Английская Википедия:Christina Sharpe

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Шаблон:Short description Шаблон:BLP sources Шаблон:Infobox academic Christina Elizabeth Sharpe is an American academic who is a professor of English literature and Black Studies at York University in Toronto, Canada.

Education

Raised Catholic, Sharpe attended various parochial, private, and public schools as a child. She received a bachelor's degree in English and Africana studies from the University of Pennsylvania in 1987, having studied abroad at the University of Ibadan in Nigeria. She completed a master's degree and a doctorate at Cornell University; her dissertation was on African writer Bessie Head.

Career and research

Her academic research focuses on Black visual studies, Black queer studies, and mid-nineteenth century to contemporary African-American Literature and Culture.

Employment

Sharpe was employed at Hobart and William Smiths Colleges from 1996 to 1998. From 1998 until 2018 she held various positions at Tufts University. Awarded tenure in 2005, Sharpe became a full professor in 2017. She was the first Black woman to be awarded tenure in the English department at Tufts.

At York University since 2018, she is currently a professor in the department of humanities in the Black Canadian Studies certificate program.

She is the author of the books In the Wake: On Blackness and Being and Monstrous Intimacies: Making Post-Slavery Subjects. Her forthcoming publications include a critical introduction to Nomenclature: New and Collected Poems of Dionne Brand (1982–2010) as well as a monograph: Black. Still. Life.

Monstrous Intimacies (2010)

In Monstrous Intimacies, Christina Sharpe concerns herself with these sexual-racial economies and the "monstrous intimacies" that percolate within, which she describes as "a set of known and unknown performances and inhabited horrors, desires and positions produced, reproduced, circulated, and transmitted, that are breathed in like air and often unacknowledged to be monstrous" (3). Sharpe's articulation is contingent upon an oppositional knowledge that holds in tension freedom and subjection, love and hate; indulging in a "diasporic study" that attempts a "complex articulation" of the sexual economies of slavery to denote how power is constructed at the site of the interpersonal and the intimate. Foregrounding Douglass' primal scene as a scene of subjectivation and objectivation and, later, locating the primality in James Henry Hammond's letters and, later still, Jones' text, Sharpe provides an account of its "psychic and material reach" and its subsequent (re)performances of a double/dubbed birth within sites of monstrous intimacies — the blood-stained gate and the Door.

In the Wake: On Blackness and Being (2016)

Her second book, In the Wake on Blackness and Being, was published in 2016 by Duke University Press, whose website offers this overview: Шаблон:Quote

Awards

• In the Wake:
  • Finalist, 2017 Hurston/Wright Legacy Award in Nonfiction
  • The Guardian, "Best Books of 2016"
  • The Walrus, "Best Books of 2016"
• Ordinary Notes
  • Winner, 2023 Hilary Weston Writers' Trust Prize for Nonfiction

Works (selection)

• Ordinary Notes. Farrar, Straus and Giroux, 2023.
• In the Wake: On Blackness and Being. Durham, N.C.: Duke University Press, 2016.
• Monstrous Intimacies: Making Post-Slavery Subjects. Durham, N.C.: Duke University Press, 2010.

External links

• Шаблон:Wikiquote-inline