Английская Википедия:Boxing Helena
Шаблон:Short description Шаблон:Use mdy dates Шаблон:Infobox film Boxing Helena is a 1993 American Avant-garde thriller film directed by Jennifer Lynch and starring Sherilyn Fenn, Julian Sands, and Bill Paxton.[1][2] Before its release, the film's production was hampered by legal battles with Madonna and Kim Basinger, who both backed out of playing Helena. The film debuted at the Sundance Film Festival in January 1993, where it was received poorly.[2] After receiving an NC-17 rating from the MPAA, the film was given an R rating on appeal and released in the United States in September 1993. It was a critical and financial failure.[2]
Plot
Nick Cavanaugh, a married Atlanta surgeon, is obsessed with Helena, a beautiful but shrewish woman with whom he had one intimate experience. However, she harbors disdain for him. After Helena suffers a high-grade tibial fracture in a hit-and-run motor vehicle collision in front of his home, Nick kidnaps her and covertly treats her in his home. He goes to the extreme of amputating both her legs above the knee and torturing her in an attempt to control his obsession. Later, following her attempt to choke him, Nick goes even further by amputating her arms above the elbow.
Despite Helena being the victim of Nick's kidnapping and mutilation, she dominates the dialogue with constant ridicule of his shortcomings and maintains her disdain for him. However, at the end of the film, it is revealed that holding Helena against her will and dismembering her were vivid dreams that Nick had while waiting at the hospital for the still intact Helena to recover from surgery. In reality, he had sought proper medical help for her after the accident.
Cast
- Sherilyn Fenn as Helena[3]
- Julian Sands as Nick Cavanaugh
- Bill Paxton as Ray O'Malley
- Kurtwood Smith as Alan Palmer
- Art Garfunkel as Lawrence Augustine
- Betsy Clark as Anne Garrett
- Nicolette Scorsese as Fantasy Lover/Nurse
- Meg Register as Marion Cavanaugh
- Bryan Smith as Russell
- Marla Levine as Patricia
- Kim Lentz as Nurse Diane
- Lloyd T. Williams as Sam the Clerk
Production
Producer Philippe Caland came up with the idea, but wanted a woman to write it, and so approached Lynch after she gave a poetry reading.[4] At first, Lynch declined to get involved, reportedly telling him "Well, that sounds kind of terrible."[4] But Caland was eventually able to convince her to work on it. In writing, Lynch was inspired by some elements from her own childhood, telling Vice that being born with club feet, and her grandmother owning a Venus de Milo replica, influenced her insight into the characters:[4]
It always struck me the way people looked at the Venus. They didn't see her as broken, they saw her as beautiful. And it really made a huge impact on me. I thought I was broken and that maybe someday someone would find me beautiful. So this idea of a damaged boy who was in an obsessive situation who would try to recreate from his own view the one thing that didn't hit him or abandon him was this armless, beautiful woman. And therefore in a dream recreate this obsessive thing where we take from one another until we are the size and shape that we think the other person should be for us.[4]
Madonna was slated to play Helena, but shortly before filming was to begin in January 1991 she dropped out, halting the production.[5] The next month, in an attempt to salvage the film, Lynch met with Kim Basinger about playing Helena. Basinger agreed, but closer to the new filming date she began requesting what The New York Times called "major script revisions", which according to producer Mazzocone amounted to making Helena "less of a bitch". After the production failed to make the changes to Basinger's satisfaction she also quit the picture.[5]
Legal battles involving both stars then ensued.[6] Eventually Basinger was the subject of an adverse jury verdict for over $8.1 million,[7] which bankrupted her. The verdict was set aside on appeal in 1994,[8][9] but Basinger later settled for $3.8 million.[10][2]
Meanwhile, Fenn, who had previously worked with Lynch's father on Twin Peaks, was cast as Helena in December 1991.[5] By this time a third major star, Ed Harris, had also backed out of the film due to the ever-increasing delays, telling The New York Times, "I needed to get on with my life."[5]
Music
The score heard during the scene where Helena showers in a fountain while a party crowd watches was originally composed by Graeme Revell and based on the "Love Theme" used sparsely elsewhere in the film, with vocals by Bobbi Page. At the producers' request, "The Fountain Song", written and performed by Wendy Levy, replaced Revell's score in the DVD and subsequent releases.
Release
Boxing Helena premiered at the Sundance Film Festival in January 1993 and was theatrically released by Orion Classics in the United States on September 3, 1993, Entertainment Film Distributors in the United Kingdom on June 18, 1993, and Republic Pictures in other international territories.[11]
Box office
The film performed poorly at the box office,[12] grossing $1,796,389 in the domestic box office.[13]
Reception
The film received largely negative reviews from critics upon release and was widely considered to be of poor quality,[14] despite garnering praise at Sundance. Шаблон:RT prose[15] Шаблон:Metacritic film prose However, at least two major film critics thought the film had been unjustly maligned. Chicago Tribune critic Gene Siskel was one of the few positive notices, giving the film three out of four stars.[16] Also positive was Janet Maslin, who wrote in the New York Times that "As it turns out, Ms. Lynch has both talent and a point. Her film is by no means the gory, exploitative quasi-pornography that it sounds like from afar."[17]
Nominations and awards
The film was nominated for the Grand Jury Prize at the 1993 Sundance Film Festival.[18] Lynch "won" a Golden Raspberry Award for Worst Director at the 14th Golden Raspberry Awards in 1994.
In popular culture
The film was referenced in the television series Gilmore Girls (S3E7: "They Shoot Gilmores, Don't They?"), as well as The Nanny (S1E22: "I Don't Remember Mama"). The film also inspired the song "Helena" by Misfits from their album Famous Monsters and "Helena 2" from their album Cuts from the Crypt.[19][20]
The film's title was used as the name of an episode of the sixth season of The Fresh Prince of Bel-Air, when Will Smith's character takes boxing lessons from an attractive instructor named Helena.
The 19th episode of the third season of Melrose Place, "Boxing Sydney", and the fifth season finale of Daria, "Boxing Daria", both take inspiration from the film's title.
See also
References
External links
- Шаблон:IMDb title
- Шаблон:Mojo title
- Шаблон:Rotten Tomatoes
- Шаблон:Metacritic film
- Boxing Helena, A Film Review by James Berardinelli
Шаблон:Jennifer Lynch Шаблон:Golden Raspberry Award for Worst Director
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- Английская Википедия
- 1993 films
- 1993 directorial debut films
- 1993 independent films
- 1993 romantic drama films
- 1990s American films
- 1990s English-language films
- 1990s mystery thriller films
- 1990s romantic thriller films
- American independent films
- American mystery drama films
- American mystery thriller films
- American romantic drama films
- American romantic thriller films
- Films about amputees
- Films about dreams
- Films about kidnapping in the United States
- Films directed by Jennifer Chambers Lynch
- Films scored by Graeme Revell
- Films shot in Atlanta
- Films shot in Georgia (U.S. state)
- Films shot in Los Angeles
- Golden Raspberry Award winning films
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