Английская Википедия:Baude Cordier

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Файл:CordierColor.jpg
Cordier's rondeau about love, Belle, Bonne, Sage, is in a heart shape, with red notes indicating rhythmic alterations.

Baude Cordier (Шаблон:Fl) was a French composer in the Шаблон:Lang style of late medieval music. Virtually nothing is known of Cordier's life, aside from an inscription on one of his works which indicates he was born in Rheims and had a Master of Arts. Some scholars identify him with Baude Fresnel, a harpist and organist in the court of Philip the Bold, though other scholars have rejected this.Шаблон:Sfn

He is best known for his unique and experimental notational methods, often with shapes relating to the subject matter. These include a heart-shaped staff in Belle, Bonne, Sage, a rondeau about love, and numerous circles in the Tout par compas suy composés rondeau. Such an approach is thought to have inspired later composers, ranging from Gilles Binchois to Karlheinz Stockhausen. Шаблон:TOC limit

Identity

It has been suggested that Cordier was the pen name of Baude Fresnel.Шаблон:SfnШаблон:SfnШаблон:SfnШаблон:Sfn

Music

Шаблон:External media Cordier's works are considered among the prime examples of Шаблон:Lang. In line with that cultural trend, he was fond of using red note notation, also known as coloration, a technique stemming from the general practice of mensural notation. The change in color adjusts the rhythm of a particular note from its usual form. (This musical style and type of notation has also been termed "mannerism" and "mannered notation.")[1]

Ten of Cordier's secular pieces survive, most of which are rondeaux:

  • some are in the rhythmically complex late fourteenth-century French style of Шаблон:Lang, such as "Amans amés secretement" (Lovers, love discreetly).[2]
  • others are simpler, with greater emphasis on lyrical melody, such as "Belle, Bonne, Sage", also transcribed in HAM, and characterized with "Amans" as a rondeau.

Two of the composer's chansons are in the Chantilly Manuscript and are well-known examples of eye music:

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Cordier's Tout par compas suy composés.
  • a circular canon "Tout par compas suy composés" ("With a compass was I composed")—more eye music, in which the manuscript is written in a circle.Шаблон:Sfn

Many commentators have speculated that Cordier's unique and experimental notation inspired certain notation by later composers, such that in as Refrain by Karlheinz Stockhausen,Шаблон:Sfn and Gilles Binchois's Je ne pouroye.Шаблон:Sfn Cordier's work was among the earliest Western compositions to include performance instructions to explain how to use the specialized notation.Шаблон:Sfn

His mass movement in the Apt MS is in the later, simpler fifteenth-century style.

Works

List of compositions by Baude CordierШаблон:Sfn
Title Шаблон:Abbr of voices Genre Manuscript source: FoliosШаблон:Refn Reaney
Gloria 3 Mass movement Шаблон:Harvnb 11
Dame excellent ou sont bonté 4 Ballade Шаблон:Harvnb 10
Amans, amés secretement 3 Rondeau Шаблон:Harvnb 6
Belle, bonne, sage, plaisant 3 Rondeau Шаблон:Harvnb 8
Ce jour de l'an que maint 3 Rondeau Шаблон:Harvnb 1
Je suy celuy qui veul 3 Rondeau Шаблон:Harvnb 3
Pour le deffault du noble dieu Bachus 3 Rondeau Шаблон:Harvnb 2
Que vaut avoir qui ne vit 3 Rondeau Шаблон:Harvnb 4
Se cuer d'amant par soy 3 Rondeau Шаблон:Harvnb 7
Tant ay de plaisir et de desplaisance 3 Rondeau Шаблон:Harvnb 5Шаблон:Refn
Tout par compas suy composés 3 Rondeau Шаблон:Harvnb 9
No other works by Baude Cordier survive

Editions

Cordier's works are included in the following collections:

See also

Notes

Шаблон:Reflist

References

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Sources

Books
Journals and articles

External links

Шаблон:Commons category

Шаблон:Ars subtilior Шаблон:Medieval music Шаблон:Portal bar Шаблон:Authority control

  1. See Parrish, Carl. The Notation of Medieval Music. W. W. Norton, 1957.)
  2. Transcribed with commentary in Archibald T. Davison and Willi Apel: Historical Anthology of Music (HAM): Oriental, Medieval and Renaissance Music (Harvard University Press)
  3. A modern transcription and music media file of "Belle, Bonne, Sage."
  4. The text and English translation of the song