Английская Википедия:Candace Allen (author)

Материал из Онлайн справочника
Перейти к навигацииПерейти к поиску

Шаблон:Short description Шаблон:Infobox person Candace Allen (born 1950) is an American novelist, political activist, cultural critic and screenwriter, who is based in London. She was the first African-American woman to be a member of the Directors Guild of America.[1] She is the niece of actress and drama coach Billie Allen,[2] and the former wife of British conductor Sir Simon Rattle.[3][4] As a writer, Allen has published work including the novel Valaida and the non-fiction book Soul Music: The Pulse of Race and Music, and she is a contributor to The Guardian and other newspapers.

Biography

Born in Boston, Massachusetts,[5] in 1950,[6] Candace Allen moved with her family to Stamford, Connecticut, when she was six years old.[7] She received her BA from Harvard University, where in the late 1960s–early '70s she was instrumental in the establishment of the African and African-American Studies Department[7] (now headed by Henry Louis Gates, Jr.),[8] before attending the New York University School of Film and Television. She became the first African-American female member of the Directors Guild of America.

In the 1970s, she moved to Los Angeles, California, where for twenty years she worked as an assistant director on feature and television films, and later as a screenwriter.[9] She was a founder of Reel Black Women, a professional organization for African-American women in film.[10] She also set up and ran for four years a counselling group for young black women at Jordan High School in Watts.

Allen moved to the UK in 1994, and was married (8 January 1996 – 2004) to British conductor Simon Rattle. During this marriage, as the wife of a knight, she was entitled to be known as Lady Candace or Lady Rattle.[11]

Writing career

Her first book, a fictionalized biography about the African-American female jazz trumpeter Valaida Snow, was published by Virago Press in 2004.[12] In Valaida, Allen "brought to life an extraordinary woman working in a predominantly male world."[7] Reviewing the novel for JazzTimes, Gwen Ansell wrote: "Allen engages with what it might feel like to think through and play a solo; tour depressing, racist Southern towns; haggle with agents and managers. She treats Snow first and foremost as a musician. The wry, weary wit of backstage conversation rings true and the details play out before a fascinating panorama of pre-1960s jazz and vaudeville stages. In this use of close-up against rich, intensely visual backdrop, in frequent crosscutting and flashback scenes, Allen the screenwriter is very evident. And while the book remains a romance, it's tougher than most and definitely worth reading."[13] As Kevin Le Gendre puts it: "Allen astutely balances the heady excitement of Valaida's artistic growth, a trajectory during which she gains the confidence to push her trumpet phrases from 'low notes to mid with shake-butt flourish', with the grim realities of discrimination and exploitation."[14]

Allen's must recent work, the acclaimed Soul Music: the Pulse of Race and Music, published by Gibson Square Press in 2012,[15] has been described as "part-travelogue, part-memoir, part-manifesto",[16] According to the review in the New Statesman, "Allen simply opens her ears and mind in wonder at everything she has seen and heard, rejoicing in and also questioning the values and beliefs that brought her where she is."[4]

Allen writes regularly for The Guardian[1] of London and for other newspapers.[17] In 2018, she was the recipient of a McDowell fellowship for literature.[18] She is a contributor to the 2019 anthology New Daughters of Africa, edited by Margaret Busby.[19]

Other activities

Through the organization "Americans Abroad for Obama" Allen was an active campaigner for the election of Barack Obama in 2008,[20][21] and subsequently became a frequent commentator on US culture, race and politics on radio and television.[9]

Allen is a board member of the Chineke! Foundation.[22]

Bibliography

References

Шаблон:Reflist

Sources

  • Candace Allen (2004), Valaida (back cover).

External links

Шаблон:Authority control

  1. 1,0 1,1 Candace Allen page at The Guardian.
  2. Candace Allen at IMDb.
  3. Шаблон:Cite news
  4. 4,0 4,1 Guy Dammann, "Soul Music: the Pulse of Race and Music by Candace Allen – review: How it feels to be free", New Statesman, 27 June 2012.
  5. Candace Allen biography, International Literature Festival Berlin.
  6. Elizabeth Day and Chris Hastings, "Simon Rattle 'bewitched' by glamorous Czech opera star", The Telegraph, 18 July 2004.
  7. 7,0 7,1 7,2 Sue Fox, "Candace Allen: Dance to the music of fame", The Independent, 14 January 2004.
  8. "Candace Allen" at Chineke! Foundation.
  9. 9,0 9,1 Candace Allen biography, RSA.
  10. The Cave, Lorraine O'Grady on Black Women Film Directors, Artforum International Magazine, vol. 30, no. 5, January 1991, pp. 22–24.
  11. Simon Rattle – Biography, IMDb.com. Accessed 6 January 2023.
  12. "Candace Allen – Valaida" Шаблон:Webarchive, Meet the Author.
  13. Gwen Ansell, "Candace Allen – Valaida: A Novel" (review), JazzTimes, January/February 2006.
  14. Kevin Le Gendre, "Mo' better books: The place of jazz in modern literature", The Independent, 6 August 2006.
  15. Shirley Apthorp, "Notes on identity", The Financial Times, 20 July 2012.
  16. Clive Davis, "Soul Music: The Pulse of Race and Music, By Candace Allen" (review), The Independent, 21 July 2012.
  17. Candace Allen page at Journalisted.
  18. Шаблон:Cite web
  19. "The Female Edit: Alt Africa Review feature New Daughters of Africa". Myriad Editions.
  20. Candace Allen, "Marching on Washington", The Guardian, 25 January 2008.
  21. Candace Allen, "I have encountered social apartheid as well as hostility", The Guardian, 7 November 2008.
  22. "Our Board", Chineke Foundation.