Английская Википедия:Be My Baby

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Шаблон:Short description Шаблон:About Шаблон:Use mdy dates Шаблон:Infobox song

"Be My Baby" is a song by American girl group the Ronettes that was released as a single on Philles Records in August 1963. Written by Jeff Barry, Ellie Greenwich, and Phil Spector, the song was the Ronettes' biggest hit, reaching number 2 in the U.S. and number 4 in the UK. It is often ranked as among the best songs of the 1960s, and it is regarded by some as one of the greatest songs of all time.Шаблон:By whom

Spector produced "Be My Baby" at Gold Star Studios with his de facto house band, later known as "the Wrecking Crew". It marked the first time that he recorded with a full orchestra, and the song is regarded as the quintessential example of his Wall of Sound recording technique. Ronnie Spector (then known as Veronica Bennett) is the only Ronette that appears on the track. In 1964, it appeared on the album Presenting the Fabulous Ronettes.

In the decades since its release, "Be My Baby" has been played on radio and television over 3 million times. The song has influenced many artists, most notably the Beach Boys' Brian Wilson, who wrote the 1964 hit "Don't Worry Baby" as a response to "Be My Baby". Many others have replicated or recreated the drum phrase—one of the most recognizable in pop music. The song has returned to the U.S. top 40 via cover versions by Andy Kim and Jody Miller. In 2006, the Library of Congress inducted the Ronettes' recording into the United States National Recording Registry.[1]

Background

"Be My Baby" was written by Phil Spector, Jeff Barry, and Ellie Greenwich at Spector's office in Los Angeles.Шаблон:Sfn Early in 1963, Spector auditioned a vocal group trio – composed of sisters Veronica (also known as "Ronnie") and Estelle Bennett with their cousin Nedra Talley – who were performing under the names "Ronnie and the Relatives" and "the Ronettes".Шаблон:Sfn Impressed by Ronnie's lead on an impromptu performance of the 1956 hit "Why Do Fools Fall in Love", Spector offered an original song for the group to record, "Why Don't They Let Us Fall in Love".Шаблон:Sfn They recorded the song at Gold Star Studios, but Spector withheld its release, as he had felt that the group needed more time to refine their stage act.Шаблон:Sfn

Spector, who had been struggling with marital issues, developed a romantic fixation on Ronnie at this time.Шаблон:Sfn Biographer Mick Brown surmised that Spector may have "intended 'Be My Baby' as an explicit declaration of his growing feelings for Ronnie", and that the song, in retrospect, served as a foreshadowing of their marriage, which lasted from the late 1960s through the early 1970s.Шаблон:SfnШаблон:Refn Singer Darlene Love, who had recorded with Spector, said that "Be My Baby" was effectively a means for Spector to declare his love to Ronnie.Шаблон:Sfn

Composition and lyrics

"Be My Baby" is in the key of E major. The verse chord progression runs through an E–F#m–B change twice, followed by G#7–C#7–F#–B7. The chorus is a standard I–vi–IV–V doo-wop progression.Шаблон:Sfn

Music journalist Marc Spitz wrote of the song's subject matter, "At its heart, 'Be My Baby' is as much about power and control as it is about romance. Lyrically it also marks a bold moment in pop music, when a woman makes a play for a man while infantilizing him. Usually the reverse was the norm."[2]

Recording

Backing track

On July 29, 1963, Spector produced "Be My Baby" at Gold Star Studios in Los Angeles with his de facto house band, later known as "the Wrecking Crew".Шаблон:Sfn It was the first time Spector recorded with a full orchestra at Gold Star.[3] According to Brown, Spector was "determined to make his most towering production yet" and summoned "the full complement of his troops in Gold Star — battalions of pianos and guitars, brass, strings, the full regiment of backing singers".Шаблон:Sfn The song was arranged by Spector regular Jack Nitzsche and engineered by Larry Levine.[4]

The instrumentation on "Be My Baby" features piano, guitars, brass, shakers, castanets, bass, handclaps, strings and drums.Шаблон:Sfn Levine remarked, "I love those strings, particularly at the end. They made me cry when I was mixing."[3] Guitars on the session were played by Tommy Tedesco and Bill Pitman, after whom the instrumental "Tedesco and Pitman" on the B-side of the single was named.[5]Шаблон:Better source needed

Файл:Hal Blaine in 1995.jpg
Wrecking Crew musician Hal Blaine (pictured 1995) played drums on "Be My Baby"

According to Brown, the opening drum beat, played by Hal Blaine, was suggested by Nitzsche.Шаблон:Sfn However, Blaine stated, "That famous drum intro was an accident. I was supposed to play the snare on the second beat as well as the fourth, but I dropped a stick. Being the faker I was in those days, I left the mistake in and it became: 'Bum-ba-bum-BOOM!' And soon everyone wanted that beat."[6]

