The Gospel book contains a poem to Ebbo (also spelled Ebo), and so is dated within the time he was archbishop, usually to the period c. 816-835 before he was deposed. Ebbo also held Rheims from 840-841 and the Gospel book may have been made for his return (Chazelle, 1074).
Style
Each page is 10 in by 8 in. The illustrations have roots in late classical painting; landscapes are represented in an illusionistic style. Greek artists fleeing the Byzantine iconoclasm of the 8th century brought this style to Aachen and Reims (Berenson, 163).
Шаблон:External media
The emotionalism, however, was new to Carolingian art and distinguishes the Ebbo Gospels from classical art. Figures are represented in nervous, agitated poses using a streaky style with swift brush strokes. The Utrecht Psalter is the most famous example of this school (Berenson, 163). Calkins (p.211) mentions the Codex Aureus of St. Emmeram (870) as another manuscript following this style.
Commentators have noted the similarity between the Utrecht Psalter and the Ebbo Gospels. The evangelist portrait of Matthew in the Ebbo Gospels is similar to the illustration of the psalmist in the first psalm of the Utrecht Psalter (Benson, 23; Chazelle, 1073). Other images in the Ebbo Gospels appear to be based on distortions of drawings which may have been from the Utrecht Psalter (Chazelle 1074). According to Goldschmidt (cited in Benson, 23):
