian practices in the 19th century, including music, dance, combat game and religion.
Batuques, or drumming ceremonies were an important cultural activity among the African population. These performance circles were a regular occurrence on Sunday evenings and holidays, drawing large crowds of enslaved Africans.Шаблон:Sfn Laws introduced in 1822 allowed police to shut down batuques.Шаблон:Sfn Despite the police repression, the batuques persisted covertly at the town's outskirts or along the shoreline.Шаблон:Sfn
Africans devised tactics to safeguard the batuques. They would scatter when the police approached and reconvene elsewhere to resume. In some cases, they responded to police repression with violence.Шаблон:Sfn
Within the batuques gatherings, there were specific groups dedicated to a combat game known as pernada in Rio and batuque or batuque-boi in Salvador.Шаблон:Sfn
In Bahia, the batuque dance evolved into various forms of samba,Шаблон:Sfn while the combat game was gradually absorbed by the capoeira.Шаблон:Sfn In the province of Rio Grande, batuque became the general term for Afro-Brazilian religion.Шаблон:Sfn
As a dance
Batuque was a common dance among Africans in Brazil during the 19th century.Шаблон:Sfn In 1802, Luís dos Santos Vilhena, a teacher in Salvador, complained on the slaves performing batuques:
Many zungu houses in 19th century Rio often organized communal dances or batuques, where Africans organized themselves into distinct groups or nations to perform together.Шаблон:Sfn In the Rio suburbs, these dances drew up to two thousand Africans who danced in separate circles based on their nations. These nations had distinct dances, but they came together for common dances, including batuque, lundu, and capoeira.Шаблон:Sfn
In 1859, the French journalist Charles Ribeyrolls visiting Brazil described the Afro-Brazilian dances he saw:
The practice of these dances continued throughout the 19th century. Adèle Toussaint-Samson, a Parisian in Brazil, wrote in 1891:
Spix and Martius' reported that by the end of the colonial period, not only improvised songs but also the emerging Brazilian modinhas were already being sung at batuques.Шаблон:Sfn
As a combat game
Batuque was a wrestling-like game played in Bahia in the early part of the twentieth century by African slaves, but now extinct.[2] A similar game, pernada, was popular in Rio de Janeiro about the same time.
In this game, two players stand in a circle. The defender stands in the center in a defensive position, with inward-rotated legs to protect his genitals and root himself. The attacker, often after feinting, made one decisive attempt to knock down the defender with his hips, upper legs, or feet. If the defender fell, a new player took their place; if not, they became the attacker, and the game continued.Шаблон:Sfn A range of techniques was used in batuque to unbalance the opponent: rapa, baú, banda lisa, encruzilhada.Шаблон:Sfn
Edison Carneiro wrote that it was played to the berimbau, tambourine, scraper, and singing.Шаблон:Sfn
Batuque was a combat game of predominantly Angolan origins.Шаблон:Sfn In the 1930s the Angolans in Brazil were the champions in batuque, with one of the most renowned practitioners being Angolinha (little Angola).Шаблон:Sfn
Many capoeiras also practiced batuque. Capoeira innovators like Anibal Burlamaqui in Rio and Mestre Bimba, the founder of the regional style, incorporated numerous batuque techniques.Шаблон:Sfn Moreover, Mestre Bimba's father was a champion of batuque.[2] Mestre Tiburcinho was a big batuqueiro and one of the last ones to preserve this art.[3] Nestor Capoeira believes that many rasteiras introduced by Bimba came from batuque.Шаблон:Sfn
Batuque in present
There are efforts to resurrect Batuque (and leg wrestling in general) as a modern sport.[4]
As a religion
Шаблон:Main Batuque is an old name for Candomblé religion.[5]
Today, batuque is an Afro-Brazilian religion, practiced mainly in Brazil.[6][7][8][9] The Batuque pantheon includes spirits rather than gods, who are mostly thought to come in two types: Catholic saints and encantados (anthropomorphic spirits who "inhabit the tangible world" and mostly come from Brazil, although there are foreigners in their rank).[9] "Spirit possession and mediumship are...integral to Batuque worship."[9]
See also
Literature
References
- ↑ Шаблон:Citation
- ↑ 2,0 2,1 Gerard Taylor, Capoeira: The Jogo de Angola from Luanda to Cyberspace, Volumen 2
- ↑ Mestres & Famous
- ↑ Шаблон:Cite web
- ↑ What Is Candomblé? Beliefs and History
- ↑ Шаблон:Cite book
- ↑ Шаблон:Cite book
- ↑ Шаблон:Cite journal
- ↑ 9,0 9,1 9,2 Шаблон:Cite book
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