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Шаблон:Short description Шаблон:For Шаблон:Use American English Шаблон:Use mdy dates Шаблон:Infobox television

Bridgerton is an American historical fiction-romance streaming television series created by Chris Van Dusen for Netflix. Based on the book series by Julia Quinn, it is Shondaland's first scripted show for Netflix. It revolves around an eponymous fictional family and is set in the competitive world of Regency era London's ton during the social season in the early 1800s where marriageable youth of nobility and gentry are launched into society.

The first season debuted on December 25, 2020. The second season premiered on March 25, 2022. The third season will premiere in two parts; the first is set to premiere on May 16, 2024, followed by the second on June 13, 2024.[1]

The show's record-setting second season, which surpassed season one in viewership, cemented Bridgerton as a franchise per Entertainment Weekly.[2] The series was renewed for a fourth season in April 2021.[3] In May 2023, Queen Charlotte: A Bridgerton Story was released, a spin-off series focused on Queen Charlotte.

Bridgerton was critically acclaimed for its direction, actor performances, production and set design, winning two Primetime Creative Arts Emmy Awards, a Make-Up Artists And Hair Stylists Guild Awards, and being nominated at the Primetime Emmy Awards, Screen Actors Guild Awards, Satellite Awards and NAACP Image Awards. The music score by Kris Bowers earned a Grammy Award nomination for Best Score Soundtrack for Visual Media.Шаблон:TOC limit

Premise

Set against the backdrop of the Regency era, the eight close-knit siblings of the noble and powerful Bridgerton family – Anthony, Benedict, Colin, Daphne, Eloise, Francesca, Gregory and Hyacinth – navigate London high society in search of love, surrounded by friends and rivals alike.

Bridgerton family tree

Шаблон:Bridgerton family tree (TV series)

Cast and characters

Шаблон:Main article

Main

Шаблон:Multiple image

  • Adjoa Andoh as Agatha, Lady Danbury, the sharp-tongued, insightful doyenne of London society
  • Julie Andrews as the voice of Lady Whistledown, the author of a scandalous society newsletter
  • Lorraine Ashbourne as Mrs. Varley, the Featheringtons' housekeeper
  • Jonathan Bailey as Anthony, 9th Viscount Bridgerton, the eldest Bridgerton son and head of the family
  • Ruby Barker as Marina, Lady Crane (née Thompson) (season 1; guest season 2), a Featherington cousin from a rural gentry family
  • Sabrina Bartlett as Siena Rosso (season 1), an opera singer and Anthony's former lover
  • Harriet Cains as Philippa Finch (née Featherington), the middle Featherington daughter
  • Bessie Carter as Prudence Featherington, the eldest Featherington daughter
  • Nicola Coughlan as Penelope Featherington, the youngest Featherington daughter and close friend of Eloise
  • Phoebe Dynevor as Daphne Basset (née Bridgerton), Duchess of Hastings (seasons 1–2),[4] the fourth Bridgerton child and eldest daughter
  • Ruth Gemmell as Violet, Dowager Viscountess Bridgerton, mother of the Bridgerton children
  • Florence Hunt as Hyacinth Bridgerton, the eighth and youngest Bridgerton child
  • Claudia Jessie as Eloise Bridgerton, the fifth Bridgerton child and second daughter
  • Ben Miller as Archibald, Baron Featherington (season 1), the patriarch of the Featherington family
  • Luke Newton as Colin Bridgerton, the third Bridgerton son
  • Regé-Jean Page as Simon Basset, Duke of Hastings (season 1),[5] one of London's most eligible bachelors
  • Golda Rosheuvel as Queen Charlotte, Queen of the United Kingdom and wife of King George III
  • Ruby Stokes (season 1–2) and Hannah Dodd (season 3) as Francesca Bridgerton, the sixth Bridgerton child and third daughter
  • Luke Thompson as Benedict Bridgerton, the second Bridgerton son and an artist
  • Will Tilston as Gregory Bridgerton, the seventh Bridgerton child and youngest son
  • Polly Walker as Portia, Dowager Baroness Featherington, the matriarch of the Featherington family
  • Simone Ashley as Kathani "Kate", Viscountess Bridgerton (née Sharma) (season 2–present), a spinster who recently arrived from India
  • Charithra Chandran as Edwina Sharma (season 2), Kate's younger half sister
  • Shelley Conn as Lady Mary Sharma (née Sheffield) (season 2), Kate's stepmother and Edwina's mother
  • Martins Imhangbe as Will Mondrich (season 2; recurring season 1), gentleman's club owner, retired boxer, and confidant of the Duke of Hastings
  • Calam Lynch as Theo Sharpe (season 2), an apprentice at the printing shop used by Lady Whistledown who befriends Eloise
  • Rupert Young as Jack, Baron Featherington (season 2), the new head of the Featherington family

