Английская Википедия:Degenerate Art auction

Материал из Онлайн справочника
Перейти к навигацииПерейти к поиску

Шаблон:Short description

Файл:Galerie Fischer 1939 auction catalogue.jpg
Auction Catalogue of 1939

In 1939 the Gallery Fischer in Lucerne organized an auction of degenerate art confiscated by the Nazis. The auction took place on 30 June 1939 in the Grand Hotel National.[1] The auction received considerable international interest, but many of the bidders who were expected to attend were absent because they were worried the proceeds would be used by the Nazi regime.Шаблон:Sfn

Background

After the Nazis confiscated thousands of artworks classified as degenerate art from the German Museums, they sought to monetize them. Four art dealers were authorized to sell degenerate art by Germany: Karl Buchholtz and Ferdinand Möller from Berlin, Шаблон:Interlanguage link from Güstrow and Hildebrand Gurlitt from Hamburg.Шаблон:Sfn The German Ministry of Public Enlightenment and Propaganda discussed opportunities how to place the works on the international market and the idea of an auction was discussed.Шаблон:Sfn The earliest trace of the auction in Lucerne is a letter from Theodor Fischer to Heinrich Hoffmann in which he suggests that an auction under his guidance would yield the highest revenues for the Nazis.Шаблон:Sfn

In March 1939 he received the contract to organize the auction from the Ministry of Public Enlightenment and Propaganda.Шаблон:Sfn In the contract it was established in which outlets the auction would be advertised, that there would be two previews, one in Zurich and another in Lucerne and the auction would be held in Lucerne before the end of June.Шаблон:Sfn Also the number of paintings to be depicted in the auction's catalogue was established – eventually sixty paintings were included in the catalogue.Шаблон:Sfn

Previews

The preview of the paintings to be auctioned in Zurich took place between the 17 and 27 May.Шаблон:Sfn 108 paintings and 17 sculptures were delivered on the 26 April 1939 for the previews.Шаблон:Sfn During the preview in Zurich, Georg Schmidt, the director of the Kunstmuseum Basel visited the exhibit and made a first selection of the works he was interested in and following was able to secure several purchases before the auction was to happen.Шаблон:Sfn The preview in Lucerne took place in the Gallery Fischer between the 1 and the 29 June 1939.Шаблон:Sfn

Auction

The auction was held in the Grand Hotel National at the shores of Lake Lucerne on the 30 June 1939.[2] The languages of the auction were German, French, English and the currency was Swiss francs.Шаблон:Sfn Theodor Fischer, the owner of the gallery, was seen as a suitable auctioneer as he was a Gentile art dealer of Switzerland with a vast international network.Шаблон:Sfn

Bidders

The bidders at the auction were several prominent art collectors and representatives of Museums from Switzerland, the United States, Belgium, France, Great Britain, and Sweden.Шаблон:Sfn Beside the one from the United States, the Belgian and the Swiss delegations were the most successful ones in the auction.Шаблон:Sfn Alfred Barr, director of the Museum of Modern Art in New York, sent Curt Valentin, owner of the Buchholz Gallery in New York, to bid for the MoMa with funds provided by the museum.[3] Alfred Frankfurter bidding for Maurice Wertheim,Шаблон:Sfn Joseph Pulitzer jr., Pierre Matisse, the son of the French painter Henri Mattise and Josef von Sternberg were some of the other bidders at the auction[4][5]

The Basel Kunstmuseum purchased 21 artworks which formed the basis of its modern art collection. [6]

Paintings

The paintings originated from (former) museums in Munich, Kassel, Essen, Hamburg, Cologne and Berlin and were made by painters including Max Beckmann, Cuno Amiet, Erich Heckel, Vincent van Gogh, Lovis Corinth,Шаблон:Sfn Pablo Picasso and Paul Gauguin among others.[7]

Sculptures

Several sculptures by Ernst Barlach, one by Alexander Archipenko, one by Otto Dix three by Wilhelm Lehmbruck, and two by Ewald Matare were also auctioned.Шаблон:Sfn

Auction

Alfred Frankfurter bought the Self Portrait of Vincent van Gogh for 170,000 Swiss Francs.Шаблон:Sfn The Belgian delegation was able to secure 15 paintings.Шаблон:Sfn The Blue House of Marc Chagall, the Portrait of Georg Brandes of Lovis Corinth, Oskar Kokoschkas' Trance Player and Max Liebermanns' Rider at the beach, and two paintings of Pablo Picasso were among the ones acquired by the Belgian delegation.Шаблон:Sfn The paintings were transferred to the La Boverie in Liege, Belgium.[7] The Swiss delegation from Basel was able to secure eight paintings of seven artists among which were The Parents of the Artist by Otto Dix, a Self-Portrait by Paula Modersohn-Becker, two paintings by Marc Chagall or the View from a window by André Derain.Шаблон:Sfn Forty bidders were successful,Шаблон:Sfn but not every artwork found a buyer.[1]

Revenue

The auction didn't have the financial success the Nazis expected.Шаблон:Sfn[1] Only 10 percent of the artworks were sold for more than the estimated amount.[8] The revenue was a bit more than 500,000 Swiss Francs[8] which at the time accounted for a modest sum of about $115,000.Шаблон:Sfn The revenue was deposited in a bank account in the United Kingdom,Шаблон:Sfn where the Nazis had access to it.Шаблон:Sfn Following the auction, Fischer attempted to sell the remaining works, but with little success.Шаблон:Sfn A second auction was in discussion, but it never materialized.Шаблон:Sfn

Aftermath

Following the auction Fischer didn't return the remaining paintings to Germany as stipulated in the contract.Шаблон:Sfn He kept selling some of the works,Шаблон:Sfn of which the most prominent painting was the Female Absinth Drinker by Pablo Picasso.Шаблон:Sfn It was withheld from the auction due to a legal dispute between the original owner and donor of the painting to the Kunsthalle Hamburg.Шаблон:Sfn The painting was sold in 1941.Шаблон:Sfn

Purchases by the Kunstmuseum Basel

The Director of the Museum in 1939 was Georg Schmidt. Schmidt received the auction catalogue from the Gallery Fischer in April 1939 following which the Museum started negotiations to purchase paintings of degenerate art before the auction would take place.Шаблон:Sfn Schmidt was able to purchase several paintings, such as Oskar Kokoschkas The Bride of the Wind, Ecce Homo by Lovis Corinth, and the Fate of the Animals by Franz Marc.Шаблон:Sfn Fischer unsuccessfully protested against this purchases in mid June 1939.Шаблон:Sfn

Gallery

Some of the paintings auctioned are:[4][7][8]

References

Шаблон:Reflist

Bibliography

Шаблон:Degenerate art Шаблон:Commons Category