Английская Википедия:Christian Petzold (director)
Шаблон:Short description Шаблон:For Шаблон:Use dmy dates Шаблон:Infobox person Christian Petzold (born 1960) is a German film director and screenwriter. Part of the 21st century Berlin School film movement,[1] he has received international recognition for directing films such as Jerichow (2008), Barbara (2012), and Phoenix (2014), all collaborations with actress Nina Hoss.[2][3] For Barbara, Petzold won the Silver Bear for Best Director at the 62nd Berlin International Film Festival.[4]
Early life and education
Born in Hilden and raised in Haan, where he graduated from high school in 1979, Petzold fulfilled his military civil service in a small cinema club of a local YMCA, showing films to troubled adolescents.[5] From 1981 on he lived in Berlin, where he studied theatre and German studies at the Free University of Berlin. From 1988-1994, he studied film at the German Film and Television Academy Berlin (dffb) where he studied with mentors who "included filmmakers, media artists, and media theorists Harun Farocki and Hartmut Bitomsky, who are both known for their non-narrative films, video work, and film installations in galleries and museums."[6] While at dffb, Petzold appeared in Thomas Arslan's short experimental film 19 Porträts (1990), a 16-millimeter black-and-white film in the tradition of Andy Warhol's Screen Tests.[6]
Career
His first film was Pilotinnen, which he directed for his film school graduation in 1995. While The State I Am In (German: Die innere Sicherheit) (2000) was his first feature film, also noting his first collaboration with Harun Farocki. In 2005, his film Gespenster was presented at the Berlin International Film Festival, as was his 2007 film Yella. Petzold writes his own scenarios, often collaborating with Harun Farocki.[7] As his former teacher at dffb, Farocki was a major influence on Petzold, who, along with Angela Schanelec and Thomas Arslan, is generally considered to be part of the Berlin School.[8]
While the Berlin School is often associated with a new turn towards realism and political cinema, Petzold's films, while they address issues of work and employment, also deal with conflicts between life and death. In Gespenster the protagonist leads a ghost-like existence.[9] In Yella the protagonist is, possibly, already dead at the beginning of the film. These three films came to be called the "Gespenster Trilogy".[10]
The 2008 film Jerichow was his fourth collaboration with Nina Hoss after Something to Remind Me (German: Toter Mann), Wolfsburg and Yella. The drama concerns a soldier who, having returned from Afghanistan to Prignitz, becomes involved in a relationship with a married woman. The movie was nominated in the main competition at the 65th Venice International Film Festival in 2008. In 2009, Petzold received a 'best director' nomination for the Deutscher Filmpreis award.[11]
Although more famous as a director of film and television, Petzold has also staged Arthur Schnitzler's The Lonely Way (German: Der einsame Weg) at the Deutsches Theater following an invitation by Oliver Reese. The drama, with Nina Hoss as protagonist, premiered on March 14, 2009.[12]
Petzold's film Barbara competed in competition at the 62nd Berlin International Film Festival[13] and Petzold won the Silver Bear for Best Director.[4] The film was selected as the German entry for the Best Foreign Language Oscar at the 85th Academy Awards, but it did not make the final shortlist.[14] The film became Petzold's greatest box office success, grossing $4,129,250 worldwide.[15]
Political views
In December 2023, alongside 50 other filmmakers, Petzold signed an open letter published in Libération demanding a ceasefire and an end to the killing of civilians amid the 2023 Israeli invasion of the Gaza Strip, and for a humanitarian corridor into Gaza to be established for humanitarian aid, and the release of hostages.[16][17][18]