Recurring

  • Molly McGlynn as Rose Nolan, Daphne's loyal maid and confidant
  • Joanna Bobin as Lady Cowper, Cressida's mother
  • Jessica Madsen as Cressida Cowper, a gossipmonger and Daphne's rival debutante
  • Jason Barnett as Jeffries, the Bassets' butler
  • Hugh Sachs as Brimsley, the Queen's gossip-mongering secretary
  • Geraldine Alexander as Mrs. Wilson, the Bridgertons' housekeeper
  • Kathryn Drysdale as Genevieve Delacroix, a high society modiste and dressmaker
  • Simon Ludders as Humboldt, the Bridgertons' butler
  • Julian Ovenden as Sir Henry Granville, an artist who befriends Benedict
  • Oli Higginson as Footman John, a Footman in the Bridgerton household often working for Eloise

Guest

  • Jamie Beamish as Nigel, Baron Berbrooke, Daphne's suitor
  • Caroline Quentin as Lady Berbrooke, Nigel's mother
  • Freddie Stroma as Prince Frederick of Prussia, the Queen's grandnephew
  • Amy Beth Hayes as Lady Trowbridge, the hedonistic widow of an earl
  • James Fleet as King George III
  • Céline Buckens as Kitty Langham, a general's wife
  • Chris Fulton as Sir Phillip Crane, Marina's husband, a baronet
  • Daphne Di Cinto as Sarah Basset, Duchess of Hastings, Simon's mother
  • Richard Pepple as the Duke of Hastings, Simon's father
  • Pippa Haywood as Mrs. Colson, the housekeeper at the Hastings' country estate
  • Emma Naomi as Alice Mondrich, Will Mondrich's wife
  • Anthony Head as Lord Sheffield, Lady Mary's father and Edwina's grandfather
  • Shobu Kapoor as Lady Sheffield, Lady Mary's mother and Edwina's grandmother
  • Rupert Evans as Edmund, 8th Viscount Bridgerton, father of the Bridgerton children

Episodes

Шаблон:Series overview

Season 1 (2020)

Шаблон:For Шаблон:Episode table

Season 2 (2022)

Шаблон:For Шаблон:Episode table

Season 3 (2024)

Шаблон:Episode table Tom Verica directed the seventh and eighth episodes.[6]

Production

Development

Season 1

Файл:Shonda Rhimes (27530430616).jpg
Bridgerton executive producer Shonda Rhimes

On July 20, 2018, Netflix announced that Shonda Rhimes, through her production company Shondaland, would produce the screen adaptation of the bestselling novels of the Bridgerton series by Julia Quinn, while Chris Van Dusen would serve as showrunner.[7] Quinn explained on The Tamron Hall Show that when she heard from her agent that Rhimes was interested in adapting her novels, she "almost fell off of [her] stool", and quickly agreed to the offer.[8] Season 1 of the show adapted The Duke and I, the first book of Quinn's series.

Van Dusen said in a Shondaland article: "I think [period shows] are considered a bit traditional and conservative. With Bridgerton, I wanted to take everything I loved about a period show and turn it into something fresh, topical, and relatable."[9]

Season 2

Before the first season aired, the show was already in pre-production for a second season which was officially announced in January 2021.[10][11] It is focused on Anthony and based on the book The Viscount Who Loved Me.[12][11] On April 13, 2021, creator Van Dusen revealed on Twitter that the series had additionally been renewed for a third and fourth season.[13][14]

Season 3

Unlike the first two seasons, which followed the order of the book series, the third season will focus on Colin, based on Quinn's fourth novel Romancing Mister Bridgerton.[15] Jess Brownell will replace Van Dusen as writer and showrunner for the third and fourth seasons.[16][17]

Casting

Unlike the series of novels,[18] Bridgerton is set in an alternate history with a racially integrated London where people of color are members of the ton, some with titles granted by the sovereign. Creator Chris Van Dusen was inspired by historical debate over the 1940s African ancestry claims of Queen Charlotte "...to base the show in an alternative history in which Queen Charlotte's mixed race heritage was not only well-established but was transformative for Black people and other people of color in England."[19][20][21][22] Van Dusen says the series is not "color-blind" because "that would imply that color and race were never considered, when color and race are part of the show."[23]

