Английская Википедия:Diamantino (film)

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Шаблон:Short description Шаблон:Use dmy dates Шаблон:Infobox film Diamantino is a 2018 fantasy comedy-drama film written and directed by Gabriel Abrantes and Daniel Schmidt. The film was produced by Justin Taurand, Maria João Mayer, and Daniel van Hoogstraten. It stars Carloto Cotta, Cleo Tavares, Anabela Moreira, and Margarida Moreira. The film follows Premiere association football star Diamantino after he loses his special touch and ends his career in disgrace. Searching for a new purpose, the international icon sets on a delirious odyssey where he confronts neo-fascism, the refugee crisis, genetic modification and the hunt for the source of genius. It was screened in the Critics' Week section at the 2018 Cannes Film Festival, where it won the Grand Prize.[1][2]

Plot

Diamantino is a world-famous Portuguese soccer star whose looks and persona bear an uncanny resemblance to that of real-life soccer star Cristiano Ronaldo. Diamantino was raised by a single father and has a pair of twin older sisters who verbally abuse and manipulate him so they can take advantage of his wealth. Diamantino is rich, beautiful, and a genius on the field but lacks almost any intelligence off the field. The one thing he does have is an abundance of empathy. So much so that after he rescues a boat full of refugees while on his yacht, he gets extremely affected by their tragedy and it causes him to miss the goal winning shot in the FIFA World Cup championship game. At the same time, Diamantino's father dies from a stroke after being harassed by his twin daughters.

After being blamed for losing the World Cup for Portugal, Diamantino's career is over and he becomes a national joke. While wallowing in sorrow over his career and his father's death, Diamantino sees an ad for child refugees who need a family. He goes on a TV interview to express his desire to adopt a refugee. Two lesbian Secret Service agents who have been investigating Diamantino for money laundering, see the interview and decide to capitalize on the opportunity. One of the agents named Aisha disguises herself as a boy named Rahim and poses as Diamantino's adopted refugee. Meanwhile, his sisters volunteer their brother to the ministry of propaganda whose plan is to clone Diamantino and create an entire soccer team of genius players. Diamantino, being a gullible and obedient little brother, doesn't suspect anything and goes to his appointments every day with genetic specialist Dr. Lamborghini thinking they are trying to get his mojo back. Diamantino's cloning treatment involves a large amount of hormones and he begins to grow boobs.

Agent Aisha's undercover investigation reveals that Diamantino is innocent and it is his sisters who are stealing from him and laundering the money. During Aisha's investigation, she and Diamantino begin to get close and her lesbian partner accuses Aisha of being too emotionally invested in the case. Diamantino's sisters see security camera footage of their fight and realize who Aisha is and what she's doing. The sisters attempt to kill Aisha but are interrupted when they see Diamantino arriving home. Aisha escapes and goes to Diamantino who takes her to the safety of his yacht. On the yacht, Aisha and Diamantino have a romantic moment and she reveals to him that she is a woman. The next morning, Diamantino's sisters text him the video of Aisha and her girlfriend arguing and trick him into believing it was them who stole the money from him. Diamantino then goes to meet with his sisters who then kidnap him and bring him to the cloning facility. The last phase of the cloning is to transfer his genius to the clones, and it would kill Diamantino. However, the last phase fails because Diamantino is too dumb and doesn't have enough active brainpower to transfer. Meanwhile, Aisha breaks into the facility to rescue Diamantino but runs into the twins who try to kill her. Aisha ends up killing both the twins and tries to rescue Diamantino who realizes her feelings for him were true. Just as Aisha is about to get Diamantino to safety, she is shot by the director of the ministry of propaganda who then proceeds to try and drown her. Diamantino musters all of his strength and kills the director, saving Aisha. Diamantino realizes he got his mojo back, but decides to give up soccer, and he and Aisha live a happy life together.

Cast

Шаблон:Div col

  • Carloto Cotta as Diamantino Matamouros
  • Cleo Tavares as Aisha Brito
  • Anabela Moreira as Sonia Matamouros
  • Margarida Moreira as Natasha Matamouros
  • Carla Maciel as Dr. Lamborghini
  • Chico Chapas as Chico Matamouros
  • Hugo Santos Silva as Mouro
  • Joana Barrios as Minister Ferro
  • Filipe Vargas as Helena Guerra
  • Maria Leite as Lucia
  • Manuela Moura Guedes as Gisele
  • Leandro Vieira as Goalkeeper

Шаблон:Div col end

Production

The film was produced by Maria & Mayer production company in association with Les Films du Bèlier and Syndrome Films. The producers were Justin Taurand, Maria João Mayer, and Daniel van Hoogstraten. The film was shot in Portugal, France, and Brazil through their respective production companies.[3]

Release

In the worldwide box office, the film grossed a total of $235,041, 70.2% of which came from international box office and 29.8% from the US domestic box office.[4] The film was distributed in the United States by Kino Lorber.[5] It was released in 1 theater on its opening and made $6,412. The film made a total of $70,088. The film was distributed in France by Ufo Distribution. It was released in 38 theaters and made a total of $88,310. The film was distributed in Italy by I Wonder PIctures. It was released in 51 theaters and made a total of $9,386. The film was distributed in Portugal by Zon Lusomundo Audiovisuais. It was released in 22 theaters and made a total of $65,087. The film was distributed in the United Kingdom by Modern Film Distributors. It was released in 3 theaters and made a total of $2,170.[4]

