Английская Википедия:Daqiqi
Abu Mansur Daqiqi (Шаблон:Lang-fa), better simply known as Daqiqi (Шаблон:Lang), was one of the most prominent Persian poets of the Samanid era. He was the first to undertake the creation of the national epic of Iran, the Shahnameh, but was killed in 977 after only completing 1,000 verses. His work was continued by his contemporary Ferdowsi, who would later become celebrated as the most influential figure in Persian literature.
Name
Daqiqi's personal name was Muhammad ibn Ahmad, whilst his patronymic was Abu Mansur, thus his full name being Abu Manṣūr Muḥammad ibn Ahmad Daqīqī.Шаблон:Sfn He is generally known in sources by his pen-name, Daqiqi (meaning "accurate" in Arabic and Persian).
Background and religion
Daqiqi was born around some time after 932. Like many other Iranian grandees and scholarly of the early Middle Ages, Daqiqi was most likely born into a family of Iranian landowners (dehqans), or at least was descended from such a class.Шаблон:Sfn During this period there was a large amount of growth in literature, mostly in poetry. It was under the Iranian Samanid Empire that Persian literature appeared in Transoxania and was formally recognized. The advancement of an Islamic New Persian literature thus started in Transoxiana and Khorasan instead of Fars, the homeland of the Persians.Шаблон:Sfn
Daqiqi's place of birth is disputed−the cities of Bukhara, Samarkand, Balkh, Marv, and Tus have been described as his birthplace; the latter seems more likely.Шаблон:Sfn His religion belief is disputed amongst scholars. Although he had a Muslim name, this "was not in itself proof of any religious beliefs, since numerous prominent Iranian scholars and officials converted to Islam during the early Islamic period in order to maintain their means of livelihood but practised Zoroastrianism in secret" (Tafazzoli).Шаблон:Sfn His birthplace, Tus, was at that time a predominantly Shi'ite city, and during Abu Mansur Muhammad's governorship had become the hub of Iranian nationalism. According to the Encyclopædia Iranica, it is thus likely that Daqiqi, possibly like fellow poet and Tus-native Ferdowsi, was an adherent of Shia Islam. Many Shi'ite Muslims were proud of their ancient Iranian heritage, which resulted in them being described as Qarmatians and Shu'ubis and classified as Mājūs (Zoroastrians) and Zindīq (Manicheans). Some quotations from Daqiqi's poetic verses, however, show a strong veneration towards Zoroastrianism, which have led to many scholars such as Nöldeke and Shahbazi favor a Zoroastrian origin for Daqiqi.Шаблон:Sfn In one of Daqiqi's verses, he applauds the Zoroastrian religion as one of the four things most important to him;Шаблон:Sfn
Biography
Daqiqi began his career at the court of the Muhtajid ruler Abu'l Muzaffar ibn Muhammad in Chaghaniyan, and was later invited to the Samanid court by the Samanid ruler (amir) Mansur I (Шаблон:Reign).Шаблон:Sfn Under the Samanids, ancient Iranian legends and heroic traditions were taken in special interest, thus inspiring Daqiqi to write the Shahnameh ("The Book of Kings"), a long epic poem based on the history of the Iranians.
He was, however reportedly murdered by his slave in 977. Only a small part of Shahnameh had been completed, which was about the conflict between Gushtasp and Arjasp.Шаблон:SfnШаблон:Sfn The rapid growth of interest in ancient Iranian history made Ferdowsi continue the work of Daqiqi, completing the Shahnameh in 994, only a few years before the fall of the Samanid Empire. He later completed a second version of the Shahnameh in 1010, which he presented to the Ghaznavid Sultan Mahmud (Шаблон:Reign). However, his work was not as appreciated by the Ghaznavids as it was by the Samanids.Шаблон:Sfn
Daqiqi's small part, which included around 1,000 verses, was maintained in the Shahnameh; his technique is more old-fashioned compared to that of Ferdowsi, and also "dry and devoid of the similes and images that are to be found in Ferdowsi's poetry" (Khaleghi-Motlagh).Шаблон:Sfn This was mentioned in the Shahnameh by Ferdowsi, who although admired him, also criticized his poetic style, and considered it inappropriate for the national epic of Iran.Шаблон:Sfn
References
Sources
Шаблон:Portal Шаблон:Shahnameh Шаблон:Persian literature Шаблон:People of Khorasan Шаблон:Authority control
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