Season 1

On June 19, 2019, Julie Andrews was cast as Lady Whistledown, whose voice-overs explain much of the series' action.[24] In addition, Phoebe Dynevor and Regé-Jean Page were cast to play the leads with Jonathan Bailey, Golda Rosheuvel, Luke Newton, Claudia Jessie, Nicola Coughlan, Ruby Barker, Sabrina Bartlett, Ruth Gemmell, Adjoa Andoh and Polly Walker co-starring.[25] Luke Thompson, Will Tilston, Florence Hunt, and Ruby Stokes were cast as the remaining four Bridgerton siblings at the end of July. Rounding out the cast were Ben Miller, Bessie Carter, Harriet Cains, Martins Imhangbe, and Lorraine Ashbourne.[26]

Season 2

On January 21, 2021, it was announced that Jonathan Bailey would be reprising his role as Anthony and would be the center of the show's sophomore season. The following month, Simone Ashley had been cast as Kate.[27] On April 5, 2021, Charithra Chandran joined the cast as Edwina; Rupert Young joined to play a new character;[28] Shelley Conn was cast as Kate's stepmother and Edwina's mother, Mary; and Calam Lynch was cast as Theo Sharpe.[29] On May 28, 2021, Rupert Evans joined the cast as Edmund Bridgerton, the late patriarch of the Bridgerton family.[30]

Page did not return for the second season despite being asked to come back as he only signed a one-year deal and wanted to explore other opportunities outside the show. In addition, the plan has always been for each season to focus on a different Bridgerton sibling and their quest for marriage, and his character is insignificant in the succeeding novels.[31][32]

Season 3

In April 2022, Bailey and Ashley were confirmed to return for the third season as Viscount and Viscountess Bridgerton, exploring their married life and duties as heads of the eponymous family.[33] The following month, Hannah Dodd was cast to replace Ruby Stokes as Francesca Bridgerton for the third season. Stokes exited the show due to scheduling conflicts with Lockwood & Co.[34] Chandran will not reprise her role as Edwina for the season.[35] In July 2022, Daniel Francis, Sam Phillips, and James Phoon were cast in undisclosed capacities for the third season.[36] In October 2022, Hannah New joined the cast as Lady Tilley Arnold.[37] In January 2023, Dynevor confirmed she will not appear in the third season, but remained open to returning "in the future".[4]

Filming

Season 1

Principal photography commenced in July 2019 and wrapped in late February 2020.[38] Bridgerton was filmed in London and Bath,[39] as well as at various estates and parks around England. Although the series takes place in London, most street scenes were filmed in Bath, York, and Chatham. The grounds of Wilton House were used for Hyde Park and the grounds of Somerley were used for Hampstead Heath. Garden scenes were filmed at Painshill near Cobham and the Commissioner's House in Chatham.[40]

Файл:EH1218679 The Ranger's House.JPG
Ranger's House is used as the exterior of the Bridgerton family's house in London

Filming locations included Ranger's House in Greenwich (standing in for the Bridgerton House in London exterior); Halton House at RAF Halton (Bridgerton House interior, Featheringtons' interior); Wilton House (Simon's Hastings House, Clyvedon estate interior, St James's Palace throne room); Syon House and Badminton House (Hastings House); Castle Howard (Clyvedon estate); Coneysthorpe (Clyvedon village); Hampton Court Palace and Lancaster House (St. James's Palace); Holburne Museum (Lady Danbury's estate); Hatfield House (Featheringtons' interior); No. 1 Royal Crescent (Grosvenor Square); Queen's House and Somerley (Somerset House); and Dorney Court (coaching inn).[41][42]

Vauxhall Pleasure Gardens no longer exists in its entirety. The production team recreated it for Lady Danbury's ball by combining the remaining parts with Castle Howard and Stowe Park. The banqueting room at the Guildhall, Bath was used for another ball as well as the Great Hall at Leigh Court in Somerset.[43]

Anthony Bridgerton and Simon Basset meet in the real-life Reform Club on Pall Mall in central London.[44] The scene in which Lady Featherington takes Marina to the slums was filmed at Chatham Dockyard in Kent. Boxing scenes were also filmed here in addition to Normansfield Theatre in Teddington. Theatre scenes were filmed at the Hackney Empire. A café in Bath, Pickled Greens, was used as the site of the Modiste shop and the Bathrooms at No.5 store on Trim Street became the site of Gunter's Tea Shop.[45]

The costuming was led by Ellen Mirojnick and involved over two hundred people and five months of preparation to create 5,000 costumes.[46]

