Английская Википедия:Dark wave
Шаблон:Short description Шаблон:For Шаблон:Use dmy dates Шаблон:Infobox music genre Dark wave (also typeset as darkwave) is a music genre that emerged from the new wave and post-punk movement of the late 1970s.[1][2] Dark wave compositions are largely based on minor key tonality and introspective lyrics and have been perceived as being dark, romantic and bleak, with an undertone of sorrow.[1][3] The genre embraces a range of styles including cold wave,[4] ethereal wave,[5] gothic rock,[4][6][2] neoclassical dark wave[7] and neofolk.[6]
In the 1980s, a subculture developed primarily in Europe alongside dark wave music, whose followers were called wavers[8][9] or dark wavers.[10][11] In some countries such as Germany, the movement also included fans of gothic rock[12] (so-called trad-goths).[13]
Origins (1980s)
Since the 1980s,[14][15][16] the term has been used in Europe to describe the gloomy and melancholy variant of new wave and post-punk music.[1][17] At that time, the term "goth" was inseparably connected with gothic rock,[18] whereas "dark wave" acquired a broader meaning, including music artists that were associated with gothic rock and synthesizer-based new wave music.[2][19]
The movement spread internationally, developing such strands as ethereal wave, with bands such as Cocteau Twins, and neoclassical dark wave, initiated by the music of Dead Can Dance and In the Nursery.[20][21] Simultaneously, different substyles associated with the new wave and dark wave movements started to merge and influence each other.[22]
German dark wave bands were partially associated with the Neue Deutsche Welle (i.e. German new wave).[23] Other bands, such as Malaria! and the Vyllies, added elements of chanson and cabaret music, which became known as cabaret noir (or "dark cabaret", a term popularized by U.S. dark wave label Projekt Records).[17][24]
Second generation (1990s)
After the new wave and post-punk movements faded in the mid-1980s,[25] dark wave was renewedШаблон:Elucidate as an underground movement.[26][27][28] Ataraxia and The Frozen Autumn from Italy, and the French Corpus Delicti also evolved from this movement and became the leading artists of the west Romanesque scene.[29] These bands followed a pathШаблон:Elucidate based on the new wave and post-punk music of the 1980s.[8][30]
At the same time, a number of German artists developed a more theatrical style, interspersed with German poetic, metaphorical lyrics, called Neue Deutsche Todeskunst (literally New German Death Art).[31][32] Other bands combined synthesizers with elements of neofolk and neoclassical dark wave.[20]
After 1993, in the United States the term dark wave (as the one-word variant 'darkwave') became associated with the Projekt Records label,[19] because it was adopted by the label founder Sam Rosenthal after leafing through the pages of German music magazines such as Zillo, and has been used to promote and market artists from German label Hyperium Records in the U.S. (e.g. Chandeen and Love Is Colder Than Death).[33]
Projekt featured bands such as Lycia, Black Tape for a Blue Girl, and Love Spirals Downwards, some of these characterized by atmospheric guitar and synth-sounds and female vocals. This style took cues from 1980s bands like Cocteau Twins[34][35] and is often referred to as ethereal dark wave.[36] Projekt has also had a long association with Attrition, who appeared on the label's earliest compilations.[37] Joshua Gunn, a professor of communication studies at Louisiana University, described the U.S. type of dark wave music as
Revival (2010s)
In the 2010s, a new generation of bands rekindled the darkwave genre for a new generation of fans. The most prominent of these acts is Boy Harsher, but others include Drab Majesty, Twin Tribes, Pixel Grip, Kontravoid, Spike Hellis, MVTANT, Zen Hander and Void Vision.[38][39][40] Substance is an annual Darkwave and Industrial music festival occurring in Los Angeles which began in the 2010s.[41] Meanwhile, Verboden is an annual Darkwave festival in Vancouver, British Columbia.[42] The Wave-Gotik-Treffen festival in Leipzig, Germany, established in 1992, is considered one of the world's largest festivals for "dark" music and culture, taking place at Pentecost annually throughout the city. It attracts around 20,000 visitors from all over the world.
See also
References
External links
Шаблон:Goth subculture Шаблон:New wave music Шаблон:Authority control
- ↑ 1,0 1,1 1,2 Шаблон:Cite book
- ↑ 2,0 2,1 2,2 Шаблон:Cite book
- ↑ Schmidt, Axel; Neumann-Braun, Klaus: Die Welt der Gothics. Spielräume düster konnotierter Transzendenz., Wiesbaden: VS Verlag für Sozialwissenschaften 2004, Шаблон:ISBN, p. 270
- ↑ 4,0 4,1 Schilz, Andrea: Flyer der Schwarzen Szene Deutschlands: Visualisierungen, Strukturen, Mentalitäten. Waxmann Verlag, 2010, Шаблон:ISBN, p. 84.
- ↑ Шаблон:Cite journal.