Reception

On review aggregator website Rotten Tomatoes, the film holds an approval rating of Шаблон:RT data based on Шаблон:RT data reviews, with an average rating of Шаблон:RT data. The website's critics consensus reads, "Diamantino casts a singularly surreal eye on an ambitious array of subjects, emerging with a cinematic experience as inscrutable as it is unforgettable."[6] On Metacritic, the film has a weighted average score of 73 out of 100, based on 13 critics, indicating "generally favorable reviews".[7] The film won multiple awards including the Critics' Week Grand Prize at the Cannes Film Festival in France.[8] In a review for the Los Angeles Times, film critic Justin Chang writes, that the film, "is the funniest gender-bending, human-cloning refugee-crisis soccer comedy I've ever seen, and also the most thoughtful." He goes on to talk about the film's critical reception as well as its depiction of politics saying that, "it was widely received as a welcome blast of escapism, a departure from the worthy, solemn art cinema that proliferates at international film festivals. But its madcap delirium can't hide its insistent politics, its disdain for sham populism and its compassion for the disenfranchised. "Diamantino" is no less committed to these ideas than it is to its own uneven, unforgettable lunacy."[9]

In a Critic's Pick article for The New York Times written by Glenn Kenny, he writes that the film, "feels like an early Adam Sandler comedy remixed by Pier Paolo Pasolini."[10]

In an article written for Cinemascope, author Josh Cabrita praises Daniel Schmidt and Gabriel Abrantes' directing abilities saying, "Abrantes and Schmidt broach issues such as the refugee crisis, neo-fascism, and surveillance technology with a camp concoction that effortlessly flattens this tapestry of topicalities."[11]

The Guardian gave Diamantino three out of five stars saying that, "The film is fun, but, for all its inventiveness, it's a bit tame, with its nice-but-dim hero. But Diamantino is never dull."[12]

The film was also given three out of four stars by film critic Peter Sobczynski on Roger Ebert's film review website, rogerebert.com. Sobczynski writes that, "the sheer weirdness of the whole enterprise has a charm to it and it certainly is never boring. Bewildering, maybe, but never boring." He goes on to write, "The stuff involving the mad scientist and the unexpected results of her experiments on Diamantino are absurd enough but enter the proceedings in such an arbitrary manner that it fails to land the impact that it might have had with a more focused screenplay."[13]

Awards

Award Date Category Nominee(s) Result Reference
Cannes Film Festival 2018 Critics' Week Grand Prize Daniel Schmidt

Gabriel Abrantes

Les Films du Bélier

Шаблон:Won [14]
Cannes Film Festival 2018 Palm Dog - Jury Prize Daniel Schmidt

Gabriel Abrantes

Les Films du Bélier

Шаблон:Won [15]
Cannes Film Festival 2018 Queer Palm Gabriel Abrantes

Daniel Schmidt

Шаблон:Nom [16]
Chéries-Chéris 2018 Grand Prize Chéries-Chéris Gabriel Abrantes

Daniel Schmidt

Шаблон:Nom [17]
CPH PIX 2018 Politiken's Audience Award Gabriel Abrantes

Daniel Schmidt

Шаблон:Nom [18]
European Film Awards 2018 European Comedy Gabriel Abrantes

Daniel Schmidt

Шаблон:Nom [19]
Miami Film Festival 2019 Jordan Ressler First Feature Award Gabriel Abrantes

Daniel Schmidt

Шаблон:Nom [20]
Munich Film Festival 2018 Best Film By An Emerging Director Gabriel Abrantes

Daniel Schmidt

Шаблон:Nom [21]
Neuchâtel International Fantastic Film Festival 2018 Best Feature Film Gabriel Abrantes

Daniel Schmidt

Шаблон:Nom [22]
Palm Springs International Film Festival 2019 Cine Latino Award Gabriel Abrantes

Daniel Schmidt

Шаблон:Nom [23]
Philadelphia Film Festival 2018 Special Jury Award - Narrative Feature Gabriel Abrantes

Daniel Schmidt

Шаблон:Won [24]
Philadelphia Film Festival 2018 Jury Award - Best Narrative Feature Gabriel Abrantes

Daniel Schmidt

Шаблон:Nom
Portland International Film Festival 2019 Jury Prize - Best of Ways of Seeing Gabriel Abrantes

Daniel Schmidt

Шаблон:Won [25]
Sarasota Film Festival 2018 Best Film Gabriel Abrantes

Daniel Schmidt

Шаблон:Nom [26]
Stockholm Film Festival 2018 Bronze Horse - Best Film Gabriel Abrantes

Daniel Schmidt

Шаблон:Nom [27]
Strasbourg European Fantastic Film Festival 2018 Best International Feature Film Gabriel Abrantes

Daniel Schmidt

Шаблон:Nom [28]

References

Шаблон:Reflist

External links