Owing to Spector's perfectionism, the band rehearsed the song for four hours in the studio before the tape recorders were turned on.Шаблон:Sfn One of the four keyboard players, Michael Spencer, recalled, "That session took three and a half hours. There's this pause towards the end of the song where the drums go boom-ba-boom-boom before the song picks up again. I remember that by the fortieth or forty-first take I was so punchy, I played right through it, and we had to do it again. And that subsequent take was the one Phil used."Шаблон:Sfn

Vocals

Файл:Ronnie Spector 1966.jpg
The Ronettes' lead singer Veronica Bennett (pictured 1966) is the only Ronette on "Be My Baby".Шаблон:Sfn

Ronnie – the only Ronette who appears on the recordШаблон:Sfn – overdubbed her lead vocal within a day after the backing track had been completed.[3] She spent the previous three days preparing for the session.Шаблон:Sfn Ronnie remembered, "I was so shy that I'd do all my vocal rehearsals in the studio's ladies' room, because I loved the sound I got in there. People talk about how great the echo chamber was at Gold Star, but they never heard the sound in that ladies' roomШаблон:Nbsp... That's where all the little 'whoa-ohs' and 'oh-oh-oh-ohs' you hear on my records were born."[3] She said that when she sang the song at the session, "the band went nuts. I was 18 years old, 3,000 miles from home, and had all these guys saying I was the next Billie Holiday."[6]

Nitzsche praised Ronnie's vibrato, saying, "That was her strong point. When that tune was finished, the speakers were turned up so high in the booth that people had to leave the room."Шаблон:Sfn Levine said, "We didn't have to work hard to get Ronnie's performance, but we had to work hard to satisfy Phil. He'd spend an inordinate amount of time working on each section and playing it back before moving on to the next one, and that was very hard for the singers."[3] In his book Classic Tracks, author Rikky Rooksby writes, "Notice Ronnie Spector's voice is kept quite dry and upfront; her vocal, and those carefully rehearsed wha-ah-oh-ohs, along with the vast sound, make the record what it is."Шаблон:Sfn

Sonny Bono and Cher were among the backing vocalists.Шаблон:Sfn Cher stated in a television interview, "I was just hanging out with Son [Bono], and one night Darlene [Love] didn't show up, and Philip looked at me and he was getting really cranky, y'know. Philip was not one to be kept waiting. And he said, 'Sonny said you can sing?' And so, as I was trying to qualify what I felt myШаблон:Nbsp... 'expertise' was, he said, 'Look I just need noise – get out there!' I started as noise, and that was 'Be My Baby'."Шаблон:Sfn

Release

Шаблон:Quote box

"Be My Baby" (backed with "Tedesco and Pitman") was released by Philles Records in August 1963 and reached number 2 on the Billboard Pop Singles Chart by the end of the summer.Шаблон:SfnШаблон:SfnШаблон:Sfn In the UK, it was issued by London Recordings in October and peaked at number 4 on Record Retailer.Шаблон:Sfn By the end of the year, the single had sold more than two million copies.Шаблон:Citation needed

The Ronettes' first royalty cheque for the song totaled $14,000 (equivalent to $Шаблон:Inflation in Шаблон:Inflation-year). In her 1991 memoir, Ronnie wrote that the group subsequently had dinner with Spector to celebrate their success; at the end of the meal, however, he asked them to cover the bill. Ronnie remarked, "For a millionaire, he sure could be cheap."Шаблон:Sfn

In her autobiography, Ronnie relates that she was on tour with Joey Dee and the Starlighters when "Be My Baby" was introduced by Dick Clark on American Bandstand as the "Record of the Century."Шаблон:Full citation needed It remains the Ronettes' most successful song; although the group enjoyed several more top 40 hits, they sold at underwhelming volumes compared to "Be My Baby".Шаблон:Sfn In a 1999 interview, Ronnie cited "Be My Baby" as one of her top five favorite songs in her catalog.Шаблон:Sfn

A live rendition of "Be My Baby" was performed by the Ronettes on the 1966 rock concert film The Big TNT Show, for which Spector was the musical director and associate producer.Шаблон:Sfn

Impact and influence

Шаблон:See also "Be My Baby" was a major influence on artists such as the Beatles and the Beach Boys, who went on to innovate with their own studio productions.[7] Producer Steve Levine compared the track's groundbreaking quality to the Beach Boys' "Good Vibrations" (1966), 10cc's "I'm Not in Love" (1975), and Queen's "Bohemian Rhapsody" (1975).Шаблон:Sfn Many subsequent popular songs have replicated or recreated the drum phrase—one of the most recognizable in popular music.[8] Producer Rick Nowels, who lifted the drum beat for a Lana Del Rey song, said, "'Be My Baby,' for me, is Ground Zero for the modern pop era. it was a line in the sand that left everything that came before in the rear view mirror. It was the beginning of pop music being a serious American art form."[8]

AllMusic's Jason Ankeny noted in his review of the song, "No less an authority than Brian Wilson has declared 'Be My Baby' the greatest pop record ever made—no arguments here."[9] In his 2004 book Sonic Alchemy: Visionary Music Producers and Their Maverick Recordings, David Howard writes that many regard ""Be My Baby" as "Spector's greatest achievement—two and a half sweaty minutes of sexual pop perfection."Шаблон:Sfn