Filmography
Шаблон:BLP unreferenced section
Year | Title | Credited as | Notes | |
---|---|---|---|---|
Director | Writer | |||
2000 | The State I Am In | Шаблон:Yes | Шаблон:Yes | Part 1 of the "Ghosts" Trilogy[19] |
2003 | Wolfsburg | Шаблон:Yes | Шаблон:Yes | |
2005 | Ghosts | Шаблон:Yes | Шаблон:Yes | Part 2 of the "Ghosts" Trilogy[19] |
2007 | Yella | Шаблон:Yes | Шаблон:Yes | Part 3 of the "Ghosts" Trilogy[19] |
2008 | Jerichow | Шаблон:Yes | Шаблон:Yes | |
2012 | Barbara | Шаблон:Yes | Шаблон:Yes | Part 1 of the "Love in Times of Oppressive Systems" Trilogy[19] |
2014 | Phoenix | Шаблон:Yes | Шаблон:Yes | Part 2 of the "Love in Times of Oppressive Systems" Trilogy[19] |
2018 | Transit | Шаблон:Yes | Шаблон:Yes | Part 3 of the "Love in Times of Oppressive Systems" Trilogy[19] |
2020 | Undine | Шаблон:Yes | Шаблон:Yes | |
2023 | Afire | Шаблон:Yes | Шаблон:Yes |
Year | Title | Credited as | Notes | |
---|---|---|---|---|
Director | Writer | |||
1988 | Ich arbeite alles ab... Ehrenwort! | Шаблон:Yes | Шаблон:No | Short film |
1990 | Süden | Шаблон:Yes | Шаблон:Yes | Documentary short; Also cinematographer and editor |
1991 | Ostwärts | Шаблон:Yes | Шаблон:Yes | Documentary short; Also cinematographer |
1992 | The Warm Money | Шаблон:Yes | Шаблон:Yes | Short film |
1995 | Pilots | Шаблон:Yes | Шаблон:Yes | TV movie |
1996 | Шаблон:Ill | Шаблон:Yes | Шаблон:Yes | |
1998 | Шаблон:Ill | Шаблон:Yes | Шаблон:Yes | |
2001 | Something to Remind Me | Шаблон:Yes | Шаблон:Yes | |
2011 | Шаблон:Ill | Шаблон:Yes | Шаблон:Yes | |
2015–18 | Police call 110 | Шаблон:Yes | Шаблон:Yes | TV series; 3 episodes |
Accolades
Year | Award | Nominated work | Category | Result | Ref. |
---|---|---|---|---|---|
2003 | Berlin International Film Festival | Wolfsburg | FIPRESCI Prize | Шаблон:Won | |
2005 | Gespenster | Golden Bear | Шаблон:Nom | [20] | |
2007 | Yella | Шаблон:Nom | [21] | ||
2012 | Barbara | Шаблон:Nom | [22] | ||
Silver Bear for Best Director | Шаблон:Won | ||||
Reader Jury of the "Berliner Morgenpost" | Шаблон:Won | ||||
2018 | Transit | Golden Bear | Шаблон:Nom | [23] | |
2020 | Undine | Шаблон:Nom | [24] | ||
FIPRESCI Prize | Шаблон:Won | ||||
2023 | Afire | Golden Bear | Шаблон:Nom | [25] | |
Silver Bear Grand Jury Prize | Шаблон:Won | ||||
2012 | European Film Awards | Barbara | Best Film | Шаблон:Nom | [26] |
People's Choice Award | Шаблон:Nom | ||||
2020 | Undine | Best Film | Шаблон:Nom | [27] | |
2000 | Venice Film Festival | The State I Am In | Cinema of the Present - Lion of the Year | Шаблон:Nom | [28] |
2008 | Jerichow | Golden Lion | Шаблон:Nom | [29] |
References
External links
- Шаблон:IMDb name
- 'The Cinema of Identification Gets on My Nerves': An Interview with Christian Petzold, Cineaste 33.3 (summer 2008)
Шаблон:Christian Petzold Шаблон:Silver Bear for Best Director Шаблон:Authority control
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ 4,0 4,1 Ошибка цитирования Неверный тег
<ref>
; для сносокBerlinPrizes
не указан текст - ↑ Interview on DVD Die innere Sicherheit
- ↑ 6,0 6,1 Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Petzold im Interview auf der Webpräsenz des Films Gespenster
- ↑ Filmzentrale: „Im Zwischenreich“
- ↑ Welt Online, 13. März 2009: „Deutscher Filmpreis: Die Nominierungen im Überblick“
- ↑ Frankfurter Rundschau, S-Ausgabe, vom 16. März 2009, Seite 21, und Deutsches Theater Berlin Шаблон:Webarchive
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite news
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite news
- ↑ 19,0 19,1 19,2 19,3 19,4 19,5 Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite webШаблон:Dead link
- ↑ Шаблон:Cite news
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