Unmentioned in Vasari's Lives of the Artists, the painting is usually attributed to the years just after Pontormo's work on the Capponi Chapel. Originally on the Pinadori family altar, it has remained in the church for which it was painted for almost its whole existence. A preparatory drawing for it is now in the Uffizi, with the squaring for its transfer to the panel. Its rhombus composition is based on that of The Four Witches, a 1497 print by Dürer. In the foreground of the painting, we see Mary, St. Elizabeth, and two handmaids. While, on the left, in the background, there are two mysterious people to be identified, perhaps as St. Joseph and Zacharias.[2]
It inspired Bill Viola's video work The Greeting (1995), which for a time was exhibited in a room next to the painting. The painting has appeared in the temporary exhibitions Pontormo e Rosso Fiorentino. Divergenti vie della maniera (Palazzo Strozzi, Florence, 2014) and Bill Viola. Rinascimento elettronico (Palazzo Strozzi, Florence, 2017).
References
↑Шаблон:In lang Elisabetta Marchetti Letta, Pontormo, Rosso Fiorentino, Scala, Firenze 1994. Шаблон:ISBN
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