Season 2

Production on the second season began in March 2021.[47] In May 2021, it was reported that the Royal Borough of Windsor and Maidenhead refused permission to build a film set for the second season in Sunninghill Park near Windsor, despite royal approval.[48] On July 15, 2021, production on the second season was paused for 24 hours when a crew member tested positive for COVID-19, but resumed the following day. However, on July 17, production was halted indefinitely following a second positive test.[49] Production resumed in August 2021.[50] Production for the second season wrapped on November 20, 2021.[51]

New filming locations for season 2 included Wrotham Park (standing in for the Bridgertons' country home Aubrey Hall); West Wycombe Park (Aubrey Hall interior and the Crane estate); Wrest Park, Ivinghoe Beacon, and Ashridge (the Orangery and Aubrey Hall grounds); the Royal County of Berkshire Polo Club (Royal Ascot); Old Royal Naval College; Windsor Great Park (woods scenes); Goldsmiths' Hall (Buckingham palace throne room); and Wilton's Music Hall (feminist meeting place). The real St James's Church is in the series. The art display at Petworth House was used for the museum scene, with Royal Artillery Barracks used as the exterior. The finale ball was filmed at Basildon Park.[52]

Season 3

The third season began principal photography in July 2022 and wrapped in March 2023.[53]

Music

Шаблон:Further American composer and pianist Kris Bowers composed and arranged the score for the series. Bowers wrote and composed the first season's soundtrack, featuring nineteen songs. Musicians recorded the score remotely from their home studios during the COVID-19 pandemic.[54]

Season 1

The first season featured orchestral covers of contemporary popular music, which director and executive producer Julie Anne Robinson said was inspired by the use of classic rock songs in the 2001 film A Knight's Tale.[55] Songs featured included Ariana Grande's "Thank U, Next", Maroon 5's "Girls Like You", Shawn Mendes's "In My Blood" and Billie Eilish's "Bad Guy", all four of which performed by Vitamin String Quartet. Also included are Celeste's "Strange" performed by Bowers, and Taylor Swift's "Wildest Dreams" performed by Duomo.[54] Bowers also included modern interpretations of classical music, such as Bach's Cello Suite No. 6 in D major from Peter Gregson's Recomposed by Peter Gregson: Bach – The Cello Suites and Vivaldi's The Four Seasons from Max Richter's Recomposed by Max Richter: Vivaldi – The Four Seasons.[56] The first season also included JPOLND's "The End" which has a "swingy melody but intense lyrics".[57]

Season 2

In the second season, covers include Nirvana's "Stay Away" and Robyn's "Dancing On My Own" by Vitamin String Quartet, Madonna's "Material Girl", "Kabhi Khushi Kabhie Gham" from the soundtrack of the film of the same name and Calvin Harris' "How Deep Is Your Love" by Bowers. Also included are Alanis Morissette's "You Oughta Know" and Pink's "What About Us" by Duomo, Harry Styles' "Sign of the Times" by Steve Horner, Rihanna's "Diamonds" by Hannah V and Joe Rodwell and Miley Cyrus' "Wrecking Ball" by Midnight String Quartet.[58] To promote the show, Morisette appeared in a video performing "You Oughta Know" with Duomo. When discussing the music of season two, music supervisor Justin Kramps explained that "even for these songs that are just huge songs that everyone knows, [an instrumental version] still breathes new life and brings them to a new audience, and in a different way. Pop is where we start, because it fits the style of the show, and it's often using these super-recognizable songs that just add a lot of joy, which is what pop does in general."[59]

Release

Season 1

The eight episodes of the first season of Bridgerton began streaming on Netflix on December 25, 2020.[60][61][62]

Season 2

A preview of a scene from season 2 aired during Netflix's September 2021 TUDUM: Extended Talent Panel,[63] which was followed by first look stills.[64] On February 14, 2022, the first teaser trailer for the second season was released.[65] A world premiere was held at Tate Modern on March 22, 2022, in London, England prior to the season's eight episodes being released on March 25, 2022.[66]

Due to a three-month commitment as the lead in the acclaimed West End play Cock, Jonathan Bailey had missed "press, talk shows, FYC events, and even the Met Gala" as part of the show's promotion.[67]

Reception

Critical response

Шаблон:Television critical response

Season 1

For the first season, the review aggregator website Rotten Tomatoes reported an approval rating of 87% based on 99 reviews, with an average rating of 7.9/10. The website's critics consensus reads, "Sumptuous design, soapy drama, and a sterling cast make Bridgerton a delightful treat."[68] Metacritic gave the series a weighted average score of 75 out of 100 based on 34 reviews, indicating "generally favorable reviews".[69]

