Английская Википедия:Dieter Schnebel

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Шаблон:Short description Шаблон:Infobox person Dieter Schnebel (14 March 1930 – 20 May 2018) was a German composer, theologian and musicologist. He composed orchestral music, chamber music, vocal music and stage works. From 1976 until his retirement in 1995, Schnebel served as professor of experimental music at the Hochschule der Künste, Berlin.

Career

Schnebel was born in Lahr/Baden. He began general private music studies with Wilhelm Siebler from 1942 until 1945, when he started piano lessons with Wilhelm Resch, and continued study with him until 1949 at the age of 19.Шаблон:Sfn He continued with music history through 1952, under Eric Doflein.Шаблон:Sfn Simultaneously he began to study composition, from 1950, with Ernst Krenek, Theodor W. Adorno and Pierre Boulez, among others. He entered formal studies at the University of Tübingen where he took musicology with Walter Gerstenberg, as well as theology, philosophy and further piano studies.Шаблон:Sfn In 1955, he left with a degree in theology,Шаблон:Sfn but with a dissertation about Arnold Schoenberg.Шаблон:Sfn Soon after, he married Camilla Riegger in 1956, and the couple had a son and daughter. Schnebel became a minister, and taught theology and religion until 1963 when he began teaching philosophy and psychology.Шаблон:Sfn After his first wife died, he underwent a period of psychoanalysis. In 1970 he married translator Iris von KaschnitzШаблон:Sfn (1928–2014), daughter of Marie Luise Kaschnitz, and began teaching religious studies and music in Munich, which he continued until 1976.Шаблон:Sfn His students included Australian composer Norma Tyer. In 1976, he began teaching in Berlin as a professor of experimental music and music research, a chair created for him. He held it until his retirement in 1995.Шаблон:SfnШаблон:Sfn

Файл:Grab-Dieter-Schnebel-Friedhof-Dahlem.jpg
Tombstone, Dahlem Cemetery

Invited by Walter Fink, he was the sixth composer featured in the annual Komponistenporträt of the Rheingau Musik Festival in 1996, where his Schau-Stücke for voices and gestures premiered.Шаблон:Sfn

Schnebel died of a heart ailment in Berlin on 20 May 2018 at the age of 88.Шаблон:Sfn His and his wife's grave is in Dahlem Cemetery.

Cycles and style

Schnebel composed several cycles of works, sometimes over a long time.Шаблон:Sfn One of them was called Versuche (Essays), consisting of four works written 1953 to 1956. They concern serial techniques, exploring space by placing performers at separate positions. His religious music includes a cycle Für Stimmen (...missa est) (For voices ...), consisting of four works written 1956 to 1969). They use the human voice and organ in experimental settings of prayers and biblical texts. A cycle Produktionsprozesse is a group of compositions related to "language and body" which concerns the physical sound production, with the performers utilizing speech and breathing organs in unusual ways.Шаблон:SfnШаблон:Sfn

His earliest works were strongly influenced by his fellow Darmstadt students Karlheinz Stockhausen, about whose early works he wrote an extended essay, and Mauricio Kagel, about whom he edited a book. Starting in 1959, he also came under the influence of John Cage.Шаблон:SfnШаблон:SfnШаблон:Sfn)

Schnebel made arrangements of works by Bach, Beethoven, Webern and Wagner, called Re-Visions, sometimes using their traditional concepts to reflect new techniques and different ways of looking at them.Шаблон:Sfn

Awards

Schnebel's awards include the Arts Prize of Lahr in 1991. He received the first European Church Music Prize in Schwäbisch Gmünd the same year. He was a member of the Berlin Akademie der Künste from 1991, and of the Bayerische Akademie der Schönen Künste since 1996.Шаблон:Sfn In 2015, he was awarded the Bundesverdienstkreuz am Bande.

Works

Schnebel's works are held by the German National Library.Шаблон:Sfn Many of them are published by Schott Music.Шаблон:Sfn

Music with orchestra

  • Compositio (1955–56, rev. 1964/1965)
  • Orchestra / Symphonische Musik für mobile Musiker (1974–1977)
  • Canones (1975–1977; 1993/1994)
  • Schubert-Phantasie (Re-Visionen I5, for divided orchestra and voices) (1978, rev. 1989 as Blendwerk, for string orchestra)
  • Thanatos-Eros (Traditione III1), symphonic variations for large orchestra (1979–82, rev.1984–85)
  • Sinfonie-Stücke (Traditione III2) (1984–85)
  • Missa, Dahlem Mass for four solo voices, two mixed choirs, orchestra and organ (1984–1987)Шаблон:Sfn
  • Mahler-Moment, for strings (1985)
  • Sinfonie X (Tradition VI) (1987–1992; 2004/2005)
  • Mozart-Moment (1988/1989)
  • Schumann-Moment (Re-Visionen II2, for voices, winds, harp, and percussion (1989)Шаблон:Sfn
  • Verdi-Moment (Re-Visionen II5, for orchestra (1989)Шаблон:Sfn
  • St. Jago (Tradition IV2, 3 speakers, 4 singers, and ensemble: music and images to Heinrich von Kleist (1989–1991)Шаблон:Sfn (rev. 1995)Шаблон:Citation needed
  • Janáček-Moment (Re-Visionen II1), for orchestra (1991)Шаблон:Sfn
  • Totentanz, ballet-oratorio for two speakers, soprano, bass, choir, orchestra and live electronic (1992–1994)
  • inter, for chamber orchestra (1994)
  • O Liebe! – süßer Tod..., five sacred songs after Johann Sebastian Bach for mezzo-soprano, chamber choir, and small orchestra (1995)
  • Ekstasis for soprano, speaker, two children's voices, percussion, choir and large orchestra (1996/1997; 2001/2002)

Chamber music

Vocal

  • Für Stimmen (… missa est): I. dt 31,6 for 12 vocal groups (1956–58), II. AMN for 7 vocal groups (1958–67), III. :! (madrasha II) for 3 choir groups and magnetic tape ad lib. (1958–68), IV. Choralvorspiele I/II for organ, side instruments, magnetic tape and amplifier (1966–69)
  • Maulwerke, for amplified voices and electronics (1968–74)Шаблон:Sfn
  • Körper-Sprache, for 3–9 performers (1979–80)Шаблон:Sfn
  • Bach-Contrapuncti (I, VI, XI) (Re-Visionen I1, for voices (1972–76); revised as O Liebe! – süsser Tod (1984–95)Шаблон:Sfn
  • Motetus I, for two choruses (1989–93)Шаблон:Sfn
  • "Mein Herz ruht müde", for alto voice and piano (1994)Шаблон:Sfn
  • Motetus II, for two choruses (1997–98)Шаблон:Sfn
  • Behütet ... : Psalm 121, for chorus (SSMezAATTBarBB), with organ or synthesizer ad lib. (2012)Шаблон:Sfn

Bibliography

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Further reading

External links

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