- ↑ 6,0 6,1 Uecker, Susann: Mit High-Heels im Stechschritt, Hirnkost Verlag, 2014, Шаблон:ISBN
- ↑ Carstens, Olaf; Thalhofer, Frank: Duden - Das Fremdwörterbuch, Bibliographisches Institut, Auflage 11, 2015, Шаблон:ISBN, p. 726
- ↑ 8,0 8,1 Шаблон:Cite book
- ↑ Шаблон:Cite book
- ↑ Haumann, Melanie: Fetisch Weiblichkeit. Der Mythos der schönen Frau?, Verlag für Wissenschaft und Forschung, 2001, Шаблон:ISBN, p. 2
- ↑ Farin, Klaus: "Jugend, Gesellschaft und Recht im neuen Jahrtausend", Forum Verlag Godesberg, 2003, Шаблон:ISBN, p. 66
- ↑ Шаблон:Cite book
- ↑ Hodkinson, Paul: Goth. Identity, Style and Subculture, Bloomsbury Academic, 2002, Шаблон:ISBN, p. 50
- ↑ SPEX. Musik zur Zeit: Classified Ad by German distribution company EFA – Spots 5/85, issue 5/85, p. 17, May 1985, online picture
- ↑ Bobby Vox: Gorgonen, Hydras & Chimären – Interview with Marquee Moon, E.B. music magazine, issue 3/86, p. 18, May 1986
- ↑ New Life Soundmagazine, issue 38, description of the single "Love Will Tear Us Apart" by Joy Division, p. 10, November 1988
- ↑ 17,0 17,1 Issitt, Micah: Goths: A Guide to an American Subculture, Greenwood Publishing Group, 2011, Шаблон:ISBN, p. 111
- ↑ Schmidt, Axel; Neumann-Braun, Klaus: Die Welt der Gothics. Spielräume düster konnotierter Transzendenz., Wiesbaden: VS Verlag für Sozialwissenschaften 2004, Шаблон:ISBN, p. 261.
- ↑ 19,0 19,1 Шаблон:Cite news
- ↑ 20,0 20,1 Matzke, Peter; Seeliger, Tobias: Das Gothic- und Dark-Wave-Lexikon, p. 400, 2003, Шаблон:ISBN
- ↑ Nym, Alexander: Schillerndes Dunkel. Geschichte, Entwicklung und Themen der Gothic-Szene, Plöttner Verlag 2010, Шаблон:ISBN, p. 169
- ↑ Ошибка цитирования Неверный тег
<ref>
; для сносокVice2012
не указан текст - ↑ Schmidt, Axel; Neumann-Braun, Klaus: Die Welt der Gothics. Spielräume düster konnotierter Transzendenz., Wiesbaden: VS Verlag für Sozialwissenschaften 2004, Шаблон:ISBN, p. 256
- ↑ Stücker, Bianca: Die Funktionalisierung von Technik innerhalb des subkulturellen Kontexts, Europäischer Hochschulverlag, 2013, Шаблон:ISBN, p. 74
- ↑ Schilz, Andrea: Flyer der Schwarzen Szene Deutschlands: Visualisierungen, Strukturen, Mentalitäten. Waxmann Verlag, 2010, Шаблон:ISBN, p. 92
- ↑ Schmidt, Axel; Neumann-Braun, Klaus: Die Welt der Gothics. Spielräume düster konnotierter Transzendenz., Wiesbaden: VS Verlag für Sozialwissenschaften 2004, Шаблон:ISBN, pp. 258/259
- ↑ Kilpatrick, Nancy. The Goth Bible: A Compendium for the Darkly Inclined. New York: St. Martin's Griffin, 2004, Шаблон:ISBN, pp. 84/85.
- ↑ Köble, Oliver: Editorial, Glasnost magazine, issue 28, p. 3, July/August 1991
- ↑ Stableford, Brian: News of the Black Feast and Other Random Reviews, Wildside Press 31 March 2009, Шаблон:ISBN, p. 24
- ↑ Ошибка цитирования Неверный тег
<ref>
; для сносокElferen
не указан текст - ↑ Matzke, Peter; Seeliger, Tobias: Das Gothic- und Dark-Wave-Lexikon, p. 311, 2002, Шаблон:ISBN
- ↑ Schmidt, Axel; Neumann-Braun, Klaus: Die Welt der Gothics. Spielräume düster konnotierter Transzendenz., Wiesbaden: VS Verlag für Sozialwissenschaften 2004, Шаблон:ISBN, pp. 280/281.
- ↑ Шаблон:Cite web
- ↑ Dave Thompson, Kirsten Borchardt: Schattenwelt – Helden und Legenden des Gothic Rock., Hannibal Verlag 2003, Шаблон:ISBN, p. 362
- ↑ Mercer, Mick. Music to die for. London: Cherry Red Books, 2009, Шаблон:ISBN, p. 105
- ↑ Glasnost Wave-Magazin, issue 42, Description of the bands Trance to the Sun, This Ascension, p. 32/34, April 1994
- ↑ Various Artists: From Across this Gray Land, first appearance of Attrition on Projekt Records, 1986
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Шаблон:Cite web
- ↑ Los Angeles Post-Punk Festival Substance Reveals its 2022 Lineup
- ↑ Шаблон:Cite web
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