Kristen Baldwin of Entertainment Weekly gave the series a B+ and wrote, "Bridgerton, it seems, is a wonderful diversion for those who love Pride & Prejudice but wish it had more stairway sex."[70] Richard Roeper of Chicago Sun-Times gave the series four out of four stars and called it "A show that will give you that unmistakable binge twinge and have you activating that "Next Episode" time and again, until there are no more "Next Episodes"."[71] British GQ described Bridgerton as a cross between Downton Abbey and Gossip Girl, but noted that it "may just end up being another disappointment" and "it could have been brilliant."[72] Salamishah Tillet of The New York Times said "Bridgerton provides a blueprint for British period shows in which Black characters can thrive within the melodramatic story lines, extravagant costumes and bucolic beauty [...] without having to be servants or enslaved."[73] Erum Salam of Cosmopolitan wrote "I kept wanting more. I wanted more explanations of how race factored into this society..."[74] Carolyn Hinds from The Observer stated "Bridgerton has been praised as a racially diverse show set in the Regency Era".[75] Vanity FairШаблон:'s Caroline Framke describes the sex in the series "isn't altogether shocking material for Shondaland to mine for its first drama series absent broadcast restraints."[76]

The first season's 6th episode drew criticism with regard to the non-consensual nature of Simon and Daphne's lovemaking, which amounted to marital rape.[77][78] The episode depicts Daphne, while having sex with Simon, changing her position to be on top, preventing Simon from pulling out of her when he climaxes despite his objections, to ensure he impregnates her.[77] Described as one of the toxic plot points of their relationship, it further drew scrutiny due to the fact that the deceit was never addressed as sexual assault in the series.[79][80] Critics pointed out that it failed to acknowledge the difficulties of male victims of rape, and the further fetishisation of black men in media.[81][82]

Season 2

Файл:Pall Mall - Project Gutenberg eText 14315.jpg
Pall-mall features as a pastime for the Bridgerton siblings in Season 2

For the second season, Rotten Tomatoes reported an approval rating of 77% based on 91 reviews, with an average rating of 7.2/10. The website's critics consensus states, "The risqué thrill may have faded, but Bridgerton remains a compulsive episode-turner in this delightful sophomore season."[83] Metacritic gave the series a weighted average score of 70 out of 100 based on 32 reviews, indicating "generally favorable reviews".[84][85]

Kristen Baldwin of Entertainment Weekly gave the series an A− writing, "With a second season that's more clever, moving, and emotionally complex than the first, this period drama... proves that it's not just a titillating trifle."[86] The Hollywood Reporter's Angie Hahn echoed the sentiment describing the season as "older and wiser" than its predecessor's "rampant horniness" with an effective central romance that prioritized "a meeting of minds, played out over quick-witted arguments outside ballrooms and vicious competition during a friendly family game of pall-mall."[87] Peter Travers of ABC praised the season writing, "Kudos to season two for digging deeper into the emotional lives of its characters and continuing the colorblind casting that creates a utopia in which diversity is so ingrained it's hardly worth a mention."[88]

Alison Herman of The Ringer commented that Season 1 is "sexy without quite being erotic" while "Season 2 is the reverse. There's not a lot of sex, but in the crackling chemistry and relentless self-denial that defines Anthony and Kate's dynamic, there's plenty of eroticism."[89] Emma Clarke of The Independent argued that, "it is precisely the lack of physicality that makes this season (of the show and of courtship) so... well, sexy."[90] Scott Bryan of the BBC wrote that the season serves as antidote to the "always static, laboured and slow" period dramas, adding that it comes with "real energy, it feels so modern (even though it is set in the past) and even though it feels extravagant, it doesn't feel too highbrow. It is refreshingly accessible."[91]

Kevin Fallon of The Daily Beast elaborating on Bailey's "exquisite lead performance," wrote that "he has an exceptional ability to carry his angst, pain, and guilt with him without bogging down things into a somber drag."[92] The Telegraph' s Anita Singh wrote that Bailey "brings more soul to the role of Lord Bridgerton than Page ever did with the Duke,"[93] with Randy Myers of Mercury News adding that Bailey "has a gift at comedic timing."[94] Proma Khosla of Mashable concluded that with "Bailey and Ashley, Bridgerton Season 2 strikes gold" as they deliver "heaping, smoldering helpings of sexual tension" for "their chemistry is nothing short of explosive."[95]

Audience viewership

Season Hours viewed

in first 28 days

Rank in Most Watched

on Netflix TV (English)[96]

