Английская Википедия:Boogie rock
Шаблон:Short description Шаблон:Infobox music genre Boogie rock is a style of blues rock music that developed in the late 1960s.Шаблон:Sfn Its key feature is a repetitive driving rhythm, which emphasizes the groove.Шаблон:Sfn Although inspired by earlier musical styles such as piano-based boogie-woogie, boogie rock has been described as "heavier" or "harder-edged" in its instrumental approach.Шаблон:SfnШаблон:Sfn
The term has been applied to two styles:
- Blues rock songs that use a repeating monochord riff inspired by John Lee Hooker's 1948 song "Boogie Chillen'"Шаблон:Sfn
- Blues rock songs that use a rhythm guitar pattern inspired by early rock and roll songs, such as Chuck Berry's "Johnny B. Goode" and "Roll Over Beethoven"Шаблон:Sfn
Boogie rock has also been used to generally describe blues rock performers who emphasize "a back-to-basics approach typified by more simple chord structures and straightforward lyrics" rather than showmanship and instrumental virtuosity.Шаблон:SfnШаблон:Sfn
John Lee Hooker-style
In 1948, American blues artist John Lee Hooker recorded "Boogie Chillen'", an urban electric blues tune derived from early North Mississippi Hill country blues.Шаблон:Sfn Musicologist Robert Palmer notes "Hooker wasn't copying piano boogie. He was playing something else—a rocking one-chord ostinato with accents that fell fractionally ahead of the beat."Шаблон:Sfn Hooker's "repeated monochord riff" on guitar was adapted by the American rock group Canned Heat for "Fried Hockey Boogie", first released in 1968 on their Boogie with Canned Heat album.[1]
Other artists soon followed, with Norman Greenbaum's "Spirit in the Sky" (1969, Spirit in the Sky) and ZZ Top's "La Grange" (1973, Tres Hombres) being two of the earlier popular songs in the style.[1] The English group Foghat reworked Hooker's boogie for their popular "Slow Ride" (1975, Fool for the City): "they help interject some breath into the riff and help give it more rhythmic propulsion".Шаблон:Sfn In the 1980s, it was updated further by Van Halen for "Hot for Teacher" (1984, 1984) and by Joe Satriani in "Satch Boogie" (1987, Surfing with the Alien): "John Lee Hooker may not have recognized the roots of his [Satriani's] pioneering efforts, but it still contains the spirit of the genre, albeit in an exceptionally contemporary vein".Шаблон:Sfn
Early rock and roll-style
Early rock and roll incorporated some elements of piano-driven boogie-woogie, which was popular during the 1920s to 1940s.Шаблон:Sfn It used a simplified version of the repeating bass patterns, variously termed a boogie shuffle, boogie bass pattern, or boogie riff.Шаблон:Sfn The pattern is typically played on two of the bass strings of a rhythm guitar and alternates between the fifth and sixth degrees of a major scale while simultaneously playing the root note of the chord.Шаблон:Sfn Chuck Berry's "Johnny B. Goode" and "Roll Over Beethoven" are examples that use such a pattern.Шаблон:Sfn
When it follows a typical I—IV—V chord progression, the pattern has been called a "12-bar riff".Шаблон:Sfn In the 1970s, the English group Status Quo recorded several songs that "incorporat[e] a boogie/swing/shuffle to contrast with the straight eighths [notes] of rock 'n' roll, and a harder-edged, more serious blues-rock element".Шаблон:Sfn These include "Mean Girl" (1971) and "Break the Rules" (1974).Шаблон:Sfn
Malcolm Young explained boogie's influence on AC/DC: Шаблон:Blockquote
See also
References
Bibliography
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