Английская Википедия:Capirola Lutebook

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Файл:Capirola lutebook.jpg

Folio 47r from the Capirola Lutebook: Padoana alla Francese.

The so-called Capirola Lutebook is one of the most important sources of early 16th century Italian lute music. It is an illuminated manuscript which comprises the entire surviving output of Vincenzo Capirola.

The Capirola Lutebook was compiled in 1520 by Vitale, a pupil of Capirola. The compositions included probably date from around 1517. There are 42 folios; the manuscript begins with a short note by its creator, one Vitale (Vidal), pupil of Capirola's. Vitale informs the reader that he adorned the lutebook with paintings to ensure its survival: even owners not interested in musical matters would, by Vitale's reasoning, keep the lutebook in their collections because of the paintings. This explanation is followed by a substantial text on lute playing technique, ornaments and notation—one of the most important sources on performance practice of the time. The actual music starts at folio 5. The lutebook contains the following works (for intabulations, composers of vocal originals are given):

1. Шаблон:Lang
2. Шаблон:Lang
3. Шаблон:Lang (Alexander Agricola)
4. Шаблон:Lang
5. Шаблон:Lang (Marchetto Cara)
6. Шаблон:Lang (Michele Vincentino)
7. Шаблон:Lang
8. Шаблон:Lang
9. Шаблон:Lang (Johannes Prioris)
10. Шаблон:Lang
11. Шаблон:Lang (Bartolomeo Tromboncino)
12. Шаблон:Lang (Bartolomeo Tromboncino)
13. Шаблон:Lang
14. Шаблон:Lang (Hayne van Ghizeghem)
15. Шаблон:Lang (Antoine de Févin)
16. Шаблон:Lang
17. Шаблон:Lang
18. Шаблон:Lang
19. Шаблон:Lang
20. Шаблон:Lang
21. Шаблон:Lang (Jacob Obrecht)
22. Шаблон:Lang (Hayne van Ghizeghem)
23. Шаблон:Lang (Antoine Brumel, from Шаблон:Lang)
24. Шаблон:Lang
25. Шаблон:Lang
26. Шаблон:Lang
27. Шаблон:Lang
28. Шаблон:Lang
29. Шаблон:Lang
30. Шаблон:Lang
31. Шаблон:Lang
32. Шаблон:Lang
33. Шаблон:Lang (Juan de Urrede)
34. Шаблон:Lang (Josquin des Prez, from Шаблон:Lang)
35. Шаблон:Lang (Johannes Ghiselin)
36. Шаблон:Lang (Alexander Agricola)
37. Шаблон:Lang (Antoine Brumel, from Шаблон:Lang)
38. Шаблон:Lang
39. Шаблон:Lang (Josquin des Prez, from Шаблон:Lang)
40. Шаблон:Lang (Josquin des Prez, from Шаблон:Lang)
41. Шаблон:Lang
42. Шаблон:Lang
43. Шаблон:Lang (Nicholas Craen)

The music varies in difficulty from very easy pieces (intended, as Vitale observes, for teaching purposes) to virtuosic toccata-like works. The thirteen ricercars of the book stylistically stand between the earliest, improvisatory examples and Francesco da Milano's ricercars, which exhibit a more advanced imitative technique. The manuscript is notable not only for the place Capirola occupies in lute repertoire, but also for the earliest known dynamic indications: for instance, the indication tocca pian piano appears in "Non ti spiaqua l'ascoltar". However, Capirola's seems to be an isolated example.

References

• Chew, Geoffrey, and Rastall, Richard. "Notation" (III.), Grove Music Online ed. L. Macy (Accessed December 12, 2006), (subscription access) Шаблон:Webarchive
• Ness, Arthur J. "Vincenzo Capirola", Grove Music Online ed. L. Macy (Accessed October 27, 2005), (subscription access) Шаблон:Webarchive
• Reese, Gustave. 1954. Music in the Renaissance. New York, W.W. Norton & Co. Шаблон:ISBN
• https://web.archive.org/web/20150511192038/http://www.newberry.org/capirola-lute-manuscript

External links

• LuteBot Quarterly issue #1 by Federico Marinola, dedicated to the Capirola Lutebook - includes a complete English translation of the preface.
• Capirola Lutebook in Italian and French tablature, includes Fronimo 2 and PDF versions.