Английская Википедия:Delia Cancela

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Delia Cancela (born 1940, Buenos Aires) is an Argentine pop artist and fashion designer.[1] She has lived in Argentina, New York, London and Paris, and exhibited internationally. Retrospective exhibitions of her work and her collaborations with Pablo Mesejean include Delia Cancela 2000-Retrospectiva (2000), Pablo & Delia, The London Years 1970-1975 (2001), and Delia Cancela: una artista en la moda (2013).

Early life and education

Delia Cancela was born in 1940 in Buenos Aires, Argentina.[1] She studied at the Escuela Superior de Bellas Artes in Buenos Aires.[1]

Career

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Cancela began to exhibit widely in the early 1960s. Her work, which incorporated images such as Elvis Presley, made her part of Buenos Aires' pop art scene.[1] She was one of 6 artistas en Lirolay. Sexteto ('Six Artists in Lirolay: Sextet') at the Galería Lirolay, representing the best of Buenos Aires "new art" in January 1964.[2]

Cancela exhibited at the Museo Nacional de Bellas Artes and won the Premio de Honor Ver y Estimar[1] in 1963 and 1964. The arts review journal Ver y Estimar ('Look and Consider') was formed by Jorge Romero Brest and published from 1948 to 1955. An association was founded in 1954 which awarded the Premio de Honor Ver y Estimar from 1960-1968.[3] One of Cancela's well-known pieces from this time is Broken Heart (1964).[4]

Her work was included in the exhibition Arte Nuevo de la Argentina ('New Art of Argentina', 1964) which was co-organized by the Instituto Torcuato Di Tella (ITDT) and the Walker Art Center, in Minneapolis, Minnesota.[5] The exhibition traveled to Buenos Aires, Rio de Janeiro and Minneapolis.[1]

From the 1960s until his death in 1991, Cancela collaborated with Pablo Mesejean.[1] They married in 1965.[6] Their work is non-traditional and cross-disciplinary, incorporating theater and costume design, fine art and fashion.[1] In 1965, Cancela and Mesejean held their first full exhibition Love and Life at Galería Lirolay. Combining painting, set design, music and performance,[6] this exhibit has been identified by critic Nelly Perazzo as one of a series of "true landmarks" in forward-looking Argentinian art.[7][8] In 1966 Cancela and Mesejean exhibited Nosotros Amamos ('We Love') at the Instituto Torcuato Di Tella, supporting acceptance of gender identity and popular culture.[1] They also signed a "manifesto":

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Receipt of the Premio Braque from the French government in 1966 enabled Cancela and Mesejean to travel to Paris in 1967.[9][10][11] On their return to Argentina they participated in Experiencias 68 (Experiencias Visuales).[10][12] There was considerable political tension around the exhibit. One of the pieces, Roberto Plate's El Baño ('The Bathroom'), was removed by police because visitors had "decorated" it with anti-governmental graffiti. Delia Cancela was one of several artists who removed their works and destroyed them, as an act of sympathy and in protest of the creation of a police state.[13]Шаблон:Rp

While in Argentina in 1968, Cancela and Mesejean also held a fashion show Ropa con Riesgo ('Clothing with Risk') at ITDT.[10] They worked with Alfredo Rodríguez Arias to create costumes for an adaptation of Dracula.[14][13]Шаблон:Rp They lived briefly in New York during 1969 to 1970.[10]

From 1970 to 1975 they lived in London where they started the Pablo & Delia clothing brand.[10] The fashions they designed were worn by celebrities such as Bianca Jagger,[15] and were featured on the cover of Vogue[15][16] and appeared in Harper's Bazaar,[17] and Queen.[18][10] Their pieces are in the collection of the Victoria & Albert Museum in London.[15] Aside from these exhibition, Delia & Pablo worked with architect Osvaldo Giesso. They displayed some of their art works and pieces at Giesso's boutique, La flor de San Telmo.[19]

In 1975 Cancela and Mesejean returned to Paris, working with Yves Saint Laurent, Kenzo and the group Créateurs.[20] Their shows incorporated elements of parades and performances.[21] French critic Pierre Restany described their style as Pop Lunfardo ('Vernacular Pop').[22]

Pablo Mesejean died in 1991. In 1999 Delia Cancela returned to Argentina.[12] She lives in Buenos Aires and in Paris, France.[1] She continues to design and exhibit.[23]

Major exhibitions

  • New Art of Argentina (1964)[1]
  • Love and Life, with Pablo Mesejean, Galería Lirolay, Buenos Aires (1965)[10]
  • Delia Cancela 2000-Retrospectiva, 2000, curated by María José Herrera, Centro Cultural Parque de España in Rosario[24][10]
  • Pablo & Delia, The London Years 1970-1975, Judith Clark Costume Gallery, London, 24 May – 21 July 2001[24][25][10]
  • La consagración de la Primavera, Group exhibition, Fundación Osde, Buenos Aires, 2010.[26]
  • Delia Cancela: una artista en la moda, el Centro Metropolitano de Diseño, Buenos Aires, 2013.[24]
  • International Pop, Group exhibition, Walker Art Center, Minneapolis (April 11, 2015 – September 6, 2015)[22]
  • The EY Exhibition: The World Goes Pop, Group exhibition, Tate Modern (17 September 2015 – 24 January 2016)[4][27][28]
  • Special exhibit in her honor at ArteBA, Buenos Aires (June 4–7, 2015)[29][30]

Awards and nominations

  • 1963, 1964, Ver y Estimar Prize
  • 1966, the Acquisition Prize of the XXV Salón de Arte de Mar del Plata[12]
  • 1966, Di Tella Prize[4][12]
  • 1966, Premio Braque, with Pablo Mesejean[11][15]
  • 2001, Premio Directorio a la Trayectoria del Fondo Nacional de las Artes[12]

References

Шаблон:Reflist Retrospectiva de Delia Cancela en el Museo de Arte Moderno (Periodista Lorena Pérez | Bloc de Moda)

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