1 625,490,000 3rd
2 656,160,000 2nd

Season 1

On January 27, 2021, Netflix announced that 82 million households have watched at least two minutes of the season amounting to 625 million hours viewed. It was the most-watched original series launch on the service at the time of its premiere,[97][98][99] prior to being surpassed by Squid Game in October 2021.[100] Caroline Framke of Variety attributed this huge viewership to "the perfect storm of a perfectly timed premiere (Christmas Day of 2020), providing silly and sexy entertainment after the first terrible year of COVID."[101][2]

Season 2

Season 2 premiered on March 25, 2022, and debuted number one in 92 countries on the platform. It was also the most viewed show on United States television screens for three weeks per Nielsen Media Research.[85] Season 2 amassed 193 million viewing hours in its opening weekend, the highest opening for any English-language Netflix series at the time.[102] It also broke the record for most viewed English-language series in a single week at that time, with 251.74 million viewing hours from March 28 to April 3. The first season also re-entered Netflix's top ten in second place.[103] By April 19, BridgertonШаблон:'s second season had overtaken its predecessor as the most watched English-language television series on Netflix at the time with 627.11 million hours viewed since its March 25, 2022, launch.[104] This viewing numbers went up to 656.16 million by the 28-day mark.[105]

Nielsen Media Research, analyzing the 2.55 billion minutes viewed on United States television screens in the first three days of season 2's availability (double all others across streamers for the week of March 21), characterized Bridgerton's audience as "diverse and broad". The firm found one third of viewers to be Hispanic or African American and an even split in popularity across the 18–34, 35–49, and 50–64 age groups at 25% each. The only exception was gender parity with 76% of the audience reported to be female.[106][107] It added 3.2 billion minutes viewed in its second week on top of the chart.[108] It topped the chart for a third week with 1.6 billion minutes viewed.[109]