In 2016, Barbara Cane, vice president and general manager of writer-publisher relations for the songwriters' agency BMI, estimated that the song has been played in 3.9 million feature presentations on radio and television since 1963. "That means it's been played for the equivalent of 17 years back to back."[2]

Effect on Brian Wilson

Файл:Brian Wilson 1971.png
Wilson in 1971

"Be My Baby" had a profound lifelong impact on the Beach Boys' founder Brian Wilson.Шаблон:SfnШаблон:Sfn His biographer Peter Ames Carlin describes the song as becoming "a spiritual touchstone" for Wilson,Шаблон:Sfn while music historian Luis Sanchez states that it formed an enduring part of Wilson's mythology, being the Spector record that "etched itself the deepest into Brian's mindШаблон:Nbsp... it comes up again and again in interviews and biographies, variably calling up themes of deep admiration, a source of consolation, and a baleful haunting of the spirit."Шаблон:Sfn Sanchez goes on to write, Шаблон:Blockquote

Шаблон:Quote box

Wilson first heard "Be My Baby" while driving and listening to the radio; he became so enthralled by the song that he felt compelled to pull over to the side of the road and analyze the chorus.Шаблон:SfnШаблон:Refn Wilson immediately concluded that it was the greatest record he had ever heard.Шаблон:Sfn He bought the single and kept it on his living room jukebox, listening to it whenever the mood struck him.Шаблон:SfnШаблон:Sfn Copies of the song were located everywhere inside his home, as well as inside his car and in the studio.Шаблон:Sfn

As a response to "Be My Baby", Wilson conceived the song "Don't Worry Baby".Шаблон:Sfn He originally submitted "Don't Worry Baby" for the Ronettes' consideration, but this motion was halted by Spector, who had a policy against producing records that he himself did not write.Шаблон:Sfn Spector was aware of Wilson's obsession with "Be My Baby" and later remarked that he would "like to have a nickel for every joint [Brian] smoked" trying to figure out the record's sound.[10]

Among the many other documented anecdotes related to Wilson's fixation on "Be My Baby", his bandmate and cousin Mike Love remembered him comparing the song to Albert Einstein's theory of relativity.Шаблон:Sfn Similarly, music journalist David Dalton, who visited Wilson's home in 1967, said that Wilson had analyzed "Be My Baby" "like an adept memorizing the Koran."[11] Dalton later wrote about a box of tapes he had discovered in Wilson's bedroom: Шаблон:Blockquote

Wilson's daughter Carnie (born 1968) stated that, during her childhood, she "woke up every morning to boom boom-boom pow! Boom boom-boom pow! Every day."[12] In the early 1970s, Wilson instructed his engineer Stephen Desper to create a tape loop consisting only of the final chorus in "Be My Baby". Wilson listened to the loop for several hours in what Desper saw as "some kind of a trance."Шаблон:Sfn The Beach Boys' 1977 song "Mona", written by Wilson, ends with the lines "Listen to 'Be My Baby' / I know you're going to love Phil Spector".Шаблон:Sfn

During a 1980 appearance on Good Morning America, host Joan Lunden inquired Wilson for his musical tastes, to which Wilson replied simply with "I listen to a song called 'Be My Baby' by the Ronettes."Шаблон:SfnШаблон:Refn Wilson told The New York Times in 2013 that he had listened to the song at least 1,000 times.[2] Beach Boy Bruce Johnston gave a higher estimation: "Brian must have played 'Be My Baby' ten million times. He never seemed to get tired of it."Шаблон:Sfn In Wilson's 2016 memoir, I Am Brian Wilson, he recalled once playing the song's drum intro "ten times until everyone in the room told me to stop, and then I played it ten more times."Шаблон:Sfn

Later versions

In popular culture

Awards and accolades

Charts

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Шаблон:Single chartШаблон:Single chartШаблон:Single chartШаблон:Single chartШаблон:Single chart
Weekly chart performance (Ronettes version)
Chart (1963) Peak
position
Canada (CHUM)[48] 2
New Zealand (Lever Hit Parade)[49] 2
UK (Disc)[50] 4
UK (Record Retailer)[51] 4
US Hot R&B Singles (Billboard)[52] 4
US Cashbox Top 100[53] 1
West Germany (Musikmarkt)[54] 60

Шаблон:Col-2

Year-end charts (Ronettes version)
Chart (1963) Ranking
Canada (CHUM)[55] 15
US Billboard Hot 100[56] 35
US Billboard Top R&B Singles[57] 48
US Cashbox Top 100[58] 44

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Certifications

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Notes

Шаблон:Reflist

References

Шаблон:Reflist

Bibliography

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Шаблон:Refend

Further reading

External links

Шаблон:The Ronettes Шаблон:Phil Spector Шаблон:Jody Miller Шаблон:Andy Kim Шаблон:Shaun Cassidy

Шаблон:Authority control

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