Accolades

Year Award Category Nominees Result Ref.
2021 AFI Awards Top Television Program Bridgerton Шаблон:Won [110]
Black Reel Awards Outstanding Actor, Drama Series Regé-Jean Page Шаблон:Nom [111]
Outstanding Supporting Actress, Drama Series Adjoa Andoh Шаблон:Won
British Academy Television Awards Virgin TV's Must-See Moment "Penelope is revealed as Lady Whistledown" Шаблон:Nom [112]
Costume Designers Guild Awards Excellence in Period Television Ellen Mirojnick and John W. Glaser III Шаблон:Small Шаблон:Nom [113]
Directors Guild of America Awards Outstanding Directorial Achievement in Dramatic Series Julie Anne Robinson Шаблон:Small Шаблон:Nom [114]
Gold Derby Awards Drama Supporting Actor Jonathan Bailey Шаблон:Nom [115]
Golden Reel Awards Outstanding Achievement in Sound Editing – Music Score and Musical for Episodic Long Form Broadcast Media Brittany DuBay Шаблон:Small Шаблон:Nom [116]
Hollywood Critics Association TV Awards Best Streaming Series, Drama Bridgerton Шаблон:Nom [117]
Best Actor in a Streaming Series, Drama Regé-Jean Page Шаблон:Nom
Hollywood Music in Media Awards Best Original Score in a TV Show/Limited Series Kris Bowers Шаблон:Nom [118]
Make-Up Artists and Hair Stylists Guild Awards Best Television Series, Limited or Miniseries or New Media Series – Best Period and/or Character Make-Up Marc Pilcher, Lynda J. Pearce, Claire Matthews, and Louise Bannell Шаблон:Nom [119]
Best Television Series, Limited or Miniseries or New Media Series – Best Period and/or Character Hair Styling Marc Pilcher, Lynda J. Pearce, Adam James Phillips, and Tania Couper Шаблон:Won
MTV Movie & TV Awards Best Show Bridgerton Шаблон:Nom [120]
Best Breakthrough Performance Regé-Jean Page Шаблон:Won
Best Kiss Regé-Jean Page and Phoebe Dynevor Шаблон:Nom
NAACP Image Awards Outstanding Drama Series Bridgerton Шаблон:Nom [121]
Outstanding Actor in a Drama Series Regé-Jean Page Шаблон:Won
Outstanding Supporting Actress in a Drama Series Adjoa Andoh Шаблон:Nom
Primetime Emmy Awards Outstanding Drama Series Chris Van Dusen, Shonda Rhimes, Betsy Beers, Scott Collins, Alison Eakle, Sara Fischer, Julia Quinn, Leila Cohan-Miccio, Jonathan Igla, Janet Lin, Holden Chang, Sarah Dollard, and Sarada McDermott Шаблон:Nom [122]
Outstanding Lead Actor in a Drama Series Regé-Jean Page Шаблон:Small Шаблон:Nom
Outstanding Directing for a Drama Series Julie Anne Robinson Шаблон:Small Шаблон:Nom
Primetime Creative Arts Emmy Awards Outstanding Character Voice-Over Performance Julie Andrews Шаблон:Small Шаблон:Nom
Outstanding Casting for a Drama Series Kelly Valentine Hendry Шаблон:Nom
Outstanding Cinematography for a Single-Camera Series (One Hour) Jeffrey Jur Шаблон:Small Шаблон:Nom
Outstanding Period Costumes Ellen Mirojnick, John W. Glaser III, Sanaz Missaghian, and Kenny Crouch Шаблон:Small Шаблон:Nom
Outstanding Period and/or Character Hairstyling Marc Pilcher, Lynda J. Pearce, Claire Matthews, Adam James Phillips, Tania Couper, and Lou Bannell Шаблон:Small Шаблон:Won
Outstanding Music Composition for a Series (Original Dramatic Score) Kris Bowers Шаблон:Small Шаблон:Nom
Outstanding Original Main Title Theme Music Kris Bowers and Michael Dean Parsons Шаблон:Nom
Outstanding Music Supervision Alexandra Patsavas Шаблон:Small Шаблон:Nom
Outstanding Production Design for a Narrative Period or Fantasy Program (One Hour or More) Will Hughes-Jones, Dominic Devine, and Gina Cromwell Шаблон:Small Шаблон:Nom
Producers Guild of America Awards Norman Felton Award for Outstanding Producer of Episodic Television – Drama Chris Van Dusen, Shonda Rhimes, Betsy Beers, Scott Collins, Alison Eakle, Sara Fischer, Sarada McDermott, Holden Chang, and Tom Verica Шаблон:Nom [123]
Satellite Awards Best Actor in a Drama Series Regé-Jean Page Шаблон:Nom [124]
Best Actress in a Drama Series Phoebe Dynevor Шаблон:Nom
Screen Actors Guild Awards Outstanding Performance by an Ensemble in a Drama Series Cast of Bridgerton Шаблон:Nom [125]
Outstanding Performance by a Male Actor in a Drama Series Regé-Jean Page Шаблон:Nom
Television Critics Association Awards Program of the Year Bridgerton Шаблон:Nom [126]
Outstanding Achievement in Drama Шаблон:Nom
Outstanding New Program Шаблон:Nom
Rose d'Or Drama Шаблон:Nom [127]
2022 Black Reel Awards Outstanding Directing, Drama Series Cheryl Dunye Шаблон:Small Шаблон:Won [128]
Outstanding Supporting Actress, Drama Series Adjoa Andoh Шаблон:Nom
Outstanding Music Supervision Alexandra Pastvas Шаблон:Nom
Outstanding Musical Score Kris Bowers Шаблон:Nom
Grammy Awards Best Score Soundtrack for Visual Media Kris Bowers Шаблон:Nom [129]
Hollywood Critics Association TV Awards Best Actress in a Streaming Series, Drama Simone Ashley Шаблон:Nom [130]
MTV Movie & TV Awards Best Musical Moment Anthony and Kate dancing to Midnight String Quartet's cover of "Wrecking Ball" Шаблон:Nom [131]
National Television Awards Best Returning Drama Bridgerton Шаблон:Nom [132]
Best Performance in a Drama Simone Ashley Шаблон:Nom
Jonathan Bailey Шаблон:Nom
Rising Star Charithra Chandran Шаблон:Nom
Primetime Creative Arts Emmy Awards Outstanding Character Voice-Over Performance Julie Andrews Шаблон:Small Шаблон:Nom [133]
Outstanding Period Costumes Sophie Canale, Dougie Hawkes, Sarah June Mills, Charlotte Armstrong, Sanaz Missaghian, and Kevin Pratten-Stone Шаблон:Small Шаблон:Nom
Outstanding Period and/or Character Hairstyling Erika Okvist, Jenny Rhodes-McLean, and Sim Camps Шаблон:Small Шаблон:Won
Set Decorators Society of America Awards Best Achievement in Décor/Design of a One Hour Period Series Gina Cromwell and Will Hughes-Jones Шаблон:Nom [134]
TV Choice Awards Best Actor Drama Jonathan Bailey Шаблон:Nom [135]
2023 NAACP Image Awards Outstanding Drama Series Bridgerton Шаблон:Nom [136]
Outstanding Supporting Actress in a Drama Series Adjoa Andoh Шаблон:Nom
Outstanding Soundtrack/Compilation Album Bridgerton Season Two (Soundtrack from the Netflix Series) Шаблон:Small Шаблон:Nom

Cultural impact

Fashion and interior design trends influenced or made popular by the series have been dubbed "Regencycore" or "the Bridgerton effect".[137] Lyst reported an increase in searches for items such as corsets, headpieces, and elbow-length gloves after the series' premiere. The series's female leads Daphne and Kate were also linked to a popularity in the colors sky blue and lilac, respectively.[138][139] In 2021, Abigail Barlow and Emily Bear wrote a concept album based on characters and situations in season 1 of the series titled The Unofficial Bridgerton Musical; it won the 2022 Grammy Award for Best Musical Theater Album.[140][141] After the two presented the songs from the album live in concert at the Kennedy Center in July 2022,[142] Netflix sued them for copyright infringement.[143]

To ring in the second season, an official "Queen's Ball" was held in Washington DC, Chicago, Montréal, and Los Angeles,[144] with similar events and experiences taking place in London and Johannesburg.[145][146] Bloomingdale's put together a Bridgerton-themed pop-up collection and tea bar, displaying real costumes from the series in the U.S. for the first time in its 59th Street windows.[147]

After season 2 featured the main characters playing pall-mall, a lawn game considered to be the precursor to croquet, retailer John Lewis reported a 90% rise in sales for croquet sets.[148] There was also a notable increase in internet searches and purchases of tiaras and corsets after season two's premiere.[149][150]

Stately homes around England saw an uptick in interest and visitors. Regarding Ranger's House, Chris Small of English Heritage said, "Since the launch of Bridgerton in 2020 we have seen many people who were previously unaware of the site inspired to visit."[151] Walking tours of the filming locations of the series have also been created, including an official one by Netflix.[152][153] Castle Howard opened an exhibition titled Castle Howard on Screen: From Brideshead to Bridgerton in May 2022.[154]

The 33rd season finale episode of The Simpsons on May 22, 2022, featured Marge and her friends watching a period drama called "Tunnelton" with a Lady Whistledown-sounding narrator,[155] and a character emerging drenched from a lake, like Anthony in the fifth episode of the second season.[156][157]

Historical inaccuracies

Файл:Königin Charlotte von Großbritannien und Irland.jpg
A portrait of Queen Charlotte, painted by Thomas Gainsborough

Chris Van Dusen has said that the show "is a reimagined world, we're not a history lesson, it's not a documentary. What we're really doing with the show is marrying history and fantasy in what I think is a very exciting way. One approach that we took to that is our approach to race."[158] The Bridgerton family, Lady Whistledown and most of the other characters in the show are fictional.[159][160][158]

The theory that Queen Charlotte may have had African ancestry has been called an unhistorical assertion by most scholars.[161][162][163] In an interview with Insider magazine, American historian Marlene Koenig said the show's representation of Regency-era London was more diverse than it was in reality, adding that "diversity as we know what the word means did not exist" in Britain during that period.[163] Some classical music pieces used in the first season were composed later than 1813, the year of the first season. Examples include Dmitri Shostakovich's Suite for Variety Orchestra, which was written sometime after 1956, and "Belle nuit, ô nuit d'amour" from Jacques Offenbach's 1881 opera The Tales of Hoffmann.[56]

Historians have pointed out inaccuracies in clothing, such as the show using corsets to represent the oppression placed on women in society instead of supportive undergarments as they were considered in the Regency era.[164] In a scene from season 1, Daphne is seen with bruises on her back from the corset, however at the time it was common to wear a chemise under it to prevent this.[165] Fabrics and patterns appearing in the show are too modern compared to the ones used in the historical period in which the events are supposed to take place.[166]

Limited prequel series

Шаблон:Main In May 2021, Netflix ordered a limited prequel series from Shondaland, to focus on young Queen Charlotte, a character who does not appear in the Bridgerton novels. Rhimes wrote the spin-off and serves as executive producer alongside Betsy Beers and Tom Verica.[16]

Rosheuvel, Andoh, Gemmell, and Fleet reprise their roles, while India Amarteifio, Michelle Fairley, Corey Mylchreest, and Arsema Thomas were cast,[167] together with Connie Jenkins-Greig who plays young Violet.[168] A novelization of the series written by Rhimes and Quinn was released by Avon Books in 2023.[169]

In April 2022, production designer Dave Arrowsmith was fired from the series following allegations of abusive behavior and bullying on set.[170][171] In September 2022, Netflix announced that Queen Charlotte: A Bridgerton Story would be the title for the series and also released the first look.[172]

References

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External links

Шаблон:Wikiquote

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